Not exact matches
I'm a designer / creative director so sometimes I need to walk
around and look at
color and
space and different things than what's in front of me in my office.
Simulated false -
color (450 — 850 nm) image of a planetary system
around a nearby G star (Beta Cvn) seen by a 12 m optical
space telescope equipped with a free - flying ~ 100 m diameter starshade.
Open your consciousness to
space, sounds, sights,
colors and other movements
around you.
We see black occupying a great
space at creative designer-less Dior up to painting the models» lips with black; at Zuhair Murad black lace and velvet are in abundance; black is the main
color at Givenchy fall 2016 runway show as well with some brown and taupe in between and with a smattering of red to bring vibrancy
around, while at Alexander McQueen black oversized coats are embellished with fuchsia embroidery for pretty contrast.
I played
around with a lot of different
color schemes before settling on the bright pink with gold accents and it turned out to be perfect for this
space!
I love how Kristin at the Hunted Interior and Cassie from Hi Sugarplum who collaborated on this
space, used such a traditional piece
around bold
color and modern touches.
I simply tied different
colored scarves — no
space in the suitcase —
around it, and voilà!
They inject the perfect amount of
color and texture and they're easy to move
around as you redecorate and your
space evolves.
I wanted it to be a timeless piece that would always match the
space regardless of the
colors and decorations
around it, so I decided on an ivory painted bottom with espresso stained top.
In October 2006 the Foundation developed the program Reality Leads Fantasy — Celebrating Women of
Color in Flight that highlighted women in aviation and
space from
around the world.
This creates the impression of a bright brand extending
around the lower section of the instrument panel, the cool and elegant
color giving particular emphasis to the generous and luxurious feeling of
space.
The Nook
Color comes with
around 8 GB of internal memory, but you only really have 5 GB to work with, because the operating system and key programs take up a fair amount of
space.
The pictures I snapped
around my office of potted plants, boldly
colored walls and desk toys were so true - to - life that they almost looked better than the actual
spaces themselves.
Dvorak composes in large format on light weight cream
colored paper and uses white
space around -LSB-...]
Located in the historic Latin Quarter (Paris 5th arrondissement), with lots of cool things to see & do
around, Five Boutique Hotel Paris proposes their guests cozy rooms and common
spaces decorated with vivid
colors and with a sexy touch.
With those out of the way you can check out the remaining dice; any
color can be used for movement, so you just roll as many as you like and move that many
spaces around the map, the only exceptions being special environmental hazards that can't be moved through or that require you to spend a die of the matching
color.
The background has been given attention as well; instead of a boring plain
color they've gone with a clear class looking out into
space where asteroids are lazily floating
around.
- 1.4 GB of
space is required - only Japanese language is supported - choose a Girl or Boy, skin, eye and hair
color, etc - includes a test - run, walk
around the square, visit the shops and vote Team Rock or Team Pop
The circular mirrors (15
colors total) are suspended at different heights, bouncing
colored light
around the
space to enhance parts of the architecture that are otherwise overlooked.
Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate
color, and trying to create a complex painting
space that appeared geometric, but alternately shifted into a deeper
space.
The letters are not painted, but painted
around, allowing the background
color to come through, and I think the viewer experiences the
space created by that.
They become the structure for me to paint within, allowing me to play with light,
color, and
space around their boundaries.
«That gets rid of the problem of illusionism and of literal
space,
space in and
around marks and
colors — which is the riddance of one of the salient and most objectionable relics of European art.
Using these works as a starting point, Herrera's exhibition at the Pace Foundation reads like a small - scale retrospective, cycling
around the
space in punctuated bursts of
color and form.
Much of my past work has revolved
around flat
color and the use of negative
space, The line work is an homage to my love of Op - Art, architecture, and graffiti.
The work's most salient connection to geography lies in the viewer's ability to walk by,
around, and above Grosse's undulating fields of
color as they unfold over time and
space.
Take your time and meander through each side, taking in all the subtle shifts in
color, surface, light, and what
space feels like
around you.
His abstract paintings are inspired by the interplay of light,
space, and
color in the architecture
around him.
Even then, she had none of the softer
color fields of Joan Mitchell and Helen Frankenthaler, because she was looking not outward, toward landscape and a woman's art, but to the enclosed
space around herself.
Ms. McEneaney is seen infrequently, usually from the back or from a distance or when she's asleep, her pets arrayed
around her in settings notable for their bold
colors, dense details and distortions of illusionistic
space that exert a magnetic pull.
«Kelly's visual vocabulary is drawn from observation of the world
around him — shapes and
colors found in plants, architecture, shadows on a wall or a lake — and has been shaped by his interest in the
spaces between places and objects and between his work and its viewers.
Backlit by a gossamer haze of swirling
colors, shadowy violets and seeping crimsons and piercing teals, a field of figures whirl
around each other, figures such as the faces of men and women, disembodied hands, dogs at play in a forest, horses and bulls, isolated trees, and buildings frozen in
space.
I don't think of them as abstract paintings in the landscape, I think of bringing
color to the landscape and making marks that would be gestures in relation to the
space around me.
Vuillard's interest in patterned surfaces and domestic intimacy led him to produce many of his most compelling works
around 1900 in two radically different formats: on the one hand, large - scale paintings, conceived as decorative ensembles and commissioned for private, domestic
spaces; and, on the other, intimate
color lithographs, produced in series and destined for broader circulation.
In «Heaven's Gate,» artist Odili Donald Odita has created an installation that celebrates
color and light within the SCAD Museum of Art and highlights the multitude of ideas that might be considered when walking
around its
spaces.
Known for employing the fundamental elements of geometric form and
color to create beautiful investigations of perspective and
space, Shepherd's latest works both subscribe to and play
around this base, introducing a looser spatial vantage point and a more layered, experimental approach to shape and process.
As paintings, they are activated by the play of
colors and visible brushstrokes... As dynamically composed reliefs... they energize the
space around them, seemingly almost to be caught in the act of moving across the wall.»
Neon lights are certainly having a moment in art — they are difficult if not impossible to photograph, and their effect is to reach out into the
space around them and taint it with
color, there's even a sound effect, that small buzz we may hear if we listen closely enough: the more I describe it the more I understand why it attracts artists, for all these qualities are the same as a haunting, memorable work that attaches itself to the memory; listen closely and you just might hear the message.
The works will range from wraithlike sculptural works like Ground Control (2008), a black helium balloon that moves
around slowly and freely in one of the gallery
spaces, to video works like Dream Machine (2006), in which the three primary
colors alternate frame by frame at 24 frames per second, producing a jarring, disorienting effect on the viewer.
A Texas native, Parker is known for his figurative paintings of disembodied, twisted heads that ooze vivid
color and recede into themselves as much as they explode outwardly into the
space around them.
Helen Pashgian» 56, a visual artist who lives and works in Pasadena, Calif., is a pioneering member of the Light and
Space art movement, which developed in Southern California in the 1960s
around the use of industrial materials which offered unique optical and
color possibilities.
These sculptures, usually painted in bold basic
colors, turn, bob, and rotate, in a constantly changing relationship to the
space around them.
More recently, Gisela Colon, who has been recognized in ArtForum as a next generation light and
space artist, has created «irregularly shaped wall mounted acrylic orbs... scarab - like objects achieve their iridescence via the play of natural light, yet the sculptures appear to change
color as one moves
around them, as if lit by multihued bulbs.»
Inspired by seating charts of famous opera houses and theatres
around the world, Kuitca's theatre collages are mysterious abstractions, explosions of
space and
color that capture the vivid and dramatic experience of being in a theatre, either in the audience or on the stage.
Shechet notes, «[Linn's] universe is alive with outstanding things; ordinary stuff and the light and
space and
color in,
around and between the everyday.»
The resulting site - specific interventions effect a vivid and energetic transformation upon their host
spaces, introducing areas of vibrant
color, varied textures and precise patterns and forms that travel up walls,
around corners, out windows and across lawns.
Working
around the central themes of myth, symmetry and the symbiotic relationship between animal and earth... I work within a simple
color palette to truly let these simple lines and dots take you to a cathartic
space.
«As the visitor moves
around the
space, I want to have areas where this intricate line drawing will be filled in with sporadic
color,» Kerwin says, «but I also want places where the
color breaks away and becomes more dynamic and abstract.
This evaluation of both visual and bodily experience via materials and
space has a precedent in work of the 1960s and 1970s, something well understood before the mid - «60s, when dogmas hardened
around different styles like Pop, Minimalism,
Color Field painting, etc..
His aim is to draw viewers in with artwork that explores the relationships between shape,
color and the
space around the work.