Sentences with phrase «sound field recordings»

M12's Lone Prairie is an experiential installation that presents video and sound field recordings captured on the High Plains of Eastern Colorado over the last year.

Not exact matches

They have also gathered field recordings of porpoise signals and built a mathematical model to simulate how porpoises generate and control their sound beams.

Thanks to cheap digital recording devices that can capture sound for days in the field, «it's really, really easy to collect sound, but it's really difficult to analyze it,» say Aaron Rice, a bioacoustics researcher at Cornell University, who was not involved in the new work.

Subjects» neural responses to sound were measured using MEG, which records fluctuations in magnetic fields caused by neural activity.

Frog census volunteers misinterpreted recorded frog sounds in the field, leading researchers to suspect that frog populations may be even lower than thought.

Ted Simons from North Carolina State University and colleagues put recordings of frogs, like this wood frog, [Wood Frog sound] in the field to test the volunteers.

The album features Bridges» silky voice humming and narrating over sounds and field recordings, as well as guided meditations.

«The industry is bracing for the record - setting debut of the highly anticipated «Avengers: Infinity War» that is expected to break through the $ 200 million opening weekend sound barrier as the summer movie season of 2018 gets off to an early and auspicious start,» mentioned comScore field place of business analyst Paul Dergarabedian.

Using state - of - the - art field recording equipment, a library of images, sound effects and excellent voice - over talent, they provide author media services such as audio books, audio promotion packages and video book trailers.

Released 2008, October Size Dimensions 110.5 x 52.6 x 17 mm Weight 145 g Display Type TFT resistive touchscreen, 65K colors Size 800 x 480 pixels, 3.0 inches — Full QWERTY keyboard — Optical trackpad Sound Alert types Vibration; Downloadable polyphonic, MP3 ringtones, composer Speakerphone Yes — 3.5 mm audio jack Memory Phonebook Practically unlimited entries and fields, Photocall Call records Practically unlimited Internal 256 MB RAM, 512 MB ROM Card slot microSD (TransFlash), buy memory Data GPRS Class 10 (4 +1 / 3 +2 slots), 32 — 48 kbps HSCSD No EDGE Yes 3G HSDPA, 7.2 Mbps; HSUPA, 2 Mbps WLAN Wi - Fi 802.11 b / g Bluetooth Yes, v2.0 with A2DP Infrared port No USB Yes, v2.0 miniUSB Camera Primary 3.15 MP, 2048 × 1536 pixels, autofocus, LED flash Features Touch focus Video Yes, VGA@30fps Secondary Videocall camera Features OS Microsoft Windows Mobile 6.1 Professional CPU Qualcomm MSM 7200 528 MHz CPU Messaging SMS (threaded view), MMS, Email, Push email, IM Browser WAP 2.0 / HTML (IE), RSS feeds Radio Stereo FM radio with RDS Games Yes + downloadable Colors Solid Black, Steel Silver GPS Yes, with A-GPS support Java Yes, MIDP 2.0 — MP3 / AAC / MPEG4 player — Pocket Office (Word, Excel, PowerPoint, OneNote, PDF viewer)-- Picture editor / blogging — Organizer — T9 — Voice memo / dial Battery Standard battery, Li - Po 1500 mAh (BST - 41) Stand - by Up to 833 h (2G) / Up to 640 h (3G) Talk time Up to 10 h (2G) / Up to 6 h (3G)

Crawling through the dungeons and caught cold standing on the windy highways and fields and lakes to record authentic ambiances and sound effects.

We have talks that run the gambit from learning how to break into the industry as an aspiring sound designer or composer, on up to advanced recording techniques for field capture of audio and designing the soundscape for a hit asymmetrical multiplayer game like Evolve.»

For example, during a project a game sound designer will undertake studio and field recording sessions, create multi-layered sound design, work on post production for linear pieces and design and implement interactive systems that influence how audio behaves in the game.

During pre-production, we're tasked with conducting essential groundwork; planning field recording excursions and developing a palette of sound, creating previsualisations and audio concepting and devising the tools, workflows and systems we'll need to create and implement the enormous volume of content each project requires.

With a focus on the intersection of composition and improvisation, he blends electronics, field recordings, and electric guitar, warping the sound sources using tape and digital processing.

At 18th Street's main gallery, Dizon will weave video that she has shot together with archival footage, text from philosophical, political, and literary sources, and sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the effects of global capitalism in the Philippines.

Commissions for this exhibition include Michel Paysant's VOX SILENTII (Eye Composing), a series of scores created with an eye tracker, a co-production with the Nouveau Musée National de Monaco; and a new piece by Em» Kal Eyongakpa using sound material from recent field recordings in Cameroon.

Comprised of improvisationally layered archival field recordings, drums, bells, and prerecorded analog sound, performance artists Dawn Kasper's new composition is loosely inspired by «The Music of The Spheres», illustrating the movement of the Sun, Moon, and planets as music.

Sound and visual artists, Steve Roden and Stephen Vitiello have collected pre-recorded works on vinyl that relate to themes of silence as well as their own field recordings of quiet spaces.

Wales in Venice: James Richards» presentation for Wales in Venice Cymru yn Fenis is his first major commission at an international biennale and consists of a new, site responsive sound installation that moves across a wide range of genres and musical languages — from rhythmic scores through sequences built up from field recordings to incidental sound.

Several works were created at her home in Algeria, including a sound installation of field recordings and a silent film, shot on her mobile phone in Paradis Plage, Oran.

Jiyeon Kim is a Seoul - based sound artist and musician working with field recording, composition, and AV manipulation as a means of exploring the environment and ephemeral phenomena.

Comprised of improvisationally layered archival field recordings, drums, bells, and prerecorded analog sound, Kasper's new composition is loosely inspired by «The Music of The Spheres», illustrating the movement of the Sun, Moon, and planets as music.

A 20 minute sound work for guitar, banjo and field recordings.

Her sound work combines field recordings and digitally - created sound to create invisible, abstract narratives.

All field recordings were made in Denver of local sounds that permeate and define the city's sonic identity.

I am also creating an installation piece on the carousel involving 5 channel sound, and field recordings of the carousel, and sonic life of the pier.

Starr's 2010 project I am a Record, according to a website description, dissected and revealed «the artist's personal, geographic and imagined environment» and featured a wide variety of recordings made since age five including the rumbling of a broken radiator which she thought was «speaking to her,» «re-enactments of secretly recorded stranger's conversation,» field recordings, singing voices, paranormal telephony, family dinner conversations, «air eddies transformed into music,» and other unusual sounds.

In 2013, New York City's Museum of Modern Art (MoMA) held its first major exhibition of sound art, including visualisations of sounds inaudible to humans, and field recordings of a Taiwanese sugar factory.

The Los Angeles - based artist worked with composer and sound engineer Michael Webster to transcribe a French compilation of field recordings of crickets from around the world into a musical score, then auditioned musicians to try to play it.

At 18th Street's main gallery, Dizon will weave the video that she has shot together with archival footage, text from philosophical, political, and literary sources, and sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the effects of global capitalism in the Philippines.

The installation brings together evocative sounds, some made by traditional instruments and field recordings, others masked through electronic processes.

For the exhibition, Gauthier will bring the creek into the Chimney as sound and data, including as a sound piece compositing some of these interviews with live and field recorded sounds.

Becky Grajeda makes works of sound assemblage, multi-channel installation and performance frequently include field recordings of the sounds of machinations and moving bodies and / or in involve abstracting vocal inflection, intonation, and intended meaning in speech.

«As sound maps do, it also features field recordings which are accompanied by voice narrations that tell fragmented stories about a woman who was born and raised, and has lived her entire life on this fictional island.»

Field recordings mingle with limping, stately, rhythms, together forming a rich community of sound.

Embedded in this temporary floor, and amplified by it, is a sound piece, Paradis (2018), consisting of field recordings Ourahmane made in Oran along with scores composed and performed by the artist and collaborators.

Inspired by a poetic and chance encounter in which the artist discovered a series of coffee cans placed underneath a leak to catch drips of water, Shimabuku recreates the installation with a coffee can tin out of which emanates a field recording of water droplets, reminiscent of a samba, comprising the memory of a sound.

Using a variety of media, the artists explore the evocative potential of different sounds — such as field recordings, hymns and story - telling — as well as their ability to both conjure and challenge cultural memory, and connect the past to the present.

Byron Westbrook will present a performance of recent electronic sound compositions in a customized multi-channel audio format, featuring artificial field recordings, experiments with phase relationships, synthesized ASMR and vague rhythm.

Her compositions encompass field recordings and found sounds and are inspired by ideas and reflections on silence and absence, architectural urban spaces, and feminist activism.

This work is a computer generated montage of images and audio created from a library of thousands of sounds and scanned photographs that were collected from a vast range of sources, including field recordings and clippings from image libraries used before the advent of the internet.

Titled after Marcel Duchamp's readymade of a ball of string containing a mysterious sound - making object hidden in its folds, With Hidden Noise brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes.

It brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes; and at Wave Hill, it plays with the sounds of the park itself and enhances the senses.

With Hidden Noise is an exploration of sound art that invites gallery and museum visitors to spend time listening with ears they may not know they have... Titled after Marcel Duchamp's readymade of a ball of string containing a mysterious sound - making object hidden in its folds, this Exhibition in a Box brings together evocative sounds, some recognizable from traditional instruments and field recordings, and others masked through electronic processes.

Audio track is my field - recording sounds of Gihon River flowing right outside the studio.

The soundtrack of the nearly half - hour film consists of a montage of recordings made on site and archival field recordings, scillating between distinctive isolated insect sounds and bird calls and an intense droning noise.

I plan on utilizing a variety of techniques such as rubbings, field recordings / sound experiments, and long term sun exposure «paintings», which will result in a collection of visual and sonic stories inspired by the rich history of the Headlands.

The album combines field recordings with electronic sound and acoustic instruments.

Nathan Halverson is a digital media artist and educator whose work, often in sound and video, uses elements of field recording, appropriation, and live performance to investigate the intersection of sound and image with the acts of hearing and seeing.