«Not Abstract II» at Gagosian Gallery feels like a light - and -
space installation scored by sick beats.
Not exact matches
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform architectural
spaces into massive dreamlike environments enhanced by hypnotic musical
scores, according to the museum.
Benedict Drew Taking cues from visuals in the
space, Benedict Drew and a group of eight musicians turn Drew's existing multimedia
installation at Whitechapel Gallery into an improvised
score, producing sounds of increasing intensity with the hope of taking the listener to a reflective or ecstatic state.
Her poetic sound
installations and experimental language
scores often use the gap,
space or breath in between speech — not as forms of negation, but as complex generators of meaning.
It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform architectural
spaces into massive dreamlike environments enhanced by hypnotic musical
scores.
Whilst in Hear, There, Where the Echoes Are (2016), beams of light and color pour into the
space and over visitors through a kinetic
installation of sound and light, with five projectors synchronized to the rhythm of a drum
score, showing a more performative aspect of Rosa Barba's work.
It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform architectural
spaces into massive dreamlike environments enhanced by hypnotic musical
scores.
«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform architectural
spaces into massive dreamlike environments enhanced by hypnotic musical
scores.
It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the
score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire
installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the
space, drawing attention to the physical characteristics of the gallery itself.
What / Why: «
Score for a Color Field is an exhibition of Floor van de Velde's recent
installations exploring light,
space, sound and color.
The work now exists as a performance, an
installation, and as software with a print edition
score distributed by Avant.org allowing the listener to tune and customize this work to their own listening
spaces, creating performances that can then be shared to a growing database of psychoacoustic spatial practices.
It will include work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video
installations, which transform architectural
spaces into massive dreamlike environments enhanced by hypnotic musical
scores.