Not exact matches
Here's your rallying cry if you're with me
in this confusing
space between polarized opinion
groups: It's time to speak up.
Pleasant pregame dinner parties (held beyond the outfield
in grassy
space between fence and bleachers) for companies and fraternal
groups will continue.
In space, Nysa is a group of asteroids in the main asteroid belt between Mars and Jupite
In space, Nysa is a
group of asteroids
in the main asteroid belt between Mars and Jupite
in the main asteroid belt
between Mars and Jupiter.
The court action grew out of a clash
between sponsors of the nativity scenes and a
group of atheist activists who competed with the churches for limited
space in Santa Monica's biggest public park and managed to dominate last year's holiday displays with anti-religious messages.
In addition, with less energy now focussed on the common enemy of the North, space has opened up in which previously dormant fracture lines between the disparate ethnic groups have been able to reassert themselve
In addition, with less energy now focussed on the common enemy of the North,
space has opened up
in which previously dormant fracture lines between the disparate ethnic groups have been able to reassert themselve
in which previously dormant fracture lines
between the disparate ethnic
groups have been able to reassert themselves.
Topics
in the Q&A included the source of money for the City's planned pre-K advertising campaign, the City's target number of pre-K applicants, whether Speaker Silver thinks the proposed income tax surcharge should be pursued next year, how the pre-K selection process will work, how the City will cover the approximately $ 40 million annual gap
between the estimated cost of pre-K and the amount provided
in the state budget, when parents will learn whether their pre-K application has been accepted, how the City will collect data and measure success of the pre-K program, whether the existing pre-K application process will be changed, how the City will use money from the anticipated school bond issue, the mayor's reaction to a 2nd Circuit ruling that City may bar religious
groups from renting after - hours
space in public schools, the status on a proposed restaurant
in Union Square, a tax break included
in the state budget that provides millions of dollars to a Bronx condominium project, the «shop & frisk» meeting today
between the Rev. Al Sharpton and Police Commissioner Bratton and a pending HPD case against a Brooklyn landlord.
The
group has zeroed
in on K2 as a potential problem for the Roberto Clemente Plaza, a
space between 148th and 149th Streets along Third Avenue that will contain flowers, benches and food and may also host events like salsa lessons and film screenings.
Working with NASA on its Wide - Field Infrared Survey Telescope (WFIRST) mission, due to launch sometime after 2020 (see «Mapping the Dark,» page 47), Perlmutter will help choose
between the different models by studying
groups of supernovae that lie farther out
in space than any yet studied, following the universe's expansion history back
in time.
With the help of the NASA / ESA Hubble
Space Telescope, a German - led
group of astronomers have observed the intriguing characteristics of an unusual type of object
in the asteroid belt
between Mars and Jupiter: two asteroids orbiting each other and exhibiting comet - like features, including a bright coma and a long tail.
In the new study, researchers placed tiny particles of silicon carbide (one represented by the group of tan molecules in this artist's concept) covered with graphite (hexagonal networks of gray atoms) in a vacuum chamber that duplicated the deep - space conditions surrounding many stars (temperatures between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's surface
In the new study, researchers placed tiny particles of silicon carbide (one represented by the
group of tan molecules
in this artist's concept) covered with graphite (hexagonal networks of gray atoms) in a vacuum chamber that duplicated the deep - space conditions surrounding many stars (temperatures between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's surface
in this artist's concept) covered with graphite (hexagonal networks of gray atoms)
in a vacuum chamber that duplicated the deep - space conditions surrounding many stars (temperatures between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's surface
in a vacuum chamber that duplicated the deep -
space conditions surrounding many stars (temperatures
between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's surface).
Until now, instrumental temperature records dating back to the middle of the nineteenth century have been compiled by three main research
groups: NASA's Goddard Institute for
Space Studies
in Greenbelt, Maryland; the US National Oceanic and Atmospheric Administration
in Washington DC; and a collaboration
between Britain's Met Office and the Climatic Research Unit at the University of East Anglia
in Norwich, UK.
On June 30, following on work published
in the scientific journal Nature by STRI post-doctoral fellow, Scott Mangan, a
group of 50 researchers from 12 countries published a paper
in Science (lead author, Joe LaManna, Washington University
in St. Louis) showing that close plant relatives make bad neighbors and that the negative interactions
between relatives are stronger
in the tropics, which may explain why tropical forests are so rich
in species diversity: Because plants do not do well next to their relatives, there is more
space for non-relatives to fill.
The
group evaluated how chemical imbalance
in Europa could be initiated through the emanation of water leading to chain reactions
between water and chemical elements found
in Europa's crust — however, a total lack of empirical data prevents scientists from unequivocally presuming any of these events (an «Europa Mission» may take place as late as 2030, stated Nasa, the US
space agency).
Using this information, the
group will build a device
in which stretched DNA molecules would be made to pass
between sharp electrodes
spaced 2 to 5 nanometers apart.
Coordinated
groups of cancer cells he was growing
in his adviser's lab started moving through a network of fibers meant to mimic the
spaces between cells
in the human body.
The scene - building tactic that the film keeps returning to entails the camera hunkering down
in a defined
space (a frat - house common room, a bar, a dugout) to observe a large
group of characters tripping over each other with rapid - fire quips, cutting
between them like a little steel ball careening wildly off ramps and spring - loaded slingshots.
Grouping the companies by category allowed us to make comparisons
between competitors
in the same
space.
Programs may be held at MCHS
between the hours of 11 a.m. and 4 p.m. (
group sizes are limited, due to
space) or at your location
in Montgomery County.
Because we acquired our samples opportunistically — and, thus, the distribution of sample age varied greatly within and
between localities — none of the localities provided the opportunity to compare 2 equal - sized
groups sampled
in the same locality at 2 different, widely
spaced time periods.
A discrete doorway
between in gardens connects these two villas to give a unique 2 - bedroom property, ideal for a small
group or family wanting extra
space and privacy.
Crowd Play allows for a new and instantly accessible way for players to enjoy Telltale entertainment together as a
group, creating an experience that continues to break new ground
in the
space between games and interactive cinematic storytelling.
Crowd Play will allow for a new and instantly accessible way for players to enjoy Telltale entertainment together as a
group, creating an experience that continues to break new ground
in the
space between games and interactive cinematic storytelling.
Between 2016 — 2017, her work has been featured
in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio
in London and The Mass
in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery
in Los Angeles, as well as The Untitled
Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.
SELECTED
GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social
space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, B
space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High
in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berl
in Getting Low, John Connelly Presents, New York Nina
In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berl
In Position, curated by Jeffrey Uslip, Artists
Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, B
Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
After a
group exhibition
in Monaco
in 2014, the following year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «
between space and light»).
This exhibition, a collaboration
between EFA Project
Space and Telephone, uses the work of the Brazilian poet Augusto de Campos as a catalyst for an experimental multi-disciplinary exercise
in which an outstanding
group of poets and artists, who exist across a continuum of text, sound and visual expression, invent translations of select examples of De Campos» work.
Recent
group exhibitions include Folly, EMALIN, Stirling, Scotland, UK, 2016; National Gallery 2: Empire, CHEWDAY»S, London, UK, 2015; Summertime, Gallerist, Istanbul, TR, 2015; Pre-Pop to Post-Human: Collage
in the Digital Age, Hayward Gallery, London, UK, 2015; Breeze, Deweer Gallery, Otegem, BE, 2014;
Between the lines, Galería Agustina Ferreyra, San Juan, PR, 2014; Display, University of Connecticut Contemporary Art Gallery, Connecticut, US, 2014; La Chose Encadree, Glasgow International, Scotland, UK, 2014; Comrades of Time, curated by CHEWDAY»S, Cell Project
Space, London, UK, 2013; CHEWDAY»S Bar, CHEWDAY»S, Berlin, DE, 2013; and Desire, Yancey Richardson Gallery, New York, US, 2013.
Between Spaces On view October 25, 2009 - April 5, 2010 For the second time
in P.S. 1 history, the junior curatorial staff will produce and organize a large - scale
group exhibition.
To accompany her exhibition
Between the Dog and the Wolf, Van Meel has produced a publication which brings together a
group of peer contributors to explore the ways
in which specific use of language and words can create a sense of
space, time, class and cultural identity.
She has been included
in the
group shows «Post War: Art
Between the Pacific and the Atlantic 1945 - 1965», Haus der Kunst, Munich, Germany (2016); «Order, Chaos and the
Space Between», Phoenix Museum of Art, Arizona, USA (2013); and «The Geometric Unconscious: A Century of Abstraction», Sheldon Museum of Art, Nebraska, USA (2012).
Between 2016 — 2017, her work has been featured
in numerous international exhibitions from London to Japan, as well as The Untitled
Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.
Objectify, a
group exhibition of international artists, presents work that defies categorization and moves
in a
space between painting and sculpture, image and object.
For the
group exhibition 14 Rooms
in Basel (Switzerland), the curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship
between space, time, and physicality with an artwork whose «material» is the human being.
The first part of his career is characterised by his afflilation with the Mono - ha
group, a Japanese movement comprising of artists who, though working
in different ways, shared a predilection for natural and industrial materials, and explored the interaction
between man and his surrounding
space.
On view
in PC — G's Reilly Gallery, this
group exhibition consists of illusionistic compositions — rendered somewhere
between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of
space and reality to create photographs that appear as abstract paintings.
Group shows for Moyer
in 2012 included Dark Garnaal at Galerie Rodolphe Janssen
in Brussels, Inter ruption at Michael Kohn Gallery
in Los Angeles, Home Again, Again at the journal gallery
in Brooklyn, The
Space in Between at Steven Zevitas Gallery
in Boston, Portrait of a Generation at The Hole
in New York, Material Occupation at University of Albany Art Museum and Textility at the Visual Arts Center of New Jersey
in Summit.
In this video, we have a look at the
group show Carnival — Hei Qiao Artist Community (I) at Mizuma and One Gallery, and Project Without
Space # 6 at Pekin Fine Arts, a collaboration
between the artists Chen Shaoxiong and Liu Ding.
«
Grouping a number of figurative works
in the gallery
space — each treated as a freestanding piece, but thought of together as The Gravediggers — I seek to address issues of class and the distinctions made
between the individual and the collective.»
Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city
in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public
space and its reshaping by various social
groups, urban planning and attempts to create a dialogue
in and about public
spaces between communities, governments and activists.»
Lean To, FCHKUK, and Elements of Drawing Blind were all two week projects approached as short - term residencies, that took place
between 2000 and 2001, the former presented as solo exhibitions, the latter a
group show While Lean To and FCHKUK resulted
in installations that explored the very notion of residency as «home» (both hosts, the East London gallery and Stuff, an artist - run
space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate in a drawing residency in the West London - based artist - run Central S
space in Bethnal Green, now coincidentally defunct), Elements of Drawing Blind responded performatively to an invitation to participate
in a drawing residency
in the West London - based artist - run Central
SpaceSpace.
«I think that many people
in that
group were interested
in this kind of magical moment, when you experience the illusion of
space but something immecliately snaps you back to the flat plane, and there's kind of a freefall
in between those two experiences,» she told Eichholtz during her talk.
Recent
group exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «
In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne,
Between fact and fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013), New York, USA «The Dorian Project», SecondGuest, New York, touring to Ana Cristea Gallery, New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood
Space, London (2007).
They were a motley
group, looking for a phenomenological approach
in which the interaction
between work and the
space around it is fundamental, as was the use of industrial materials, neon, elastic strings, modular structures.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY
Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art
Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made
In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'
In Paint: 2012 Artists
in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'
in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light
Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order
in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'
in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z
Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The
Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists
in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'
in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Between 2016 and 2017, her work has been featured
in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio
in London and The Mass
in Tokyo; «The Vulgar» at The Barbican
in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery
in Los Angeles; as well as The Untitled
Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.
Originally curated by Jeffrey Deitch
in 1984 and mounted at Heller's former uptown
space, this revived
group exhibition tracks the connections
between seemingly disparate traditions of graffiti, Modernism, and Middle - Eastern calligraphy.
The members of this social
group are characterised as having lifestyles
in which the traditional boundaries
between industry, leisure and intimacy have apparently dissolved, and
in which their principles are reflected
in the
spaces they inhabit.
The members of this social
group are characterised as having lifestyles
in which the traditional boundaries
between industry, leisure and intimacy have apparently dissolved, and
in which their values are reflected
in the
spaces they inhabit.
, Light Museum, Eindhoven, The Netherlands Gadgetry and Rites, Yuz Museum, Jakarta, Indonesia 2009 Entrance — Li Hui Solo Exhibition, Beijing Art Now Gallery, Beijing, China Dialects of Void & Substance, Tang Contemporary Art Center, Hong Kong, China
Between Dimensions, Kuandu Museum of Fine Arts, Taipei, Taiwan 2008 Shiny Li Hui, A Art Contemporary
Space, Taipei, Taiwan Samsara, Bund18 Creative Center, Shanghai, China 2007 Spin, Tang Contemporary Art Center, Beijing, China
GROUP EXHIBITIONS 2015 Myth / History II: Shanghai Galaxy, Yuz Museum, Shanghai, China Future, Now, SomoS, Berlin, Germany 2014 Outside the Lines, New Work From China, RH Contemporary Art, New York, NY Sharks & Humanity, Musee Oceanographique de Monaco, Monaco, Monaco Re-View — Opening Exhibition of Long Museum West Bund, Long Museum West Bund, Shanghai, China the 8 Paths, Ufferhallen Berlin, Berlin, Germany MYTH / HISTORY - YUZ COLLECTION OF CONTEMPORARY ART, YUZ Museum, Shanghai, China Welcome to Parkview Green - Parkview Contemporary Art Collection, Parkview Green Exhibition Hall, Beijing, China Sensorium 360, Singapore Art Museum, Singapore, Singapore By Destiny, Arario Museum Tapdong Cinema, Jeju, Korea 2013 @WHAT: Selected Works of Contemporary Chinese Art, Arko Art Center, Seoul, South Korea Artificial Natures, Maubeuge Espace Sculfort, Maubeuge, France Artificial Natures, Maison des Arts de Creteil, Paris, France Artificial Natures, Lille St Sauveur, Lille, France Uneasy Trip
in Asia, Star Gallery, Beijing, China 2012 CHIMERA - THE COLLECTORS SHOW, Singapore Art Museum, Singapore Licht Linien Light Lines (un) wirklich (un) real, Centre for International Light Art, Unna, Germany Water Stains on the Wall - The Carrier of Formation, Zhejiang Art Museum, Hangzhou, China I Light Marina Bay 2012, Marina Bay, Singapore Lust and Love of the Young and Liberated, 798
Space, Beijing, China Modern @ Modeng - Gallery Hotel Art Project, Gallery Hotel, Beijing, China Future Pass, Today Art Museum, Beijing, China Future Pass, National Taiwan Museum of Fine Arts, Taichung, Taiwan Open Sky, Changjiang Art Centre, Chongqing, China 2011 Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Art Museum of China, Beijing, China Dual Senses and Dynamic Views - Contemporary Art Exhibition across the Taiwan Straits of 2011, National Taiwan Museum of Fine Arts, Taichung, Taiwan Matière - Lumière Matter - Light, Béthune 2011 Capitale Régionale de la Culture, Béthune, France CAR CULTURE.
Since, Lydia has created «
In / Between Spaces» - a mobile group exhibition series in a 26» U-Haul that explores Black identity in various spheres of modern life and that travels to predominantly Black neighborhoods in New Orleans to engage those who have been alienated from the world of contemporary fine ar
In /
Between Spaces» - a mobile
group exhibition series
in a 26» U-Haul that explores Black identity in various spheres of modern life and that travels to predominantly Black neighborhoods in New Orleans to engage those who have been alienated from the world of contemporary fine ar
in a 26» U-Haul that explores Black identity
in various spheres of modern life and that travels to predominantly Black neighborhoods in New Orleans to engage those who have been alienated from the world of contemporary fine ar
in various spheres of modern life and that travels to predominantly Black neighborhoods
in New Orleans to engage those who have been alienated from the world of contemporary fine ar
in New Orleans to engage those who have been alienated from the world of contemporary fine art.