Sentences with phrase «space in between writing»

Not exact matches

It wasn't just about the subject matter — although it's tricky to write about such a tender and intimate time in a person's life, to tell your own story while still holding space for stories that are so different than your own, to attempt to shepherd people well in the liminal spaces of their faith journeys — but it was also just the season of life with being pregnant with our fourth and then giving birth and suddenly having four tinies between the ages of 9 and newborn meant I had a lot less time with a lot less energy (and even less sleep!)

And I freely admit I sometimes use too many extraneous, space - consuming, overly - descriptive, qualifying, words or sentences written quickly and in a stream - of - conscientiousness, run - on sort of fashion with occasional typos mostly due to fatigue of being up way too late (which also explains this post in general) after a long day of political discussion which refreshingly had little religious content though of course there is often much overlap between the two but posting is barely a hobby but more of an occasional passtime so now i wonder if what I write could be considered abuse as I've can't really recall seeing much if any sorrt of «text filibustering» not that this is exactly filibustering more a spontaneous text performance response joke and meant in jest to be absurdly long and useless so of course i hope you appreciate the spirit.

-- because the fine motor skills that make for good brushing «don't really develop until about the age when a child can begin to tie shoes or write in cursive,» Miller explains; and start flossing when your child's teeth no longer have space between them, because then the toothbrush isn't able to reach plaque and debris between the teeth.

Writing the entire question in the body, rather than spacing it between the title and body, and 3.)

But, as we wrote in this space on Wednesday, the primary battle between Specter and Rep. Joe Sestak (D) should keep Toomey in the game.

The tablets were most likely written in Babylon between 350 and 50 BCE, making them the earliest known examples of using geometry to calculate positions in time and space.

Here is as summary I wrote in sci.environment after having read it: «The difference between the surface of the Earth and space is 33 degrees.

I write about love, business, and the spaces in - between.

I write about love, business, and the spaces in - between.

There is a perfect balance between not writing enough on your dating profile and writing too much; finding the space in - between the two is where you want to be.

Related Reviews: Rings (Blu - ray + DVD + Digital HD) • The Ring Now in Theaters: The Space Between Us • Gold • Toni Erdmann • The Comedian • The Founder Blair Witch • 10 Cloverfield Lane • Paranormal Activity 3 Alex Roe: The 5th Wave Johnny Galecki: Hancock • Vanilla Sky • In Time Vincent D'Onofrio: The Judge • Run All Night • Men in Black Written by Jacob Estes: The Details Written by Akiva Goldsman: Winter's Tale • Angels & Demoin Theaters: The Space Between Us • Gold • Toni Erdmann • The Comedian • The Founder Blair Witch • 10 Cloverfield Lane • Paranormal Activity 3 Alex Roe: The 5th Wave Johnny Galecki: Hancock • Vanilla Sky • In Time Vincent D'Onofrio: The Judge • Run All Night • Men in Black Written by Jacob Estes: The Details Written by Akiva Goldsman: Winter's Tale • Angels & DemoIn Time Vincent D'Onofrio: The Judge • Run All Night • Men in Black Written by Jacob Estes: The Details Written by Akiva Goldsman: Winter's Tale • Angels & Demoin Black Written by Jacob Estes: The Details Written by Akiva Goldsman: Winter's Tale • Angels & Demons

The scenes between Mackenzie Davis and Charlize Theron are so gorgeously written, they push out new space in the studio apartment generally occupied by female character.

For me, the message was clear: film cuts and trims with savage brevity, where a shrug or an intercepted glance or a nervous pause between two words can lay bare the heart in ways written prose is far more nuanced and needs more time and space on the page.

Write two words on opposite extremes, and have students assign gradient versions of the word to the space in between.

Writing with the stylus isn't the best, as you have to push quite hard and it is not possible to write much in the small space available between lines of text.

In creating write - in spaces for readers, make sure you leave enough space between each line to allow for easy writinIn creating write - in spaces for readers, make sure you leave enough space between each line to allow for easy writinin spaces for readers, make sure you leave enough space between each line to allow for easy writing.

I'm writing a fiction novel, and I like to have my paragraphs formatted with a space between each paragraph and the first line of the paragraph indented (I was always taught 4 spaces in school).

In their partnership, the two women had to create a safe, trusting, and respectful space between them, and they had to find a way to facilitate the actual writing of the story while sharing time, energy, and some intensely personal pieces of information.

Quality is the mystery of writing that is those links between the words that are contained in the words as much as in the space between them.

A Critical Analysis of the Writing Style of Isabel AllendeMemory is fragile and the space of a single life is brief, passing so quickly that we never get a chance to see the relationship between events; we can not gauge the consequences of our acts, and we believe in the fiction of past, present, and future, but it may also be true that everything happens simultaneously — Isabel Allende Isabel Allende asked, «How can one not Continue reading

Editors needed the spacing in between lines to write in comments and make markups.

And then there are the hybrid options (like my press, She Writes Press, and so many others — Ink Shares, Turning Stone, and countless others) who are creating an in - between space specifically because there's so much grey.

They like writing that grapples with paradox, grey space, the incomprehensible in - between, harmonious dissonance, and infinite finitude.

(a) Each contract between the buyer and a credit services organization for the purchase of the services of the credit services organization shall be in writing, dated, signed by the buyer, and shall include: (1) a conspicuous statement in boldfaced type, in immediate proximity to the space reserved for the signature of the buyer, as follows: «You, the buyer, may cancel this contract at any time before midnight of the third day after the date of the transaction.

(1) Each contract between the buyer and a credit services organization for the purchase of the services of the credit services organization shall be in writing, dated, signed by the buyer, and include all of the following: (a) a conspicuous statement in bold type, in immediate proximity to the space reserved for the signature of the buyer, as follows: «You, the buyer, may cancel this contract at any time prior to midnight of the fifth day after the date of the transaction.

(a) Except as provided in subsection (d), a contract between a consumer and a credit services organization concerning the purchase of the services of the credit services organization must be in writing, be dated and signed by both the consumer and the credit services organization, and include all of the following: (1) A statement in at least 10 point boldface type in immediate proximity to the space reserved for the signature of the buyer that reads: «You, the buyer, may cancel this contract at any time before midnight of the third business day after the date of the transaction.

I write about love, business, and the spaces in - between.

I write about love, business, and the spaces in - between.

Yesterday I wrote about a discovery that shocked me: American Airlines is releasing consistent MileSAAver award space on its flagship and newest plane — the 777 - 300ER — in Business Class and First Class between Los Angeles and London.

Ambrose writes:»... each artist tries to thread the needle of contemporary painting: Berryhill working diligently on top of the threads, while Nesbit works from behind in the spaces between them.»

The lightness of being in his work, the range of forms, contours, edges, saturations and coloring — and the lightness of the spaces in between his network of slashes, swatches, and other painterly exchanges, is so navigable for the eye that the paintings are airy, permeable, and most significantly, written in a language that is all his own.

Between 1947 and 1952 he wrote five Spazialismo, or Spatialism manifestoes, in which he sought «an art for the Space Age.»

«Unenclosed by the usual rectangle,» writes Carter Ratcliff in his essay on Kelly's curved canvases, «Kelly's monochromes do not establish an impermeable barrier between pictorial space and the space of the gallery.

As UCLA Professor Anthony Vidler writes «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

As Anthony Vidler Dean of The Cooper Union School of Architecture writes, «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

She will be writing a dissertation about the place and experience of Marfa, and is interested in parallel concepts of place and space between both geographic and artistic thought.

The Interview is a discussion between author and artist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themselves.

With multiple layers of paint, color and line, she creates an ambiguous space that affords the viewer an intimacy with her subject matter and both obscures and recalls the pain it evokes («Pietà») In her catalogue essay, Tina Kinsella writes, «Bracha's recent paintings beckon us to reprise the work of mourning, to return to the grounds from which the act of lamentation arrives and to reappraise the particular emotion that the laboring through grief produces... the Pietà always threatens to disclose this excess of sorrow by surfacing the penumbra of future loss that lurks in the heart of the maternal relationship between mother and child.&raquIn her catalogue essay, Tina Kinsella writes, «Bracha's recent paintings beckon us to reprise the work of mourning, to return to the grounds from which the act of lamentation arrives and to reappraise the particular emotion that the laboring through grief produces... the Pietà always threatens to disclose this excess of sorrow by surfacing the penumbra of future loss that lurks in the heart of the maternal relationship between mother and child.&raquin the heart of the maternal relationship between mother and child.»

«I once again have phenomenal respect for the spaces between the pyramids,» he wrote to a friend upon returning to Monte Albán in 1936.

The space in between the hand and the writing surface is also fundamental in Gestalt me out (2018), a specially designed desk featuring impressions of the artist's elbow and wrist positioned alongside an image of Murdoch's tea - stained notebook.

In the context of the present Blain Southern exhibition, Bachelard's writing is perhaps best explored by Whiteread; this is partly because in viewing her intriguing cast of the bookshelf, the previous work, House is evoked and resonates with the sense of significance between spaces, from a full - sized home to the small aspects of iIn the context of the present Blain Southern exhibition, Bachelard's writing is perhaps best explored by Whiteread; this is partly because in viewing her intriguing cast of the bookshelf, the previous work, House is evoked and resonates with the sense of significance between spaces, from a full - sized home to the small aspects of iin viewing her intriguing cast of the bookshelf, the previous work, House is evoked and resonates with the sense of significance between spaces, from a full - sized home to the small aspects of it.

His practice exists in a constant tension between his formally minimalistic works that reflect upon the language of renovated space and his critical approach through writing and the use of text.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Purposefully creating tension between volume and space in her work, she writes, «I want to celebrate the complex internal conflict that vitalizes life, using the particular experiences of my life as building blocks, as a novelist might.»

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

The works of the exhibition act as a collaborative installation between the artists where the agency of each artist at times is blurred, at times visible, in an attempt to question the relation of object and agency in the gallery space as well as in a broader context of history writing.

It starts with the screenplay that the great Indian director Satyajit Ray wrote in 1967 for a film he never made about the encounter between a small boy living in a Bengali village and a kindly alien from outer space.

The desire of the client was to create a natural and organic relationship between artworks and architecture: ``... each of these great masterpieces should be organized into space» since «(these paintings) are order, creating order and are «sensitive» (and correcting even) to space», Hilla Rebay wrote in her commission letter to Wright.

«I am interested in the relationship between worship and tourism,» the artist writes in her gallery statement, «and the physical barriers churches sometimes use to keep the tourists out of sacred spaces.»

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK