Sentences with phrase «space film ever»

Is this movie the best space film ever done according to James Cameron or is it basically Open Water in space?

Not exact matches

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Space Station — the greatest engineering feat since landing a man on the Moon.

This film will be the closest most of us will ever get to experience what it is like to be in space.

When it comes to critics» lists of the worst films ever made, Ed Wood's Plan 9 From Outer Space (1956) used to nestle very near the top.

Both films are insular if one hasn't seen «The Room» or «Plan 9 From Outer Space,» and yet there is an accessibility to the film if anyone has ever been a dreamer.

Fascinated by the technology of movies as much as by the technology of space — it presents film as a fabulous, exciting plaything, reviving Orson Welles's observation that a movie set is «the biggest electric train set a boy ever had.»

The rest of the film is Lena's account of what happened, as she and the other four women, all damaged by illness (physical or mental) or loss, agree to enter and explore an irrational space from which no one else, excepting Kane, has ever emerged.

As writer and director, Lucas unabashedly uses «Star Wars» to pay tribute to all the grand adventure films ever made, be they westerns, swashbucklers, fantasies or space operas.

It's interesting to see a film about a space alien that doesn't resemble anything we've ever seen before, as most others have some sort of humanoid appearance, (or reptilian, etc.) Indeed, it's a much more plausible depiction of an alien threat than most other sci - fi efforts have featured, almost the opposite in terms of story as The War of the Worlds which featured aliens defeated from exposures to germs and viruses of our own.

Is it the fact that only one of his films ever earned even a single Oscar (Best Special Effects for «2001: A Space Odyssey»)?

A sci - fi space jam that features some of the most unusual applications for a guitar solo ever seen, The Artful Escape was picked up by Annapurna Pictures as part of the film studio's initial foray into games — and as far as upstart indie offerings go, this one's a hell of a light show.

One reviewer wrote that he creates a separate space apart from the outside in which one is allowed to meditate, which is probably the best description I've ever read of his films.

The Disaster Artist also makes good, possibly great art out of a film considered by many the worst film ever made (Ed Wood's Plan 9 From Outer Space excepted).

Villeneuve sat down with me for an in - depth conversation in my new video series Behind the Lens, and we covered the waterfront with topics ranging from his lifelong interest in science fiction movies, why Kubrick's 2001: A Space Odyssey may be the greatest ever, how he came to an agreement with Ridley Scott during the filming of Blade Runner 2049, the beauty of Roger Deakins, and the darkness that permeates many of the films he directs.

I don't know that I've ever seen a film as obsessed with what is not on the screen: every shot seemingly involves someone looking at or talking to someone or something off - camera, or heading out into space we can't see.

Over the years, the fest has shifted from feature films — like Ed Wood's 1959 folk - art masterpiece, Plan 9 from Outer Space, considered, pre-Wiseau, to be the worst movie ever made — to shorts.

James Cameron has said it is the best space film he has ever seen and, seeing how successful...

The only exception to the «no special features» formula is Manos, a justifiably obscure film that now holds a place alongside Plan 9 from Outer Space as one of the worst movies ever made (it currently sits at # 3 on IMDB's Bottom 100 list).

If you ever wondered what the brilliant music video created for Taylor Swift's hit song «Blank Space» would have been like with all of the fancy trappings left intact but without the wit, insight, strong writing, convincing performances and plausible choreography, then «Fifty Shades Freed,» the conclusion of the three - film saga based on the distinctly cut - rate but insanely popular series of books by E.L. James, will no doubt prove to be your jam.

While the ever - lessening dollar and Hollywood's ever - escalating tentpole ambitions will continue to rob Titanic's performance of meaning, it really was a thing of beauty: opening pre-Christmas with an unextraordinary $ 28.6 M (8th for the year, behind such films as Liar Liar and Scream 2) and then just staying strong, maintaining $ 20 + M weekends through the end of February and hanging onto first place through the first weekend of April (when Lost in Space earned its only claim to fame).

At once a brilliant riff on Star Trek and also one of the best Star Trek movies ever made, Dean Parisot's film revolved around the aging stars of a once - popular sci - fi TV series called Galaxy Quest who, after attending yet another sci - fi convention, are beamed up into space by a group of aliens that think the TV series was a collection of «historical documents.»

No doubt Marvel's films are supreme commodities, each release carefully spaced to maximize interest without ever overloading cinemas.

Westerns and outer space science fiction are two genres of films that have barely ever been able to reside within the same story without being a complete mess of a movie.

As graceful a sci - fi metaphor score as there ever was one, listening to the beauty of «Silent Running» makes it even more impactful knowing that this would be Schickele's only true film score to date, one that remains as uniquely resonant as ever at turning the often dark sounds of space music into a vibrant tree - hugging message score worthy of Woodstock.

The comparisons between Nintendo's space - bounty hunter do nt follow Orson Welles» seminal directorial debut Citizen Kane that closely, but ABC News Report recently compared what some consider the best American film ever made to Metroid Prime (which was recently re-released in the critically beloved Metroid Prime Trilogy on the Wii.)

If you ever wondered what it would be like to float around in space (a la Sandra Bullock or George Clooney in the Academy Award - winning film «Gravity»), you're in for a treat with the upcoming Zero G feature in Bohemia Interactive's Early Access space sim game, Take On Mars.

On 30 July our first ever REcreative tour explored two of south - east London's best known art spaces - Bold Tendencies, the annual sculpture exhibition held on the top floors of the Peckham multiplex carpark - and White Cube Bermondsey, to see an exhibition by UK artist Sarah Morris, called «Bye Bye Brazil» that featured her amazing film about the city of Rio.

In a more dramatic break from tradition for the space, they will also feature a variety of documentary materials that seek to place Adrià's work in the broader context of innovation as well as a new film that features images of all the dishes elBulli ever served.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

And, in turn, there's no renter in America who's ever gone out in search of an apartment without having film images of New York apartments in mind — both coveted spaces and others the likes...