Sentences with phrase «sound performance from»

A mix of wasted chances from Barcelona and a defensively - sound performances from Juventus saw the Old Lady of Italian football book...

Not exact matches

It sounds too good to be true, but science has shown that simply reconceptualizing stress not as a problem, but as a response designed to prepare our bodies and minds for taxing situations, can turn that sweaty palm feeling from a health risk to a performance enhancer.
I think the issues with the movie extended beyond Twitter; the new voters I've talked to are less enthusiastic about it than the ones you've talked to (New Yorkers, you know), and it sounds like we've both heard from at least some voters who are drawing a bright line between the performances (thumbs up) and the movie (thumbs sideways).
It has been my experience that those church leaders who are more into control and performance will get very uncomfortable and irritable when someone joins the group who actually want to talk with God in order to learn from Him, rather than talk (or yell) at Him in the hopes of sounding super-spiritual and maybe even manipulating something out of Him.
The performance space offers excellent sightlines and exquisite sound from every seat.
A strong performance from the Arsenal stalwart as he marshalled the backline and produced a defensively sound display.
As crazy as it sounds Wilshire is only a couple of good performances away from being right back in Gareth Southgate's plans, with his prospects helped by England boring us to death in the last fortnight.
Without sound recovery practices its only a matter of time before you find your performance suffering, yourself injured or suffering from over-training.
The good news for Arsenal fans is that Wenger knows that he and his team need to restore some pride after the shambles of the first two games and so he is calling for a huge performance from Arsenal and it sounds as though he is planning to field as strong a side as possible.
@akin I think Wenger should stick with gab n koscielny coz they had a bad day due to poor performance from arteta and d full backs.they'll both b more comfortable with coq Caz n rams, and then bells n Monreal.my concern, which is that of all of us is converting our chances.do u know who I actualy think can rescue us?RAMSEY!yea as odd as it sounds its rams who can get into those positions on his days n put d ball @d back of d net.Alexis lion should also find it good if Chelsea uses azpillicueta in place of ivanovic.I see us beating chelsea
But aside from the improved performance and reliability, one of the big benefits was the glorious sound of that V12 motor, as you can hear in this video of one, taken from this year's Spa Classic.
Of course, the team from Scotland were always unlikely to outclass Barcelona at the Camp Nou but Catalan newspaper Mundo Deportivo sound genuinely annoyed with just how bad the performance was.
The issue of breastfeeding ought to be more of a priority in our country.It covers several major problems all in one.Healthcare, economy, environment, jobs (alot more would be created from an increase in nursing than from formula production) our children's performance in school and the rate of college attendance, obesity, and less unwanted pregnancies (sounds harsh but most of our world problems are connected to an exploding overpopulation and a lack of adequate resources).
Professional teams from every sport are beginning to recognize the role of chronically - sound nutrition in the improvement of performance indicators.
Many people from around the world indulge themselves through jazz performances, nights filled with the sound of strong fanfares or playful saxophones, many exquisite male and female vocals from all over the world, performing the sweetest music for your ears!
It's clear immediately that filmmaker Peter Berg is looking to ape the feel and tone of Paul Greengrass» work, as Deepwater Horizon boasts a documentary - like feel that's heightened by its low - key performances and general lack of context - with scripters Matthew Michael Carnahan and Matthew Sand, in terms of the latter, delivering dialogue that tends to emphasize authenticity over exposition (ie much of this stuff sounds as though it was pulled directly from real - life transcripts).
Despite some intermittent pacing issues and some horrendous sound quality problems during the first 30 minutes, the film delivers on all other fronts, with superb performances from its excellent ensemble cast (especially protagonist Cliff Curtis) and a nuanced script that tackles its complex story line on multiple levels.
It's clear immediately that Foley has his work cut out for him in terms of capturing the viewer's interest, as Perfect Stranger suffers from a disastrously unconvincing opening half hour that's reflected in everything from the forced - sounding dialogue to the over-the-top performances to the laughable portrayal of Rowena's online chat sessions.
I know it sounds like I'm trashing this movie, but the story has real juice and complexity, the performances have muscle, and the political backdrop is ripped from the headlines.
The Blu - ray's top menu plays sound clips from the performances and from the pervasive presidential campaign while moving the cover's characters and graphics across a patriotic backdrop resembling the packaging.
Kopecky Family Band sprouts some serious sounds that are ripe for the harvest in this performance from The Launch Pad.
The performances from everyone, especially Kwanten and Dermody, were dramatically sound.
Summary The Light Between Oceans is a depressing story that the viewer knows can not end well for the characters; however, the film is beautifully shot, delivers wonderful surround - sound audio, and is carried by outstanding performances from its cast.
But by bringing in a host of cameo performances, all with silly foreign accents (Ashley Judd as a photographer sporting a Russian accent as if she's from Kentucky and the Australian actor Geoffrey Rush as Trotsky, who is never able to overcome sounding more Australian than Russian), it took away from the film's energy and left it stuck in the usual banality reserved for such Hollywood biopics.
What we are excited about: Robert De Niro in a boxing movie might sound like a cliché, but you never take a performance for granted from one of the greatest actors to ever live.
Just missing out was Kelly Reichardt «s thriller «Night Moves,» a shift in direction for the «Meek's Cutoff» helmer that nevertheless couldn't have been made by any other director, and which showcases a career - best performance from Jesse Eisenberg (though it sounds like «The Double» will give this one some competition for that prize).
While Buchanan's logic with regard to the summer tent pole is sound, there's one glaring omission from his article: the outstanding box - office performances of The Purge and The Conjuring, two original works, both horror films.
No doubt he's drawing from the way Paisley himself acted and sounded, but while Spall intends to convey the reverend's regal stature in his body movements and line deliveries, his performance mostly comes off as too much distracting external technique.
That's the only reason I enjoy his films anymore because otherwise he doesn't know about «writing dialogue that doesnâ $ ™ t all sound like its coming out of his mouth, where to put the camera or how to get even halfway decent performances from talented actors.»
Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.
Gorgeous cinematography, stellar sound design, and a solid performance from Blake Lively send
Gorgeous cinematography, stellar sound design, and a solid performance from Blake Lively send The Shallows buoying above other shark fare, but inconsistent storytelling and off - kilter action sequences keep it from making bigger waves.
The top two daddies look to be «Indiana Jones and the Kingdom of the Crystal Skull,» part of a franchise that's always good for sound, score and design categories, and «The Dark Knight,» which could offer one of the most daring performances of the year from the late Heath Ledger (as the Joker).
Wheatley beautifully blends the freaky sound design and unsettling atmosphere of his previous picture to a comedic sensibility that owes a little something to Julia Davis («Nighty Night «-RRB- and Mike Leigh, but the real genius of the piece comes in the way that Lowe and Oram's script (and the hopefully - star - making performances from the duo) is really a trojan horse; underneath the glam - free «Natural Born Killers» overtones, it's a beautifully observed drama about a dissolving relationship — a blood - spattered «Blue Valentine,» if you will.
Otherwise, aside from the aforementioned «21 Jump Street» and «Beyond The Hills,» I also loved Steven Soderbergh «s «Magic Mike,» his best film, in my eyes, since «Solaris,» while Peter Strickland «s «Berberian Sound Studio» was a hugely impressive sophomore film from the British director, with Toby Jones giving one of the best performances of the year.
Topped with tremendous performances by the cast, and masterful work from DP Matthew Libatique, production designer Philip Messina and the entire sound department, this provocative picture's nihilism wows.
Sounds like a pretty simple premise, but this late -»60s thriller nailed the «home invasion» premise decades before it became so popular, thanks in large part to director From Russia With Love director Terence Young, Ms. Hepburn's excellent performance, and villains like Richard Crenna and a young, freaky Alan Arkin.
Kelly Reichardt's minimalist Western, about a lost wagon train and the man who thinks he knows the way to safety, was one of the best films of 2010, with a strong performance from frequent Reichardt star Michelle Williams and a haunting sound design.
It's a very strongly female crew [some 40 of this year's AFI films, btw, have women directors], it takes a really strong and in - depth look at American history and the politics of race, it's just really well - crafted with Dolby Atmos sound in a historical drama, and great performances from a really incredible ensemble cast.
It delivers the necessary common beats, ensuring it's an entertaining piece from beginning to end, but thanks to Ron Howard's impeccable visuals, Brühl and Hemsworth's noteworthy performances, Peter Morgan's beautifully layered script, and the downright rousing sound design, «Rush» offers an exceptional range of emotion.
Long on style, short on plot, Mickey Keating's Darling benefits from meticulous sound design, craftful framing, a strong lead performance, and your patience.
All of this is slightly better than it might sound, although most of that is due to the performances, especially — and obviously — from Schumer and Hawn.
From the sound of a faucet off screen to the appearance of a pigeon, every nuance of performance, every shot and every sound effect work together toward a greater whole.
The Mad Men star is more than able to hold her own as Ginger's beleaguered mother, but her strained attempts at capturing English vowel sounds take away from an otherwise fine performance.
With the impeccable cinematography and haunting sound design, Hadzihalilovic creates some incredibly potent sequences throughout Innocence and gets astonishingly natural and perceptive performances from the entire young cast.
Working from a true story, Frears and screenwriter Martin Sherman have designed a vivid theatrical world, complete with a list of new, vintage - sounding songs, boisterous musical numbers and spiky performances by the two leads.
With XC2, Chrono Trigger composer Yasunori Mitsuda is to be involved at all levels of the game's sound production, from composition to score proofing and performance recording.
I assume these fears are held by those who have not witnessed the power of a well - designed and well - executed classroom - performance task to open wide the doors on new insights, ground young adults on a foundation of sound thinking habits, and engender the confidence that comes from successfully rising to a challenge.
The halls are alive with the sound of music Music rooms require particular acoustic attention, as they can strongly vary in size and purpose — being used for anything from small practice rooms for one musician to large performance rooms for rehearsals and performances.
«It also exhibits a lack of faith in the abilities of education professionals at the New Hampshire Department of Education, leaders of the state Board of Education, and board members from local school districts to make sound decisions regarding education standards designed to raise student performance
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