Sentences with phrase «space object taken»

Then, find an image of the same space object taken by one of NASA's space telescopes.

Not exact matches

Ecommerce companies should be taking feverish notes: A recent demonstration of AR technology by Florida - based startup Magic Leap showed one way retailers might integrate AR technology into an e-commerce environment: The demonstration showed how a user could superimpose virtual models of lamps and other room décor atop a real - world dresser, with the digital objects shown to scale, to help the user determine how those items might look within the space.

In taking various profiles, the percipient reaches across space to distinguish events, objects, and relations, while letting them stand as they are in them selves.

I only have 24 square inches of prep space in my kitchen so setting up a rig with a plate, weighted objects, etc., to press tofu takes up valuable counter space.

The beauty of this, and something you can't really appreciate until you have a bulky LPO (large plastic object) in your home, is that it takes up so much less space compared to a regular high chair.

The farther away an object is in space, the longer its light takes to reach Earth.

It goes like this: take empty space and sprinkle it with any number (hence the «n») of planets, spaceships, suns, comets, and various celestial objects.

«If someone was planning to build a future space base on one of these Solar System objects, for example to seek after signs of life, I would suggest they take an extra long ice bore and their fishing equipment,» jokes Jesper Lindkvist.

Other behavioral tests examine sociability, giving the mice the choice to spend time either with other mice or with inanimate objects; risk - taking, in which the mice either venture out on to a high open ledge or hide in a dark enclosed space; and repetitive behavior, where the focus is on excessive grooming or jumping.

Fermilab's Holometer is currently the only machine with the ability to take these very precise measurements of space and time, and recently collected data has improved the limits on theories about exotic objects from the early universe.

After taking new measurements of both objects, Deacon and his colleagues think they are travelling through space together.

It can take military space watchers weeks to sort out each CubeSat's orbit, he says, and failure to be able to track and identify objects can prevent operators from being able to perform key activation tasks and result in the loss of a satellite.

And our preparedness, if scientists found a moderate to large asteroid with our name on it, is weak — it'd take at least a decade to mount a space mission to deflect the object.

Gravitational lensing happens when huge collections of matter — such as those found in galaxy clusters — warp the space - time around them so that the light from objects behind the clusters takes a curved path.

It took more than 35 years and a journey over 15 billion miles, but: «Voyager 1 is the first human - made object to make it into interstellar space — we're actually out there,» says Don Gurnett, lead author of a September Science paper announcing the feat.

The ACS has three cameras and has taken some of the most impressive images of objects in deep space.

This image taken by the Hubble Space Telescope shows the spectacular region around an object known as Herbig - Haro 502, a very small part of the vast stellar nursery in the picturesque Orion Nebula.

These two images of a huge pillar of star birth demonstrate how observations taken in visible and in infrared light by NASA's Hubble Space Telescope reveal dramatically different and complementary views of an object

Images taken with the Hubble Space Telescope's Faint Object Spectrograph in 1996 offered some evidence to support earlier indications that either star could be a high - mass brown dwarf (Schultz et al, 1999).

The Space Telescope Imaging Spectrograph (STIS) takes detailed pictures of celestial objects and hunts for black holes.

ALMA image of SDP.81 (orange arches around the bright object) overlaid on a near - infrared image taken by the NASA / ESA Hubble Space Telescope.

The Einstein Cross — The European Space Agency's Faint Object Camera on board NASA's Hubble Space Telescope has provided astronomers with the most detailed image ever taken of the gravitational lens G2237 + 0305 — sometimes referred to as the Einstein Cross.

Mark Pellington's latest is a melodramatic look at how we assign value to the objects that take up space in our existence.

An object - based as opposed to a channel - based system, Dolby Atmos enables audio engineers to localize sound elements anywhere within a 3 - D space, and the team behind Swiss Army Man took to it like kids in a candy store.

When objects take up valuable space yet aren't used often or in meaningful ways, they become clutter.

First of all there were a lot of individual effects on the children from introducing this type of playground: children were seen to be a lot more excited going out to play; they would enter their classrooms after lunchtime and would still be talking about what they did during that play; they were a lot more engaged, they were using the space a lot more readily, so, taking these materials out - and that could be one influence on how physical activity actually increased; they were solving problems and using their creativity skills - which I can also talk about how the children use all these objects to be creative in the school playground.

«Some people may find this attitude baffling, arguing that books are merely objects that take up space.

This is a pure matter of geometry, which you can verify by using a device of the painters for measuring the picture size of an object: Take a pencil in your fist, hold it at arm's length, and mark off on it with your thumb so much space as is necessary to cover the object.

Two of Jubal Early's cards in Objects in Space, for example, won't strike but will instead force players to take a new flaw card every turn.

3D - Ball takes advantage of the extra space that is quite literally floating around, and increases the number of object balls to be shot into pockets.

You may be able to squeeze through tight spaces, move objects and open doors, but Trico is the only one who can jump 10 feet into the air or take our «terracotta» soldiers looking to kidnap you.

The phone uses several technologies, including Motion Tracking (to detect the movement of the user), Depth Sensing (to detect the distance of objects in the physical space) and Area Leaning (the device spatial memory for drift correction and also support multiplayer games that take place in space physical space).

Perhaps taken from an outdoor market, the object, in turn, suggests an indefinite, quasi-public yet almost solitary space.

Contemporary sculptors interested in working with physical materials, as Maychack is, often take as their source material the recesses and underpinnings of architectural space, whether it is the moldings of a room (see Francis Cape), the sprayed girders of an underpass (Karlis Rekevics), or the negative spaces in and about actual objects (Rachel Whiteread).

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

This question took her down a rabbit hole of experiments with painting on and people and objects that led her to develop an optical illusion for turning three - dimensional spaces into what appeared to be two - dimensional paintings.

It devotes still more temporary space to the permanent collection on the second floor, with «Take an Object.»

Antoine strives for taking complete possession of the space, placing objects in a way which seems as if they self - generated there.

A found object, the façade of a prefabricated building, takes up nearly the entire gallery space.

A retrospective of Grenier's work, Language Objects: Letters in Space, 1970 - 2013, took place at Southfirst Gallery, New York, in 2013.

The space between viewer and object is charged with the artist's particularly personal take on her experiences.

We are fascinated by the photos our visitors take of the objects and spaces at the Hammer.

Simple objects, each with their own complex texture or detail, scatter the exhibition space, enhancing the party - like atmosphere with a tinge of stoic discontent that overshadows the speculative festivities that might have taken place.

When an object takes dominion, it takes over a space in the world, a space in our visual field, and a space in our thinking.

When I use objects from Nigeria, I'm thinking of the past having a place in the present, and how you take your experiences — of spaces, climates, landscapes — with you.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Through his gesture the work becomes an object, an installation; it takes into account the void (notably in Dadamaino), space, light, the venue and the spectator's physical experience.

The artwork of Laura Lima takes the body as its starting point, and integrates it as a material potential and as an object of knowledge and sensibility, as just another element in the configuration of the work in space.

Often taking the form of gatherings of objects in various media, from assembled sculptures to drawings and photographs, Donnelly · s exhibitions tease the viewer with their intimations of meaning and orientation within these spaces is seldom straightforward, but is pregnant with possibility.

Using a smart phone, take several pictures of an object or space.