Featured in Forbes (June 2010) for developing
space age material for Mount Everest team with the warmest and thinnest jackets using ZeroLoft insulation material.
Wouldn't there be
some space age material that had god's voice recorded, uncorrupted over the centuries and there for everyone to hear.
«It is literally, no exaggeration,
space age material,» says Oliphant.
Not exact matches
These are not old - fashioned, cast - iron Soviet tanks; these are more like the M1 tanks of the U.S. Army, made of
space -
age materials and jammed with sophisticated technology from one end to the other.
The device isn't made of some
space -
age magic
material or cut from a single block of aluminum like an iPhone or HTC device, and because of that, Samsung (as a company, mind you) sucks?
With activities designed for all
ages, families are invited to spend the day experimenting together as they explore the celestial mechanics of a solar eclipse, relate size and distance in
space, and test different
materials to determine how well they protect from the sun's UV rays.
To help children get the most out of unstructured playtime, be sure to have plenty of
materials on hand —
age - appropriate toys, a big enough
space, and plenty of time.
Such a discovery can make a parent worry about the safety of such
space -
age material.
As Elliot grew, he was no longer content to hang out in his own
space during our school day and do his own thing away from the preschool
materials, but giving him free reign in a classroom not designed for his
age group was both dangerous for him and frustrating for those it was intended for.
Often school -
age kids don't need any prodding to turn their home into a laboratory — just the time,
space,
materials, and supervision to safely do their thing.
They do not compete nude like classical Olympians: they wear running shoes, they box with gloves, they vault on poles of
space -
age materials.
Group 1:
Materials, Resonators, & Resonator Circuits A. Fundamental Properties of
Materials B. Micro - and Macro-Fabrication Technology for Resonators and Filters C. Theory, Design, and Performance of Resonators and Filters, including BAW, FBAR, MEMS, NEMS, SAW, and others D. Reconfigurable Frequency Control Circuits, e.g., Arrays, Channelizers Group 2: Oscillators, Synthesizers, Noise, & Circuit Techniques A. Oscillators — BAW, MEMS, and SAW B. Oscillators - Microwave to Optical C. Heterogeneously Integrated Miniature Oscillators, e.g., Single - Chip D. Synthesizers, Multi-Resonator Oscillators, and Other Circuitry E. Noise Phenomena and
Aging F. Measurements and Specifications G. Timing Error in Digital Systems and Applications Group 3: Microwave Frequency Standards A. Microwave Atomic Frequency Standards B. Atomic Clocks for
Space Applications C. Miniature and Chip Scale Atomic Clocks and other instrumentation D. Fundamental Physics, Fundamental Constants, & Other Applications Group 4: Sensors & Transducers A. Resonant Chemical Sensors B. Resonant Physical Sensors C. Vibratory and Atomic Gyroscopes & Magnetometers D. BAW, SAW, FBAR, and MEMS Sensors E. Transducers F. Sensor Instrumentation Group 5: Timekeeping, Time and Frequency Transfer, GNSS Applications A. TAI and Time Scales, Time and Frequency Transfer, and Algorithms B. Satellite Navigation (Galileo, GPS,...) C.Telecommunications Network Synchronization, RF Fiber Frequency Distribution D. All - optical fiber frequency transfer E. Optical free - space frequency transfer F. Frequency and Time Distribution and Calibration Services Group 6: Optical Frequency Standards and Applications A. Optical Ion and Neutral Atom Clocks B. Optical Frequency Combs and Frequency Measurements C. Ultrastable Laser Sources and Optical Frequency Distribution D. Ultrastable Optical to Microwave Conversion E. Fundamental Physics, Fundamental Constants, and Other Applica
Space Applications C. Miniature and Chip Scale Atomic Clocks and other instrumentation D. Fundamental Physics, Fundamental Constants, & Other Applications Group 4: Sensors & Transducers A. Resonant Chemical Sensors B. Resonant Physical Sensors C. Vibratory and Atomic Gyroscopes & Magnetometers D. BAW, SAW, FBAR, and MEMS Sensors E. Transducers F. Sensor Instrumentation Group 5: Timekeeping, Time and Frequency Transfer, GNSS Applications A. TAI and Time Scales, Time and Frequency Transfer, and Algorithms B. Satellite Navigation (Galileo, GPS,...) C.Telecommunications Network Synchronization, RF Fiber Frequency Distribution D. All - optical fiber frequency transfer E. Optical free -
space frequency transfer F. Frequency and Time Distribution and Calibration Services Group 6: Optical Frequency Standards and Applications A. Optical Ion and Neutral Atom Clocks B. Optical Frequency Combs and Frequency Measurements C. Ultrastable Laser Sources and Optical Frequency Distribution D. Ultrastable Optical to Microwave Conversion E. Fundamental Physics, Fundamental Constants, and Other Applica
space frequency transfer F. Frequency and Time Distribution and Calibration Services Group 6: Optical Frequency Standards and Applications A. Optical Ion and Neutral Atom Clocks B. Optical Frequency Combs and Frequency Measurements C. Ultrastable Laser Sources and Optical Frequency Distribution D. Ultrastable Optical to Microwave Conversion E. Fundamental Physics, Fundamental Constants, and Other Applications
Seriously, if NASA's looking for some new
space -
age material to build spacesuits out of, velour is the ticket man.
Play
spaces will typically involve combinations of: • Large areas of hard surfaces (for a range of ball games, rebound walls, etc.); • Smaller hard surfaced areas for hop - scotch, elastics and other small group games; • Large grassed area for running, ball games, athletics and other activities; • Play equipment for different
aged students, catering for potentially large groups of students at any one time and providing a range of types of activities; • Small
spaces with seating for individuals and small groups; • Smaller grassed areas for a variety of activities requiring intimate
spaces; • Sand play areas, dirt, water and planting for creative activities; • Areas suitable for marbles, small cars and toys, digging, and play with loose
materials and surfaces; • Areas for dramatic / role play which might include decks, cubbies and planting; • Shade and shelter, drinking water and other utilities; • Shrubs and trees for hiding, shelter, imaginative games; • Tables and seats for a range of group activities; • Gathering
spaces for assemblies, performances and community activities; and, • Quiet
spaces as well as busy
spaces.
Which instructional method is «right» for a particular lesson depends on many things, and among them are the
age and developmental level of the students, what the students already know, and what they need to know to succeed with the lesson, the subject - matter content, the objective of the lesson, the available people, time,
space and
material resources, and the physical setting.
That costly
space -
age polymer's strength and weight - saving properties were first proved to the world by none other than McLaren when it used the new
material to form the monocoque on the 1981 MP4 - 1, the revolutionary F1 winner designed by John Barnard shortly after Dennis acquired control of the racing enterprise.
The car is a design study based on the original Carrera 4 and is built using all sorts of
space -
age materials and funky techniques, like sandwich - type construction on the car's outer skin.One of the most unique parts of the car is the tires.
While not as quirky and
space -
age as the Prius interior, it is more handsome and features higher quality and softer - touch
materials than buyers will be used to in this segment.
The Nokia X7 is a phone with a very unique design and striking features, with beautifully chiselled corners, sharp angles and made from «
space -
age»
materials.
Of those I visited, Art Miami reprised its welcome survey of Latin American artists; Untitled lit its beach tent with wide, carefully curated booths showing refreshingly unfamiliar
material from all over the world; Pulse drew the young to accomplished work by mid-career artists who remain affordable; and the Design Fair played curated interiors of mid-century masters against the technological marvels of
space -
age lighting and the the largest - ever 3D printed work from sustainable
materials — SHoP architects» outdoor pavilion digitised out of recycled bamboo whose combined airiness and tensile strength stand to revolutionise building.
The term came to refer to the work of artists who playfully flirted with Op art, Minimalism, and geometric abstraction with an emphasis on transcendentalist levity, boundary - dissolving luminescence, and — in place of New York Minimalism's hard - edged industrial
materials — an embrace of cutting - edge
space -
age fabrication methods.
Creative
Space is a drop - in art studio for all
ages with
materials linked to exhibitions.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the
space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all
ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a
material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,
Onto this
space -
age material, signal flares — also used in an emergency situations — disrupt the surface, melting the Mylar and creating tension.
Some use rich
materials like gold plate, stainless steel, and
space -
age lacquers.
In the long run, much of the economic growth of developed economies is likely to involve less energy - intensive sectors because of demand - side factors such as 1) the amount of stuff people can physically manage is limited (even with rented storage
space), 2) migration to areas where the weather is more moderate will continue, 3) increased urbanization and population density reduces energy consumption per capita, 4) there is a lot of running room to decrease the energy consumption of our electronic devices (e.g., switching to clockless microprocessors, not that I'm predicting that specific innovation), 5) telecommunication will substitute for transportation on the margin, 6) cheaper and better data acquisition and processing will enable less wasteful routing and warehousing of
material goods, and 7)
aging populations will eventually reduce the total amount (local plus distant) of travel per person per year.
Instead of long corridors that cordon off classrooms and
age groups, the Booker T. Washington school was designed around central
spaces with walls that open wide, enabling teachers and the school's 425 students to share lessons and
materials.
The
space -
age material covers the keyboard deck and provides some structural rigidity to the aluminum bottom and display cover, while also adding a luxurious feel that's more inviting than the usual cold metal.
«The combination of
space -
aged materials — gorilla glass and flat batteries — and pocket - sized convenience brought the Internet into the palms of our hands — anytime, everywhere,» he told TechNewsWorld.
After: A thoughtful mix of
materials, from reclaimed wood (on the walls and island) to
aged zinc (on the countertops and hood), gives the
space an acquired - over-time vibe.
This mix of
age and
materials really gives the
space a sense of place.