First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical
space of the gallery.
Through drawing, she responds to the garden, the wall,
the space of the gallery, and the verdant convolutions of Riverside, an Olmsted designed oasis surrounded by Cook County's relentless grid.
One has trouble deciding whether the figure suffers the thrusts passively, like a postindustrial Saint Sebastian, radiates aggressively outward, or simply disperses into
the space of the gallery.
Three metre high paintings with titles such as Overcoming Optimism and Back on the Worry Beads occupy the main
space of the gallery.
Their influence also includes semi-fictional recreations of an artist's private environment in
the space of a gallery, such as Friedrich Kunath at Andrea Rosen, Rirkrit Tiravanija dishing out curry (yes, yet again) at David Zwirner, or a cordoned - off memorial there to Jason Rhoades's living room soon after.
In just the last few summers, shows have played around with
the space of a gallery, the everyday object, childhood memories, and «sign and symbols.»
When he crafts a frame as part of the work, it neither seals the art object in its own world nor projects art into
the space of the gallery.
He also calls attention to
the spaces of a gallery, from little more than readymade materials.
Their large - scale installations are often in arranged in tension and certainly inhabit
the space of the gallery visitor.
The small number and size of the works amplify the large and open
space of that gallery and stand in stark contrast to the monumentally scaled works by Clyfford Still on view in adjacent galleries.
In June 1961, she prepared a number of new works on the occasion of her solo exhibition Feu à volonté (Fire at Will) at the Galerie J in Paris — the first Tirs séance inside
the space of a gallery.
Her exhibition at Modern Art emphasises the breadth of her practice, encompassing work of varying scales and production techniques that respond to
the space of the gallery, while also honing in on the specificity of her distinctive visual vocabulary.
The show will present all new work by the artist, inspired in part by the architectural
spaces of the gallery's historic townhouse.
Micheline Szwajcer also invites Dvir Gallery for a project in the second exhibition
space of the gallery.
«Unenclosed by the usual rectangle,» writes Carter Ratcliff in his essay on Kelly's curved canvases, «Kelly's monochromes do not establish an impermeable barrier between pictorial space and
the space of the gallery.
Anne - Marie Jugnet's most recent exhibition consisted of simple works that seemed to take over
the space of the gallery though they were physically unimposing.
At the Hammer Museum, Holtzman has created a site - specific immersive installation that merges the historical with the contemporary and thoughtfully and inventively transposes his concerns with space, color, and form to the three - dimensional
space of the gallery.
These personalities linger in
the space of the gallery while inhabiting another, active moment of historicization: the 1980s.
Caroline Achaintre, Sara Barker, Alice Channer is a three person exhibition forming
the space of the gallery with discreet and autonomous moments of object making via careful labour.
The new site, a campus of buildings set around a courtyard, has more than twice the exhibition
space of the galleries at the new Whitney Museum of American Art.
The exhibition continues in the rear
space of Gallery One with Barth's partner project, Compositions of Light on White.
Their contoured structures protruded into
the space of the gallery exploring a radical new tension between volume, colour and surface.
Street uses three
spaces of the gallery to weave a dialog between a sound work, a sculptural installation and performative paintings.
Lucy Raven: Edge of Tomorrow brings together a diverse selection of works in a site - specific installation within
the spaces of the Gallery.
For Tuesday Evenings at the Modern, Andria Hickey expands upon her recent curatorial work to explore the shifting nature of the art object from the sanctioned art
spaces of galleries and museums to the unyielding context of the public realm.
The work was a «secret» performance, executed privately without an audience in
the space of the gallery.
Here, the changing forms of a cloudscape are played out discreetly in the ceiling
space of the gallery.
Taking the step from a large institution, Hayward Gallery, to a smaller institution, the Serpentine Gallery, Peyton - Jones felt slightly embarrassed by the small exhibition
space of the gallery.
The visual and conceptual investigations into the conjunction of these elements transform the architectural
space of the gallery into an exhibition space where the artist is evident and a vision is perceived.
The front
space of the gallery is symmetrically organised.
The plaster manhole covers enter more fully
the space of the gallery.
The paintings break apart in space, but in
the space of the gallery.
In his 1999 project From / To, routes to and from a range of Middle Eastern cities were plotted in the real
space of the gallery.
Alastair Mackie's new and largest installation to date, created in response to the AVA's converted gallery space twenty seven pine trees stand incongruously in mid-transformation creating a pseudo-forest within the stark white
space of the gallery.
The work revisits the biblical story of Jacob's ladder with a towering floor to ceiling structure of rare artefacts and books that will fill the lofty
spaces of the Gallery.
This is what shapes
the spaces of the gallery.
This digital animation presents a slowly shifting beam of «solid light» whose physical properties become outlined within the haze - filled
space of the gallery and are further enhanced through viewer interaction.
Performance is such a thing that galleries have even started using the vernacular of theatre to bring the immediacy of performance into the static
space of a gallery, as Luxembourg & Dayan are doing with their «Melodrama, Act 1», and «Melodrama Act 2» shows in the London and New York galleries respectively.
Clemens arrived in San Francisco for a residency where he would transform
the space of the Gallery into an immerse sculptural experience.
For his latest site - specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed — a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white
space of the gallery entirely.
In this way the installation encourages a literal movement of the work into
the space of the gallery, the town and beyond.
Of the incident, Andre told Artforum, «I wanted very much to seize and hold
the space of that gallery — not simply fill it.»
by Tara Plath The opening night of diverse film, video, and installation at Secession in Vienna on September 19th included the work of Hannes Böck, presented in the Grafisches Kabinett
space of the galleries.
The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief.»
In the first
space of the gallery, Cone of Erebus and Crawl, Conquer press themselves against the floor, like bowing figures to What Crawls Must Be Crushed, which stands tall and centered behind them.
Composed of grids, lines, and geometric shapes, the structures form a volumetric drawing within
the space of the gallery, referencing cheap commercial constructions as well as the serial patterning of paintings and sculptures made by Minimalist artists such as Sol LeWitt and Agnes Martin.
He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional
spaces of a gallery or museum.
This is the artist's first presentation in Europe since representing the United States at the 2013 Venice Biennale and third solo show with the Victoria Miro Gallery, which will span all three
spaces of the Gallery.
The exhibition featured nine major contemporary artists invited to install site - specific works on the theme of wonder in the nine exhibition
spaces of the gallery.
These works demonstrate a formal minimalism and narrative restraint that encourages a direct encounter between
the space of the gallery, the space of the viewer and the space occupied by the object itself.