Sentences with phrase «space movement»
The alternative - space movement of the last few decades has been characterized by artists developing their own cultural infrastructure to support changing methods of production, in particular performance and emerging technologies.
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It's as if they're trying to prove the safe spaces movement's arguments about the power imbalance of free speech.
It leads to two recent works by the famed Light and Space movement pioneer on the back wall of the booth.
maps the return of the alternative space movement alongside social and political upheavals since 2011 through commissioned essays, interviews and first - person accounts from many of those directly involved.
Founded in 1970 as» 112 Greene Street», White Columns was established as an independent platform for artists and was a pioneering force in the alternative art space movement of the 1970s and 1980s.
This groundbreaking exhibition, curated by Alex Donis, features the works of five seminal artists and artist groups: Rachel Rosenthal, Barbara T. Smith, Suzanne Lacy / Leslie Labowitz - Starus, Electronic Café International and EZTV; all who have been central to the alternative artist space movement in Southern California since the early 1970's.
Corse's work is too much about painting to neatly fit neatly into the Light and Space movement with which she is often associated; too gestural to be categorized as Minimalist.
A member of the Light and Space movement since the late 1960's, alongside artists such as Robert Irwin, James Turrell, Mary Corse, Helen Pashgian, DeWain Valentine, Peter Alexander and Larry Bell, Laddie John Dill remains committed to exploration and experimentation.
While we are undoubtedly experiencing an inflection point within the entrepreneurial space movement, the only way to be sure that this momentum continues in the long term is to inspire an interest in, and enthusiasm for, space exploration in a diverse spectrum of young people.
The impending solicitation also highlights another hugely important difference between the Apollo - era space race and today's space age: How exploration is financed.The modern commercial space movement is, well, commercialized — put simply, the design and development of modern space technology is built upon financially - sound business models, market demand, and paying customers, rather than strictly government - funded cost - plus contracts.
Regarding him dropping deeper, did you notice how much space his movement allowed Walcott to move into?
There's a beguiling serenity about all the slow - motion space movement that is slyly undermined by some clever positioning of the camera to convey the sense of Keir Dullea (Mail Order Bride) and Gary Lockwood (The Magic Sword, They Came to Rob Las Vegas) being under constant scrutiny on the ship.
The work in question is a fetching white monochrome from 2011 by Mary Corse, a foundational figure in the male - dominated Light and Space movement started in 1960s Los Angeles.
The exhibition documents Irwin's involvement in the Light and Space movement during the 1960s in Southern California.
They would critique the West Coast Light and Space movement for its «finish fetish» — for being all about seductive surface, and nothing beyond that.
A maverick among them, given his preference for process driven abstraction over strict adherence to the Finish Fetish and Light and Space movements championed at the time, Moses has always done things a bit differently.
Today, the Clocktower presents a full program of exhibitions, performances, and residencies that honor the spirit of the alternative spaces movement by focusing on experimental, interdisciplinary, and intergenerational projects.
The subtle transition of ruby color across the doubled, nested walls of laminated glass by this pioneer of the California Light and Space movement makes a surprisingly suitable visual partner for New Orleans - resident Zarouhie Abdalian's multi-channel sound installation, Chanson du ricochet (2017), heard overhead.
A member of Light and Space movement known also as «California Minimalism», Robert Irwin started out as a painter who deployed aesthetics of Abstract Expressionism in his works, only to later purify his style to minimalist standards in his installations.
It did for Mary Corse, an undersung veteran of the Southern California Light and Space movement who is finally getting her due in New York, at the Chelsea branch of Lehmann Maupin Gallery.
Robert Irwin is recognized as one of the major representatives of the Light and Space movement together with James Turrell, Larry Bell, and others.
The topics they discuss include 1031 Exchanges, tax saving investment opportunities, tech demands, office space changes in trends, supply and demand, shared space movement, and leasing vs purchasing office spa......
In this new series, Corse — who was a member of the male - dominated Light and Space movement of 1960s California — still focuses on the subjective experience of light and color, as well as visual perception.
Collaboration Labs: Southern California Artists and the Artists Space Movement investigates five artists and artists» groups that have been central to the alternative artists» space movement in Southern California since the early 1970s.
Organized by P.S. 1 Contemporary Art Center founder, Alanna Heiss, Forty features work by over 40 artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S. 1 Contemporary Art Center.
Collaboration Labs demonstrates that much of the Los Angeles time - based work in the 1970's grew out of and fed into California artist space movement, which increasingly shaped the landscape of post-war LA art.
TOTAH gallery brings together two generations of the Light and Space movement with «Transient: Helen Pashgian and Brian Wills.»
Mullican arrived in New York in 1973, when the artist - run alternative space movement was under way, with 112 Greene Street (later White Columns), Artists Space, P.S. 1, the Kitchen and Franklin Furnace eventually attracting a broad range of artists, experimental filmmakers, dancers and musicians.
Another stark difference between the space movement of the 20th century and this new entrepreneurial space age are the underlying motivations for exploration.
In the early 1960s, while much of America and Europe was fascinated with the new wave of Pop Artists, Southern California quietly gave rise to a very different aesthetic revolution known as the Light and Space movement.
Pioneer of the Light and Space movement, Robert Irwin has begun contruction on a major new project at the Chinati Foundation in Marfa, Texas.
Los Angeles - based artist Mary Corse creates minimalist paintings, and is associated with the Light and Space movement that emerged in Southern California in the 1960s.
James Turrell: A Retrospective explores nearly fifty years in the career of James Turrell (b. 1943, Los Angeles), a key artist in the Southern California Light and Space movement of the 1960s and 70s.
They weren't that far off: The L.A. - born pioneer of the Light and Space movement, who is the subject of the gallery's inaugural exhibition, did design the green oasis, from its grassy terrace to the illuminated vines, as well as the skylights inside the galleries and a permanent Skyspace in the conference room.
In this sense, her work is more aligned with artists who prioritized sensorial experience, like James Turrell, Mary Corse, and others of the Light and Space movement of the 1960s, than with film or other such time / media - based art.
His diverse painting practice weaves together impulses of minimalism and hard - edge abstraction with those of the California Light and Space movement, to forge an entirely singular creative vision.
A pioneer in the Southern California Light and Space movement, Turrell began using light as a sculptural medium in 1966, painting the windows of his studio in Santa Monica to seal off the natural light and experimenting with sunlight projected through shades and blinds.
Alanna Heiss is hailed as a founder of what we know as the «alternative space movement,» and one of the most important centers for contemporary art in the country.
Both men were included in «Primary Structures» and all four artists belonged to the Light and Space movement, which fit under the larger umbrella of Minimalism and aimed to harness light in new ways.
Similar to the New York Minimalists, the Light and Space movement, as it is now known, was closer to a loosely defined sensibility than an organized collective.
The artist Larry Bell was one of the key figures to emerge as part of the 1960s Light and Space movement, making spare, geometric sculptures that married Minimalism with the high - tech materials then appearing in Southern California's aerospace industry.
Robert Irwin was a pioneer in the 1960s Light and Space movement.
These three artists are all associated with the Light and Space movement in Southern California during the 1960's and 1970's.
Irwin, an innovator in the Light and Space movement, began his career as a painter and turned to installation as a means of disposing with medium and object altogether.
The selection also illustrates some of the art - historical traditions in L.A. such as 1960s Pop art, the Conceptual art of the 1970s, Minimalism with its Finish Fetish, the Light and Space movement, the great and important post-conceptual movements, and not least all the artists with a social and political engagement.