Sentences with phrase «space creatures in»

Key members of the U.S. presidential staff are kidnapped to electronically extract knowledge that will assist the space creatures in their diabolical quest.

Not exact matches

@ christopher, if your father had only done exactly that we wouldn't have this creature you call yourself... kinda a waste of space really but you have potential to be something not moronic still so perhaps you can still use air better suited to others with goals in their lives other then to please their non existent sky fairy.

We are finite creatures, weak, sinful, functioning through physical bodies, and limited in time and space.

All creatures, all spaces, and all times, past, present, and future, are everlastingly knit together in beauty in the divine consciousness.

Barkun devotes several chapters to the recent evolution of this hybrid superconspiracy theory, which includes a variant — derived from 1920s pulp fiction with an assist from Tolkien — in which the conspirators are not space aliens but reptilian creatures from Inner Earth who take on human form.

God is «in the making» in the sense that there is potentiality in God, and it is only because there is potentiality in God that the contingent decisions of the creatures have ontological «space» to occur and can be thought to have any final significance.

When Jenson says that God is «pres ent to creatures in their space» he is actually in agreement with Newton's doctrine of God and space, though he earlier accused Newton (wrongly) of having «blurred the line between Creator and creation.»

We belong in a certain place and we live at a certain time; we are «conditioned» by many factors which are unavoidable if we are indeed creatures of a time - and - space world.

The Bible reflects, with an astonishing realism, the existence of man as a creature living in the realm of time and space, and subject to change and development; and this makes it curiously relevant to human life, in its complexity, as we have to live it.

In Scripture, flesh does refer to the muscles and tissue that occupy the space between bones and skin, but it also describes creatures that are made from nothing.

We need to envision the interconnected flourishing, the shalom, of all Earth's creatures, not just those who feel at home in sacred spaces.

Ordinary communication is a transfer in space and time between creatures with specific space - time locations.

Prayer, though it takes place in space and time in creatures who are of space and time, is not a matter of transfer through space in time.

As you walk down the soccer field, all those different creatures pop up in the space of less than one step!

Still, in light of God's willingness to have faith in his creature by intending these moral powers for man and limiting his own powers for the sake of giving man «space» in which to be more than a «robot» or a «puppet» in a «stage play,» and most especially in light of God's willingness to enter into the worst of man's human - historical condition via the incarnation for the sake of redeeming the «lifeworld» that man, by his powers, has corrupted through sin, the moral agent can ultimately affirm his or her moral nature in confidence that this «image of God» will not only not be lost but will continue to be affirmed and redeemed to the glory of God.

But theologically we may still find the instinct of the New Testament synthesis significant, that in God himself there is a fullness and perfection that is unchanging and outside space and time, and that it is this which makes God the proper telos for a creation in which the mystery of that fullness is unpacked only through the ages of the evolutionary process, which passes through a series of increasingly critical stages and is now precariously poised in a dependence on the rational response of free creatures.

Enjoy breathing, eating, being in a forest or a green city space, enjoy helping others, paying attention to the colours and smells and creatures around you.

He created a series of images of the creatures and plants that grow, slither, flit or fly through a single cubic foot of space — from a cloud forest in Costa Rica to a coral reef in French Polynesia.

«There's no shared common descent between species, since every single creature in Spore can trace its lineage back to a different single - celled organism that arrives from space.»

The finding is «exciting,» says astrobiologist Lynn Rothschild of NASA's Ames Research Center in Moffett Field, California, who was not involved in the work, because it indicates that nano - suited creatures might survive travel by a meteorite or comet through the extreme environments of space.

Three days later — just one month after Sputnik 1 was launched and started the space race — she became the first living creature in history to leave Earth.

Such creatures have the potential to address some of the big questions about the nature of life itself, including what types of lifeforms we might find in extreme environments, like space.

«We've got a long way to go, studying how eukaryotes [multicelled creatures] can live in extreme environments, like acidic environments, which brings up big questions like life in space,» Sogin says, leaning back in his chair.

The U.S. continued to launch animals for scientific experiments but increasingly concentrated on smaller creatures such as mice and insects, which are easier to care for and take up much less space (although two squirrel monkeys did ride on the space shuttle Challenger's STS -51-B mission in April - May 1985.)

There are all sorts of strange «creatures» in outer space.

So to make any assumptions off this pathetic waste of space is to believe in aliens, big foot and every other mystical creature.

Last night, at an airy loft space in the West Village, the 10 nominees for the US section of the International Woolmark Prize — Joseph Altuzarra, Bibhu Mohapatra, Shane Gabier and Christopher Peter of Creatures of the Wind, Daniel Vosovic, Sofia Sizzi of Giulietta, Alexa Adams and Flora Gill of Ohne Titel, Timo Weiland and Alan Eckstein of Timo Weiland, Gaby Basora of Tucker, Wes Gordon and Whitney Pozgay of WHIT — gathered to await the announcement of the finalist who would go on to represent the US in the international competition, held in Milan in February 2014.

The animators invoke worlds upon worlds in «Mary and the Witch's Flower:» the green woods and mist - filled forests of England rendered in swooning evocative watercolors, and the show - stopping Endor, a psychedelic space from out of a dream or drug trip, packed with strange objects, unexplainable phenomena, students floating by in soap bubbles, fountains morphing into human form, grotesque creatures loping out of the shrubbery and disappearing.

Think of the Mos Eisley space cantina in «Star Wars» with all the alien creatures but no where near as good and with terrible costumes.

[Does this omission of a subtitle for this segment indicate that man in both eras - the Australopithecine and Space - Age Man - is essentially the same aggressive creature with savage impulses who has successfully survived in another hostile environment?]

In Creature, a futuristic space thriller, a crew of scientists arrives on a far, cold planet to examine archaic artifacts of unknown origin.

Unlike the space invaders of most science fiction, these six - foot - tall E.T.s (pejoratively nicknamed «prawns,» but more closely resembling the love child of a cockroach and the Creature From the Black Lagoon) come neither in peace nor in malice.

What also stands out is the train heist arc with the Conveyex, how Tobias Beckett (Woody Harrelson) grooms the rogue, and oh, Han meeting some unsavory slug - like creatures in what seems to be a space sewer.

What director Julius Onah does in The Cloverfield Paradox is provide the building blocks for the universe, and piece together a narrative for how humanity came under attack from mysterious creatures, all spawning from this vision of the Cloverfield Space Station.

Each human team faces waves of Akrid in its own cordoned - off space, and once the creatures are defeated, the barrier between the areas is removed and the teams have to take each other out.

Meanwhile, another «piece of the sky» appears, and Chicken Little is now too gun - shy to tell the town about what appears to be imminent danger for them all from a menace up above, in the form of creatures from outer space.

Now the aliens (ant - like creatures called «Formics») are coming back, and the only apparent way to defeat them, at least according to Colonel Graff (an appropriately gruff Harrison Ford), is to train young minds — more receptive to technological and strategic innovation, apparently — in the art of space combat.

Thanks to a flurry of space junk, George and two other creatures become the size of buildings and thrash everything in their path to smithereens.

First off was «The Cloverfield Paradox,» the deeply disappointing sold - to - Netflix continuation of the «Cloverfield» franchise in which a space station crew's mucking about with the time - space continuum ends up being the cause of the original film's creature invasion.

The little creature personifies every child's dream of the ultimate imaginary playmate, but it is no game when government agents close in on and try to capture the lost space visitor.

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In order to save the planet and ensure the destruction of the Ing — evil shapeshifting creatures who can possess the bodies of the dead — Samus must once again thwart the malicious plans of the Space Pirates, as well as a mysterious doppelganger of the courageous bounty hunter herself: Dark Samus.

Punching up the plot, Dr. Robert Hoffstetler (Michael Stuhlbarg) is on hand as a marine biologist assigned to study the creature's physiognomy for use in the space race against the Soviet Union.

You saw the trailer — people in space being chased by a menacing creature — and immediately assumed, «Great, someone's ripping off Alien.»

Three - day zoo materials include a large plastic tank or container (I like the type that bulk snack foods come in) to create a short - term space for small creatures.

These outside greener learning spaces were designed so children could see plants, natural habitats and creatures grow and develop and be involved in the whole process.

It provides space for a generously - sized and tastefully - appointed club lounge in the rear, which has a multitude of creature comforts fitted as standard.

Also, booksellers are creatures of habit; if women have seemed to buy more books in the past, then there is more retail space given over to their tastes so that they carry on being the main consumers.

Rick Riordan's writing space is not decorated with images of mythical creatures or epic battle scenes — what one might expect from a teller of fantastical, dramatic tales like The Kane Chronicles trilogy.The first book in the best - selling series, The Red Pyramid, debuted last year, and book two, The Throne of Fire, was released May 3...

In this tender story, author - illustrator Matthew Cordell doesn't waste any time or space to spin the tale of two lost creatures and an act of kindness.