Sentences with phrase «sound installation times»

«This project is an extension of something that's very much been a part of our history,» said Kivland, noting that the organization helped Minimalist composer La Monte Young realize his Dream House in 1979, and acquired Max Neuhaus's sound installation Times Square in 2002.

Known for their technical experimentation with popular visual culture, sound, and sculpture, the artists will present a project for Times Square that responds to the history and the spectacle of the site: the ball drop on New Year's Eve; the sound generated by Max Neuhaus» 1977 sound installation Times Square; and the signs on corporate billboards.

Not exact matches

Nick added: «Spending time recording the sound of the building's exact fire alarm noise during installation reduces frustration and could save lives.»

Curated by Adrienne Edwards (Walker Art Center, Minneapolis; recently appointed Whitney Museum of American Art, New York) and entitled «ASSEMBLY,» the time - based program will feature processions, ritualistic and conceptual performance alongside sound installations, banners and flags.

SVITER art group and Ivan Svitlychnyi, whose work overlaps with Mikhailov's interest in the mutation of information and data echo chambers, will present a site - specific sound installation in which drum machines and electronic synthesizers create a unique algorithm that converts data in and around the pavilion into audio tracks in real time.

Crickets, 2012 - 13 HD Video with surround sound 17:25 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Widely recognized as the leading video artist of our time, Bill Viola employs sophisticated state - of - the - art technologies to create installations that envelop the viewer in image and sound.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

Crickets, 2012 HD Video with surround sound 17:25 minutes Installation view, Mungo Thomson: Crickets Times Museum, Guangzhou, China

The Refusal of Time (2012) is an all - enveloping, multi-sensory installation that explores the transformation of time into material objects, sound, images and mechanTime (2012) is an all - enveloping, multi-sensory installation that explores the transformation of time into material objects, sound, images and mechantime into material objects, sound, images and mechanics.

Crickets, 2012 HD Video with surround sound 17:25 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013 Photo: Kate Russell

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

Two - channel high definition video installation (sound, color), run time: 7:24.

The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.

The Sculpture / New Genres Minor provides students the opportunity to explore the technical, formal, historical, and theoretical concerns of creating meaningful objects, installations and time - based art (including video, sound and performance) through a combination of studio and art history courses.

The 8 - track sound installation Voices from 1974, which can be heard for the first time as a digitally synchronized version, consists of a complex choreography of several voices and soundtracks emanating into the empty space from eight loudspeakers.

Installation view of sculpture by KEVIN BEASLEY that features an audio component capturing real - time sound from the Casey Kaplan space at Frieze New York.

Her work has its foundation in the time based, combining medias such as video, sound, performance and installation.

Using her body, its breathing, touching, shaping and transitioning to explore space and time, her practice engages in decolonial and feminist explorations of the present through performance, installation, video and sound.

Kiwanga's play focuses on the myth of the so - called «Afrotunnel», a tunnel underneath the Strait of Gibraltar (Strata (Technicolor), 2016) and Hamadeh's immersive and at times almost violently loud sound installation / performance, Can You Pull In an Actor With a Fishhook or Tie Down His Tongue With a Rope?

Currently on view at YBCA, San Francisco is «It Only Happens All of the Time,» a solo exhibition of Los Angeles - based artist Jacqueline Kiyomi Gordon featuring works in sound, installation, and sculpture.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

The exhibition presents a group of recent work from the Zabludowicz Collection: three films The Udder (2014), Blood (2015), and Blue Roses (2016)-- installed as a trilogy for the first time — alongside a sound and light installation Faint with Light (2016).

Commissioned originally for dOCUMENTA 13 in Kassel, Germany and making its West Coast debut at SFMOMA, artist William Kentridge's The Refusal of Time (2012) is an immersive installation combining synchronized video projections featuring live action, animation and dance, with audio feeds that incorporate music and sound and a... Read More

Or Mroué's related installation at the Hauptbahnhof, which consist of sounds, projected pictures and flip books trying to pick apart the political, ethical and philosophical implications of an artist using an image of a sniper shooting an image - maker who is definitely anonymous and, in the time of our looking, possibly dead.

In «A new Live programme for Frieze New York», Julie Belcove previews ASSEMBLY, the Adrienne Edwards - curated section for galleries to «present performance -, sound - and time - based installation work that addresses «significant issues» of the contemporary world».

Following the film screening of NEVER RECORDS: YOU ARE NOT LISTENING, the artist will present a new performance of his solo «Drums & Roses» (this time inspired by the floral elements prominently featured in the DAVE MULLER: EVERYTHING SOUNDS GOOD RIGHT NOW mural / installation currently on - view in the Bob Rauschenberg Gallery).

Mixing animation, sculpture, and sound, their installations challenge our perception of space and time.

artifice, Betty Susiarjo, body language, change, Chen Wei, exhibition, film, group exhibition, Hiraki Sawa, installation, memory, motion, movement, Moving Image, Ota Fine Arts, perception, performance, photography, rhythm, Samson Young, sound, space, speech, Tang Dixin, time, Victor Gui, video

As visitors approach, a real - time sound installation grows louder and is finally fully audible at the windows themselves.

2011 Sound Installation, What Happens When, with Chef John Fraser and designers Elle Vos and Emilie Baltz — multi-zone sound project for experimental restaurant in SoHO (NYC) Blanche Magazine New York Times Edible Manhattan Kickstarter Blog Sound Installation, What Happens When, with Chef John Fraser and designers Elle Vos and Emilie Baltz — multi-zone sound project for experimental restaurant in SoHO (NYC) Blanche Magazine New York Times Edible Manhattan Kickstarter Blog sound project for experimental restaurant in SoHO (NYC) Blanche Magazine New York Times Edible Manhattan Kickstarter Blog Audio

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

Central in the exhibition is The Refusal of Time, an all - enveloping, multi-sensory installation that explores the transformation of time into material objects, sound, images and mechanTime, an all - enveloping, multi-sensory installation that explores the transformation of time into material objects, sound, images and mechantime into material objects, sound, images and mechanics.

For the first time, Swiss artist Daniele Buetti has specifically developed a sound installation for hypnotic «color cleansing» at the SCHIRN.

This October in New York, Independent Curators International (ICI) produces the Curatorial Intensive: Curating Time - Based Media, a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics, and challenges of organizing exhibitions featuring durational art, installations, performance, dance, video, film, and sound art.

Carnivorous lampshades, pole dancing robots, man - animal - machine hybrids, mechanical writing machines, subliminal and sensitive installations, mesmerising light sculptures and cybernetics are just some of the incredible exhibits at Kinetica Art Fair, the UK's first art fair dedicated to kinetic, robotic, sound, light and time - based art, that took place in London from February 27 to March 2.?

Emeka Ogboh, The Way Earthly Things Are Going, 2017, Multichannel sound installation and real - time LED display of world stock indexes, Installation view: Documenta 14, Athens Conservatoire (Odeion), Athens, Photo: Mainstallation and real - time LED display of world stock indexes, Installation view: Documenta 14, Athens Conservatoire (Odeion), Athens, Photo: MaInstallation view: Documenta 14, Athens Conservatoire (Odeion), Athens, Photo: Mathias Völzke

The exhibition «Time, Light, Japan» at the Art Gallery of New South Wales explores the cyclical nature of time through video, photography, sound and installatTime, Light, Japan» at the Art Gallery of New South Wales explores the cyclical nature of time through video, photography, sound and installattime through video, photography, sound and installation.

Olympia (The Real Time Disintegration Into Ruins Of The Berlin Olympic Stadium Over The Course Of A Thousand Years), 2016 Two - channel video installation (color, stereo sound, HD animation)

It is the quality of the synchronized sound that dominates Hannah Perry's immersive installation and turns it into an experience of time and space.

Filed under Featured, Midtown, Neighborhoods, Times Square · Tagged with DIA foundation, Max Neuhaus, New York City Public Art, Planet Hollywood, Sound Art, sound installation, TImes STimes Square · Tagged with DIA foundation, Max Neuhaus, New York City Public Art, Planet Hollywood, Sound Art, sound installation, TImes SSound Art, sound installation, TImes Ssound installation, TImes STImes Square

Urías presents glass sculptures, ink drawings, installations, and sound that explore the ethereal interconnectedness of existence, over vast expanses of time.

Category: Featured, Midtown, Neighborhoods, Times Square · Tags: DIA foundation, Max Neuhaus, New York City Public Art, Planet Hollywood, Sound Art, sound installation, TImes STimes Square · Tags: DIA foundation, Max Neuhaus, New York City Public Art, Planet Hollywood, Sound Art, sound installation, TImes SSound Art, sound installation, TImes Ssound installation, TImes STImes Square

Candice Breitz, Factum, 2009, six dual channel and one three channel video and sound installation, various times, © the artist.

Still from Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years), 2016 two channel video installation, color, stereo sound, HD animation, 1000 years DC - 51

Translated into English for the first time, the voices of these characters are manifested in a sound installation in the Curve, where the earthquake comes to represent the rising tensions of society facing the ruins of urban environment, political and religious power and social relationships.

Modern Fuel Artist - Run Centre invites artists to submit works produced in visual and time - based disciplines such as painting, sculpture, printmaking, video, installation, and sound for our Annual Juried Members» Exhibition.

He investigates sound, time and space on the basis of mathematical methods and transforms them in his concerts and installations into an intense experience for the audience.

Color, Courtesy of the Artist and Marian Goodman Gallery; John Gerrard, Western Flag (Spindletop Texas), 2017, 2017, simulation, Courtesy the artist and Simon Preston Gallery, New York & Thomas Dane Gallery, London; Arthur Jafa, Love is The Message, The Message is Death, 2016, video, color and black - and - white, sound, Courtesy of the artist and Gavin Brown Enterprise, NY Shirin Neshat, Soliloquy, 1999, Two - channel video / sound installation, Running time: 33 min.

Images: Chosil Kil, Ducks and Drakes, 2014, latex balloons, helium, hi - float, thread, aluminum, rubber bands, coins, Courtesy of the artists and One and J. Gallery; Chosil Kil, Doubles, 2014, leather, aluminum, wooden frame Courtesy of the artists and One and J. Gallery;; Chosil Kil, Volume II, 2013, performance, Courtesy of the artist; Chosil Kil, Doubles, 2014, leather, thread, wood, copper, Courtesy of the artist and Aoyama Meguro; Chosil Kil, You owe me big time, 2012, concrete floor, acrylics, filler, corks, Installation view, Objectif Exhibitions, 2012, Courtesy of the artist and Galleri Opdahl; Chosil Kil, 49th Attempt, 2012, lambskin leather, thread, sound baffling, Styrofoam peanuts, zip, Courtesy of the artist and Galleri Opdahl