These opening moments and the breathtaking reveal of Mira and its exotic landscape is undeniably intriguing for science - fiction geeks like me who love
some space drama in their RPG.
Not exact matches
It is a
drama that unfolds
in several contexts at once: within the historical context of a «great cloud of witnesses», that is,
in relationship to all of those who speak (and have spoken) as «Christian preachers»; within the context of the speaker's own human existence
in relation to other statements of faith collected as «Christian theology» within the time and
space set aside for the performance of Christian liturgy.
The pull toward this (the embodiment of the speaker's
drama) against that (the creation of empty
space in liturgical structures) is a necessary dynamic
in the new poetics of preaching.
To summarize, to literalize the apocalyptic passages
in the New Testament, is to run counter to all we know of astronomy and the world of
space; they are tied
in with the then - current Jewish eschatology and Persian dualism which saw evil
in command of creation; as commonly accepted, they encourage passivity about the evils of the present world; they emphasize only one side of the message of Jesus to the exclusion of essential elements; they are grounded at least
in part on a misconstruction of biblical poetry and
drama.
But the history of our time is no less the stage upon which the
drama of salvation is played out than was the history of the fifth century B.C. or the first century A.D. Accordingly, the Christian does not doubt that God is moving with power
in the world today — the world of African nationalism, thermonuclear politics, metropolitan planning, and
space exploration, The Christian's problem is rather to discover when, where, and how God is moving with such decisiveness as to create a crisis of decision for the church and to summon it and its resources into the struggle.
Look at how much less
space there is between people than even just twenty years ago; look at how much violence a child sees all day long (whether recreational or real - life
drama in their own lives); look at how much information many children are exposed to daily without any oversight.
Drinking tons of water (more than you think you need), moving your body
in some way every day, and not letting the little
dramas of everyday life take up too much
space in your life.
Framing your food
in one corner and including empty
space next to it can create
drama in a very interesting way.
But more
drama was still left
in the match as Firmino was afforded
space and time on the edge of the box and he blasted his effort towards the net.
They are delivered by actor, writer and group facilitator Jonathan Brown who was nominated Best Male Performer at Brighton Fringe 2007 and who has experience as a trainer / facilitator
in various formats: Open
Space, Forum Theatre, Community Building, Open Discussion Group, Question and Answer,
drama teaching.
Faulds was best known for his portrayal of Jet Morgan
in BBC radio
drama Journey Into
Space in the 1950s although he also acted
in over 30 films
in his time.
A truly loving, committed relationship is about sharing life experiences, learning and growing with someone who is self - aware and free of the «pull» of past hurts, and being open and willing to doing the work it takes to create and exist
in a safe,
drama - free
space together.
When you disconnect from all the clutter
in your life (media, work,
drama), you create
space for new possibilities.
When I stopped thinking about myself and my own silly
dramas and preoccupations, about how things affected or didn't affect me, about my own wants, needs, and desires, I found myself sitting
in the center of so much welcome and unfamiliar
space and freedom.
The less we get caught up
in drama throughout the day, the more
space within our body is available for creative genius to download.
TIP: Adding black accents to a
space or vignette can add a much needed touch of
drama that can take any
space to the next level, especially
in seasonal decor where it might be unexpected!
About Blog PHOTOBOOK provides a platform for all cultural activities for example dance, singing, music,
drama, painting even for photography and enable people to flaunt their skills.It is a career builder too for those talents beyond mere appraisal.PHOTOBOOK believes
in sharing is caring and hence it shares its
space to put people's photography business commercials
in it.
Pioneering sf
drama about
space travel is rich
in storytelling, atmosphere, visual design and color.
The shift
in motivation and purpose for all of the characters sets up the new chapter beautifully, leaving everyone anticipating a great third season for this most epic of
space dramas.
Its narrow timeframe and juddering shootout finale notwithstanding,
in fact, «' 71» calls no film to mind so much as Roman Polanski's Holocaust
drama «The Pianist»
in its dramatic defamiliarization of urban
space, and its tight focus on a single character's sensory experience of his surroundings amid broader conflict.
Stone's misguided efforts to turn Alexander into a
drama of Shakespearean proportions undoubtedly plays a big role
in the film's wildly uneven tone, which flits wildly between talky period piece and flamboyant melodrama (often within the
space of a few scenes).
A charming, witty, passionate romantic
drama about a love transcending
space and time, Somewhere
In Time is an old - fashioned film in the best sense of that ter
In Time is an old - fashioned film
in the best sense of that ter
in the best sense of that term.
Jennifer Lawrence and Chris Pratt are
in early talks to star
in Sony's sci - fi
space drama Passengers for director Morten Tyldum.
From early on Sleeping Dogs encourages (and requires) a suspension of disbelief to just enjoy a well told crime
drama and try not think too hard about what would happen to an undercover officer who kills approximately 90 % of Hong Kong's gangster population (and a significant number of innocent pedestrians)
in the
space of a few months.
It seems that lost
in all the talk about computers, and
space travel, and the harshness of
space, etc., we have somehow lost the essential
drama that is the centre of the film: Dave Bowman's existential condition as he stumbles into old age and is later transfigured once again into a child.
Rather than try to take on Matt Damon
in space, Focus surveyed the release calendar and wisely moved «London» to Jan. 22, 2016, where it will go up against a faith - based movie starring Tom Felton, STX's low - budget thriller «The Boy» and the Kevin Costner - Ryan Reynolds crime
drama «Criminal.»
Ten days after Syfy cancelled its highly acclaimed
space drama «The Expanse» after three seasons, Amazon Studios is
in talks to revive the series which is one of CEO Jeff Bezos» favorite properties.
In the first half of the film, the cloistered
spaces of the Kittredge apartment and other limited locations are deployed to impressive effect to underscore the unabashed theatricality of the unfolding
drama.
The 46 - year - old actress was nominated for an Oscar for Best Supporting Actress for her role as Dorothy Vaughan
in the biographical
drama which follows the story of African American female mathematicians who worked for NASA during the
Space Race.
Director David O. Russell's comedy
drama and Alfonso Cuarón
space epic both received nominations
in the Best Picture category, along with nominations for their leading male and female performances.
Aside from the well - noted fact that more superior long - form
drama (and comedy) can be found on television than
in cinemas, the two most interesting motion picture experiences I had
in 2012 were
in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her»
in which many scenes from the films of Jack Nicholson (
in Him) and Meryl Streep (
in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across
space and time on many themes of character, identity, success, failure, anger and disappointment.
The target of the misfit group's ire is Adam King (Clancy Brown), a Shatner-esque actor who starred
in a
space show and a cop
drama but now fills his ego with regular appearances at conventions like this — and his wallet with outrageous fees for autographs and pictures.
This week on streaming video, we've got Bryan Singer's return to the X-Men franchise, an underseen animated film, an indie comedy, an acclaimed coming - of - age film from Sweden, and a retro
space drama currently
in theaters.
In a bit of role reversal, studio Warner Bros. is readying a platform release for Jeff Nichols» sci - fi
drama Midnight Special, while Sony Classics, a juggernaut of the Specialty
space, is setting its sights wide for comedy The Bronze this weekend.
Women and
space were a winning combo at the movies this weekend, with Theodore Melfi's fact - based
drama Hidden Figures and the blockbuster prequel Rogue One: A Star Wars Story finishing
in a virtual tie for first at the domestic box office.
But its marrying of a location and a sense of time and
space seems more predictive of his later masterpiece The River (1951), a reflective
drama following an isolated British family living on the banks of the Ganges
in India, than it does anything that came out of Italy
in the aftermath of World War Two.
But it's not enough to make this particular sci - fi adventure
drama romance flick a strong contender
in the cinematic
space race.
He has rapidly emerged as simply one of the most exciting filmmakers working today, over the
space of a mere three harrowing, excoriating but unquestionably brilliant films that tackle adult subjects with unflinching humanism, even as they utterly refuse to compromise
in their depictions of emotional and physical brutality — qualities that make him peculiarly suited to tackling something as potentially explosive as a slavery
drama.
Ridley Scott goes back to
space in the new
drama The Martian, starring Matt Damon and based on the best - selling book of the same name.
Noticeably absent from the list are awards players like «Loving,» the Jeff Nichols film about America's interracial marriage ban, «Hidden Figures,» about African American women
in the
space program and the multi-generational
drama «20th Century Women.»
Holofcener's last film «Please Give» ended up on many of our year - end lists
in 2009, so while we're not expecting «big things» exactly — that's hard to say about small scale
dramas about regular people — we are, as usual, excited and grateful that we live
in a world where, despite all the tentpole tendencies, there's still a very viable
space for Holofcener to make movies.
Last time
in this
space, I wrote about what may be my least favorite Cannes winner, Maurice Pialat's dour, unproductively difficult religious
drama Under The Sun Of Satan.
This is Fleischer's first film for Fox and he meets the house CinemaScope style — handsome, roomy sets, strong color, open
spaces and long, fluid takes (the better to drink
in the widescreen images)-- with careful staging and frames filled with little
dramas, but he also puts an edge to the stories that play out
in the glossy
spaces.
This however isn't a horror story
in space, á la Event Horizon, as the synopsis might make it appear — it could be better described as a psychological
drama or perhaps even as a metaphysical love story.
Over the course of the three acts, the film's context evolves from social satire (set
in a public
space) to emotional intimacy (confined to the private
space of a single room and a single bed) to domestic
drama (set
in the awkward private - public
space of a family apartment).
Instead, he opts for a more subtle and leisurely approach and
in doing so, allows his actors the
space to develop their characters and the
drama to unfold at it's own pace.
Though not as refined or focused as Star Wars and its kin, the film aspires to a similar kind of tone, aiming to be a human
drama that happens to be set
in outer
space where things are different.
Putting the «mental»
in «environmental,» the not - screened - for - critics «Geostorm» is less a scare picture about ignoring climate change than a cautionary flop about trying to do too much
in conjuring a perfect storm of genres: end - of - the - world porn, save - the - world triumphalism,
space adventure, political thriller, family
drama, and workplace romance.
His work
in 2017 included director Guillermo del Toro's critically acclaimed monster movie romance «The Shape of Water,» director Luc Besson's epic
space fantasy «Valerian and the City of a Thousand Planets,» director George Clooney's satirical racial
drama `'» Suburbicon,» and the French - language comedy -
drama «D» Après Une Histoire Vraie,» directed by Roman Polanski.
The Tree of Life - Like Stanley Kubrick's 2001: A
Space Odyssey, Terrence Malick's ambitious
drama provides a unique and haunting experience that shatters cinema conventions, but leaves us to find meaning
in interpretation.