Not exact matches
This 7 - foot alley offers
electronic scoring and
sound effects.
One conspicuously fine contribution is Cliff Martinez's propulsive
electronic score, which makes the movie
sound much hipper than it is.
It's a
score that re-defines what a science - fiction film can
sound like in a way that's reminiscent of Vangelis revolutionary
electronic composition for Blade Runner.
A unique
sound effect buried within the
score of Matt Ruskin's new film Crown Heights is an
electronic feedback loop or sort of white noise that permeates the soundtrack, echoing the wall of obfuscation and deafness that befalls Colin Warner (Lakeith Stanfield) as he's sent away for a murder he didn't commit.
Ben Salisbury and Geoff Barrow describe their dread - filled
score as «a mix of organic and
electronic sounds».
The unmemorable orchestral
score is supplemented by contributions from Alan Parsons, whose synth - driven music has an
electronic dance beat and
sounds like discarded tracks from «I, Robot.»
SOUNDS: James Newton Howard's
score is elegant, whether it features strings balancing on a high wire accompanied by
electronic drums, or is presenting a pretty waltz that adds audible beauty to the film's extravagant imagery.
But this was far from a typical Barry
score: it's got a sweet, lovely main theme but otherwise this is dark suspense music marked as being distinctive in the composer's vast filmography thanks to its
electronic nature, with Barry enlisting the help of Jonathan Elias to realise the various
electronic sounds.
«People could listen to Ex Machina and go, «Yeah that
sounds like a standard
electronic score.»
Cohen's straight approach is also mirrored by BT's bombastic
score, which follows the same potent mix of big orchestra
sounds integrated with
electronic sweetening and enhancement effects.
The soundtrack's full of 90s hits from Pulp, Primal Scream, The Housemartins and more, while Steven Price's orchestral
score actually has quite a bit of refreshing earnestness to it — the 90s pop songs solidify the nostalgia - comedy part of The World's End, while the eerie
electronic sounds and intense orchestration of Price's
score help immensely to sell the action scenes and drama.
One of the most distinctive elements of The Black Case is its ominous ambient
sound and haunting
electronic score.
The game's
sound is also spectacular, with a moving orchestral and
electronic score, and the game being presented in full 5.1 surround
sound.
The
score for Remember is particularly noteworthy with a strong orchestral
sound tinged with an
electronic vibe.
We wanted to get an
electronic element into the
score as well as the orchestral
sound that he was known for.
The absorbing
score shifts from soulful jazz to the
electronic sounds of collisions, weapons, and ominous weather lifted from the popular game Grand Theft Auto to the heightened tones that might accompany a horror movie.
Tudor's last work for Cunningham was
Soundings: Ocean Diary, the
electronic component of the
score for Ocean (1994).
A storm, thunder,
sounds of nature blended with a haunting
electronic score, blurred figures, and finally Monet's house and arbored paths through lush gardens, the pond with the water lilies and Japanese bridge that Monet so lovingly recorded over and over again.
Pilgrim is a physical journey through the mystical
sound scores created by
Electronic Musician James Holden.
[13] A mirror duet drawn from a solo, If You Couldn't See Me (1994), in which Brown performed entirely with her back to the audience, it is performed to ten minutes of an
electronic «
sound score» on a bare stage.