Sentences with phrase «space in between objects»

Not exact matches

The brain neutralizes change by transferring it from the time within objects to the space between them, displacing the change that is ingredient in the object to a surface interaction as another property of space.

In this approach sense - perception (a major preoccupation in these Dialogues) will be presented as a three - term relation between a focal («cogredient») event, another event perceived as a space - time region, and a characterizing property called an «object.&raquIn this approach sense - perception (a major preoccupation in these Dialogues) will be presented as a three - term relation between a focal («cogredient») event, another event perceived as a space - time region, and a characterizing property called an «object.&raquin these Dialogues) will be presented as a three - term relation between a focal («cogredient») event, another event perceived as a space - time region, and a characterizing property called an «object.»

This precision in fitting the explanation to the evidence should be carried over into philosophy: «The only explanation we should accept as satisfactory is one which fits tightly to its object with no space between them, no crevice in which any other explanation might equally well be lodged; one which fits the object only and to which alone the object lends itself» (CM 11).

Companies in the food industry can choose between three metal detectors in the CM33 PlusLine, which combine weight checking and foreign object detection, in order to save space with one device.

A September report by the National Research Council found that the debris field is so dense that collisions between objects in orbit will create additional debris faster than space junk falls out of orbit.

Doing so would make it possible to detect gravitational waves, faint ripples in space - time that, according to Einstein, emanate from interactions between massive objects like neutron stars and supermassive black holes.

The vast bulk of asteroids — millions of individual objects ranging from 560 - mile - wide Ceres to pea - size pieces of space shrapnel — reside in a broad zone between the orbits of Mars and Jupiter, the legendary asteroid belt.

With the help of the NASA / ESA Hubble Space Telescope, a German - led group of astronomers have observed the intriguing characteristics of an unusual type of object in the asteroid belt between Mars and Jupiter: two asteroids orbiting each other and exhibiting comet - like features, including a bright coma and a long tail.

Current thinking is that these tiny diamonds can form in three ways: enormous pressure shockwaves from high - energy collisions between the meteorite «parent body» and other space objects; deposition by chemical vapor; or, finally, the «normal» static pressure inside the parent body, like most diamonds on Earth.

Doing so would make it possible to detect gravitational waves, faint ripples in space - time that, according to Einstein, emanate from interactions between massive objects such as neutron stars and supermassive black holes.

The motions of objects beyond the heliosphere showed that the charged gas, or plasma, that fills the space between stars should be much denser outside the border than within, and the Voyager team was at last convinced of an exit from the heliosphere thanks to a sudden increase in plasma density.

Using calculations and data mining, the Spanish astronomers have found that the nodes of the 28 ETNOs analysed (and the 24 extreme Centaurs with average distances from the Sun of more than 150 AU) are clustered in certain ranges of distances from the Sun; furthermore, they have found a correlation, where none should exist, between the positions of the nodes and the inclination, one of the parameters which defines the orientation of the orbits of these icy objects in space.

They used an abstract space called a «shape - sphere,» which describes the shape of the orbits in terms of the relative distances between the objects.

Researchers found that people who engaged in more regular sexual activity scored higher on tests that measured their verbal fluency and their ability to visually perceive objects and the spaces between them.

A favored size for Planet X emerged — between five and 15 Earth masses — as well as a preferred orbit: antialigned in space from the six small objects, so that its perihelion is in the same direction as the six objects» aphelion, or farthest point from the sun.

In a universe with no massive objects, there is no deformation of space and time, and the shortest route between two points is a straight line.

The number of space objects has shot up in the past five years because of China's 2007 test of an antisatellite weapon and the 2009 crash between Russian and U.S. satellites.

General relativity then forges a far - flung connection between the geometry of space and time and the behavior of objects in motion within space and time.

DURING HIS TIME IN GUANGZHOU, Leonhardt planned to work on the theory of Casimir forces, a strange pull or push between two closely spaced objects that arises because of quantum mechanical fluctuations in the vacuum of empty spacIN GUANGZHOU, Leonhardt planned to work on the theory of Casimir forces, a strange pull or push between two closely spaced objects that arises because of quantum mechanical fluctuations in the vacuum of empty spacin the vacuum of empty space.

Place two metal plates close together in otherwise empty space and an imbalance in microscopic jitters outside and between the plates forces them together: nothing can make objects move.

The little moonlet, which according to The Verge is about 20 miles wide and resembles «a little space rock with what looks like two googly eyes,» resides in what is known as the Encke Gap, a 200 - mile - wide space between Saturn's rings that is caused by the diminutive object itself.

Dr Shannon explained that the vast spaces between objects in the Universe contain nearly invisible gas and a plasma of ionised particles that used to be almost impossible to map, until this pulse was detected.

Feb. 28, 2018: Gravitational waves are wrinkles in space - time that stretch and squeeze the distances between objects.

Black holes in the centers of galaxies could accelerate mergers between objects and produce more ripples in space - time, also known as gravitational waves, a new study suggests.

The Swapper features a unique art style that uses real - world clay - models and found objects to create an explorable space station realised in unique detail; gameplay sees players swap between different bodies to achieve otherwise impossible tasks.

Volvo spokesman Bob Austin insists there is no cause for alarm over the gunpowder, which is needed to inflate the bag more quickly than chemicals, because there is less space between you and any object in a side impact than in a frontal impact.

For the moment, it seems like Dell is winning in this particular arena, but the rest of the tablet looks pretty decent as well — boasting a screen resolution of 2560 × 1600, RealSense digital photography technology (that is able to create a depth map of an image, giving a rudimentary understanding of object positions located across 3D space instead of only a 2D plane), and an Intel Z3500 quad - core CPU (running between 1.33 GHz to 2.33 GHz depending on the model).

She would be «Mutti» all his life, even when the name began to sound babyish to him: his Mutti, his alone, a thin woman with a reedy voice and straggly hair and a hesitant way of moving from room to room in the small apartment, as if afraid of discovering, between one space and the next, objects — or even people — she had not prepared herself to encounter.

The game also includes two flight modes: Supercruise which is used to travel between distant objects in a star system, and a sub-supercruise flight mode which is used to fly towards nearby objects like a space station or cargo canister.

All of the objects in the environment look blocky and most have lagged edges, and the character animations look like they come from the days of the original Xbox and PlayStation 2 (think black space between neck and body when the head moves in a certain direction).

Adjusted the path of the tower in Tower Control mode in Port Mackerel to fix an issue where players caught between the tower's pillar and a stage object when the tower entered a narrow space appeared to be shaking.

Many synthesize the sonic and the sculptural, and some — like 2018's STUDIES, which features objects that sit in a space between musical instruments and something else entirely — are interactive.

He explores sculpture in terms of an ongoing dialogue of actions and reactions between viewers and objects in any given exhibition space.

Regardless of the mode of making or the content within the form, each work in the exhibition asks us to reevaluate the way we see and experience the spaces we are in, the objects we confront, and the relationship between vision and perception.

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

In an urban context, the outdoors is not so much «wild nature» but rather the space between thousands of «containers» in which individuals carve out a private space and fill it with personal objectIn an urban context, the outdoors is not so much «wild nature» but rather the space between thousands of «containers» in which individuals carve out a private space and fill it with personal objectin which individuals carve out a private space and fill it with personal objects.

Interstitial seeks to answer this question through the examination of new and recently - created free - standing sculptures by contemporary Los Angeles - based object makers whose work exists in the interstices, the spaces between the historical genres of the decorative arts, still life, and abstraction.

In more traditional gallery spaces, Martin has blurred the distinction between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Barlow's sculptural practice is grounded in an anti-monumental tradition and is concerned with the relationship between objects and the space that surrounds them.

Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.

The work operates in the space between the subject and the object, between photography and painting, in a tradition now well - established by forerunners such as the frequently - referenced Gerhard Richter.

Inspired by Alois Riegl's theory, which suggests that civilizations and cultures oscillate between two spatial conceptions: the «haptic», in which objects are isolated, and the «optic» conception, where they are combined in a continuous space, «Inhabiting Time» juxtaposes close to thirty, apparently autonomous, fragments (art works) by: Francis Alÿs, Carlos Amorales, Jean - Michel Basquiat, Louise Bourgeois, Moyra Davey, Jenny Holzer, Donald Judd, On Kawara, Joachim Koester, Gonzalo Lebrija, Richard Long, Gordon Matta - Clark, Jean - Luc Moulène, Rivane Neuenschwander, Steven Parrino, Robert Rauschenberg, Dieter & Björn Roth, Robert Ryman, Robert Smithson, Rosemarie Trockel, Franz West y Hannah Wilke, among others.

Based in color theory, these three - dimensional still lifes address the perception of objects and the spaces between.

The eleven artists in Politicizing Space critique and subvert these purportedly aesthetic and artistic gestures by reinterpreting the symbolic mechanisms of control and asking the age - old question about the balance of power between art object and viewer.

Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in architecture and design.

[Lovell] works in a shadowy periphery between substance and ephemera, two and three dimensions, spiritual and material culture, self and other, populating this ambiguous space with people, places, and objects from the past.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

Together in the space, the works become their own poem, made of objects, with blank white spaces becoming the pauses between words.

In negotiating the space between body and object, we rely on the memory of use and familiar patterns in a world where binary assumptions are common: in versus out, hard versus soft, resistance versus floIn negotiating the space between body and object, we rely on the memory of use and familiar patterns in a world where binary assumptions are common: in versus out, hard versus soft, resistance versus floin a world where binary assumptions are common: in versus out, hard versus soft, resistance versus floin versus out, hard versus soft, resistance versus flow.