Sentences with phrase «space of the gallery shows»

Not exact matches

The prayer room doubles as a gallery, which hosts regular art shows and is part of a city program that brings art lovers — not usually a churchy crowd — into the professionally lit space.

For instance, one of the simplest ways to reach out to local artists is to designate a gallery space and invite them to submit work to be shown.

Trade show: Craft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Heal's.

5) In our profiles I'd love to have space to put a couple of pictures — to show ourselves or our workspaces / materials etc and perhaps a space for a gallery — for people to put examples of work for commissions, or to use as a portfolio space so our profiles become somewhere to direct people to in themselves instead of just being an «about» page for our shop.

A move in June from Wicker Park to the West Loop increased physical exhibition space by almost 400 percent, the bulk of which is given over to the organization's Coalition Gallery program, in which 16 juried artists manage and show in the space.

While waiting for the show to start, you can watch a «Victorian» astronomer give a magic lantern show of findings in astronomy in the year 1880 and, if there is time, take a stroll into the adjoining Space and Time galleries.

Manolo Blahnik put in a rare and delightful appearance at New York Fashion Week, hosting a still - life presentation of his Fall collection in the Paul Kasmin gallery space a very convenient block from the DKNY show at Cedar Lake in Chelsea.

Indeed, Mollusk isn't only about the sport of surfing, but also about the art of surfing: The shop has books, a gallery space for art shows, and live music events (don't miss the second - floor space that looks like a weird wooden submarine).

He was one of the co-founders of the Park Place Gallery, which opened in 1963 as a cooperative space where works of emerging artists were shown, and in 1977 he founded the Athena Foundation, helping artists achieve their creative goals.

Artists from all over the country flocked to New York in the»70s to live in its cheap lofts and to show in its new breed of art spaces — from the Kitchen to the Clocktower Gallery to Artists Space to A.I.R., the first feminist art gGallery to Artists Space to A.I.R., the first feminist art gallerygallery.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

As part of the exhibition, which will be held in a space adjacent to the Close show's galleries, PAFA will put together a timeline related to sexual misconduct and gender equity.

For this show, the first at Bortolami's new Tribeca space (the gallery was formerly located in Chelsea), Buren will construct new site - specific works that makes use of colored filters.

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Bad Boys Bail Bonds Adopt a Highway» is a group exhibition currently on view at both Team Gallery spaces in New York.

But this article has made me realize that I need to get out of the 2 gallery co-ops I'm in that have done nothing for me, to stop showing my work in the local art league shows that always make me depressed when I go to see them, and to quit buying booth space at holiday vendor shows next to Mary Kay because it might give me some exposure.

«It is unusual for an international gallery to do such a specific kind of fair,» dealer Jane Cohan said of her space's first time participating in 1 - 54, «but there's a fantastic energy and interest in the artists and galleries being shown.

A series of gorgeous new analogue photography by British - Asian photographer Suki Dhanda tackles the thorny subject of Brexit, through» focusing on families by the seaside who might not feel so welcome in the UK since the vote to leave the EU,» says the space showing the work, The Gallery at Plymouth College of Art.

On show at G.F Smith's White Space gallery until the end of June, the sculpture is made from Takeo paper and was put together by a team of envelope makers off - site, while more than 20 university design students helped to install the piece in London.

I think critics like Cotter (in this instance) and Saltz (in many) spend too much time and ink bemoaning the vacuity of the art and artists presented in Blue Chip spaces and too little time outside the borough of Manhattan writing about artists and galleries that make and show sincere, good, and genuine work because they have to.

Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.

A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress»of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress»of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress»Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».

For the «Wall Show» (10 December 1970 — 30 January 1971), curated by Nicholas Logsdail, artists were invited to make a proposal for one of 20 blank walls, spread across two gallery spaces.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

The National Gallery space absorbs people, yet a curious thing happens when they enter, especially if they use the two passageways that connect the gallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engaGallery space absorbs people, yet a curious thing happens when they enter, especially if they use the two passageways that connect the gallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engagallery to the adjacent room full of Barnett Newman paintings: They drop their voices and show distinct signs of meditation and engagement.

The space — and the ambition — was influenced by Charles Saatchi's big gallery in Boundary Road in north London, which opened in the mid-1980s, and initially showed work by pioneering American conceptual artists like Sol LeWitt and Donald Judd, both of whom influenced Hirst.

The gallery exhibition is accompanied by The Kitchen Follies, a series of performances in The Kitchen's theater space May 3 — 5 and 10 — 12 that will showcase a range of artists chosen by Atlas across performance art, dance, and music, staged as a performance art variety show.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

This new show spans two galleries: the usual Chelsea space and another in Bushwick, which the gallery recently opened to some fanfare and confusion — the latest sign of an apparently booming interest in contemporary art at large.

Brennan has curated shows in New York at Nicole Klagsbrun, Zieher Smith, Monya Rowe Gallery and Halsey McKay and is a founding member of Essex Flowers, established in 2013 as an artist run space in the Lower East Side.

Graphite Piece, first shown in January of 1969, divides the gallery into two defined spaces of dark and light planes.

Openings: «Matt Mignanelli and Ryan Wallace» and «Flat Field» at Bleecker Street Arts Club This new space hosts two shows: a two - person affair with work by Matt Mignanelli and Ryan Wallace, organized by Jessica Hodin, and a group show called «Flat Field,» which was put together by East Hampton's Halsey McKay Gallery and features the work of Patrick Brennan, Chris Duncan, Joseph Hart, Lauren Luloff, Reuben Lorch Miller, Hilary Pecis, Matt Rich and Ryan Steadman.

2016 — Invitation, Northern, Southern Gallery, Austin, TX 2014 — A Catalog, Tiny Park Gallery, Austin, TX 2013 — Two Person Exhibition with Jamie Panzer, Tiny Park Gallery, Austin, TX 2013 — Friends and Family, Gallery Black Lagoon, Austin TX 2013 — Oil & Water, Gallery Black Lagoon, Austin TX 2012 — Tenses of Landscape, University of Arkansas, Fayetteville, AR 2010 — Scape, Nicole Villeneuve Gallery, Chicago IL 2010 — Journeymaker, 1539 West Haddon, Chicago IL 2010 — Midnite Snacks ‐ Chicago, 1366 Space, Chicago IL 2009 — Big Youth, Corbett Vs. Dempsey, Chicago IL 2008 — Faculty Show, Harrington College of Design, Chicago IL 2008 — Somewhere, Elsewhere, Linda Warren Projects 2007 - 2010 — Art Chicago, Linda Warren Projects 2006 — MFA Show, G2, Chicago IL 2005 — Love 8, SUGS Gallery, Chicago IL 2005 — Nova Young Art Fair, Devening Projects, Chicago IL

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

In March 2014, the gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curators.

Viktor Popović's work has been shown in such venues as the Museum of Fine Arts, Split Croatia (2000, 2001, 2006, 2008, 2009, 2011 & 2017); Museum of Contemporary Art, Zagreb, Croatia (2010, 2011, 2015 & 2016); Lauba — People and Art House, Zagreb, Croatia (2011, 2012, 2013); Gallery of Fine Arts — Civic Museum Zadar, Zadar, Croatia (2005, 2010, 2011); Portland Art Center, Portland, Oregon, USA (2006); Glyptotheque — Croatian Academy of Sciences and Arts, Zagreb, Croatia (2003, 2006, 2008, 2009, 2012); Croatian Academy of Sciences and Arts — Department of Prints and Drawings, Zagreb, Croatia (2016); Garis & Hahn Gallery, New York, USA (2014); Kunsthalle Wien Project Space, Vienna, Austria (2012); Istria Museum of Contemporary Art, Pula, Croatia (2008, 2010); MUU Gallery, Helsinki, Finland (2009); Galérie Z, Bratislava, Slovakia (2006); Gallery of Arts, Slovenj Gradec, Slovenia (2002); Casal Balaguer, Palma de Mallorca, Spain (2002).

His Berlin Installation takes up an entire length of the gallery's back room (unusually, broken up with temporary walls for this show dividing the characterful space, which works perfectly for installations and immersive works, into a more classical gallery for showing photography).

Hanna Schouwink and John McCracken standing on West 19th Street during the installation of John McCracken, the artist's third gallery solo show and the inaugural exhibition at David Zwirner's new space at 533 West 19th Street, New York, September 2006

Also in the show is a projection of the documentary We Live in Fear (2013), and one of the exhibition galleries has been transformed into a documentary space for Inkanyiso, (Zulu for «the one who brings light»), the multi-media internet platform that Zanele Muholi founded in 2009 to create a visual history of LGBTQI communities.

Her work has been shown at the Heiner Gallery (DC), Artisphere (VA), Washington and Lee University (VA), the College of William and Mary (VA), Boston University (MA), and the Bowery Gallery (NY), in addition to other galleries and art spaces in the DC area.

While I was knee - deep in the planning stages of «What I Like About You» (for Parallel Art Space, Bushwick Open Studios 2013) Garry mentioned that I should visit Imogen Holloway Gallery in Saugerties, NY to take in the current show, and to meet the energetic Diane Dwyer.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

The works span four floors of Spring Studios in New York and extend across the Atlantic; a permanent extension space opened in Brussels last year, and provides a connective platform to show work from galleries participating in New York.

(Juror's Honorable Mention) 2006 — Opt In: Revisioning America, Chicago Music Garage, Chicago 2003 — 20x20x20: A Compact Competition, Louisiana State University, Baton Rouge, LA (Juror's Award) 2002 — The Summer Show, Gallery 312, Chicago 2002 — Group Exhibition, Gallery 2, Chicago 2001 — Hot Sheets, The Optimistic, Chicago 2001 — No Attitude, High Risk Gallery, Chicago 2001 — ArtWork III, The School of the Art Institute of Chicago 1999 — Suite 35, Pilsen East Gallery, Chicago, IL 1999 — Eros, Las Manos Gallery, Chicago 1999 — A Tribute to Van Gogh, Las Manos Gallery, Chicago 1999 — ArtWork II, The School of the Art Institute of Chicago 1998 — HEADGIFT, NFA Space, Chicago 1998 — ArtWork, The School of the Art Institute of Chicago

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

, 2009 2008 — Inclusion in Publication of Artists, Studio Visit, Volume 2, 2008 2007 — Artner, Alan, Art: Reviews, Chicago Tribune, June 22, 2007 2007 — Nance, Kevin, Art Review, «How it all happened, or not; New exhibit blurs the line between fact and fantasy» Chicago Sun - Times, June 6, 2007 2007 — Featured Artist CHI # 140, Flavorpill: Chicago, May 22, 2007 2007 — «Gallery Shorts», F News Magazine: The School of the Art Institute of Chicago, May 2007 2007 — «Galleries and Museums: Featured Artists», Chicago Reader, May 18, 2007 2007 — Rose, Joshua, «Persistence of Memory», American Art Collector, Issue 19, May 2007 2006 — Duffy, Heather, «Creative Imaginings: The Howard A. and Judith Tullman Collection», The Vanguard, USA, Nov. 20th, 2006 2006 — Harrison, Thomas, «Artwork, Imagery Provocative in Tullman Show», Mobile Register, Nov. 2006 2003 — Krenz, Marcel, «Space Invaders: Six Painters & Two Sculptors Reconstruct Representation», Contemporary, Issue 55

2000 Assembly, Royal College of Art and Goldsmiths College, Stepney City, London, England Master's Degree Show, Goldsmiths College, London, England Outhouse, The Rich and Famous Gallery, London, England Brainstorm, Curators» Space, Goldsmiths College, London, England

Lueg once again invited friends and colleagues to have coffee and cake, this time in the important Düsseldorf gallery, with Gerhard Richter showing a portrait of Schmela himself, and Lueg covering the entire space with his own wallpaper.

Kukje Gallery / Tina Kim Gallery will show Haegue Yang's extensive blind installation «Accommodating the Epic Dispersion — On Non-cathartic Volume of Dispersion» (2012) while Long March Space (Beijing) will present Shanghai artist Xu Zhen's most ambitious sculptural installation to date «Eternity...» (2013/14).

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

From the distorted images shown in the mirrors, visitors catch a glimpse of Mary Corse's painting behind them across the gallery space.