Sentences with phrase «space of the painting beyond»

Valerie Brennan's thick, trowelled surfaces lap the edge of her painted panels, expanding the space of the painting beyond its support.

Not exact matches

First of all, the Snow Day coffee roast by Stumptown (I picked mine up at Sidecar Donuts); secondly, these radical paintings by Leap Year Illustration; thirdly, every pair of Beyond Yoga space dye leggings (they are the comfiest things in my life); and lastly, sweet Ally over at Neat Coffee — if you are ever in Orange County, go visit her smiling face.

While the Lane Keeping Assist uses a monocular camera (mounted on the upper portion of the windshield) to identify solid or dashed painted lane lines, Botts» dots and Cat Eye marker, the Road Departure Mitigation System can identify objects such as trees or parked cars which would indicate spaces beyond the side of the road.

The group's manifesto identifies their aims as carrying «painting beyond the appearance of the physical world, through new concepts of space, color, light and design, to imaginative realms that are idealistic and spiritual» in an effort to «widen the horizon of art.»

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

This retrospective exhibition at Vienna shows that her work all these years, beyond painting that added in the course, which covers the expressive needs, focusing primarily on installations in space, this installations characterize her first of work presented in Athens at the Factory in the group exhibition» Push - Ups», in 1997.

Beyond a connection of medium, César Oiticica's featured works present flatly painted forms arranged to convey a sense of movement within a confined two - dimensional space.

Although TPG members were committed to a shared set of philosophical concepts and ideals, each artist developed his or her own artistic language and sought a unique path «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design.»

Although TPG members were committed to philosophical concepts and ideals, each artist developed his or her own artistic language and sought «to carry painting beyond the appearance of the physical world, through new concepts of space, color, light and design.»

I have a really bad taste in my mouth about Cuba,» he told Newsweek earlier in the week, sitting in the back room of Ameringer McEnery Yohe space as the sounds of drills beyond the door signaled a changing of the gallery's guard: Michael Reafsnyder's paintings were coming down so that Larraz's could go up.

The gallery's larger space holds boldly distilled geometric paintings from the 1970s, when Mr. Hammersley was clearly pushing beyond the simplified geometries of John McLaughlin, a West Coast artist 20 years his senior, with strong colors, a hard, shiny surface and a penchant for stark diagonals and sudden spacial shifts that pack considerable punch.

Literally a vast view of the ground seen from above, the gestural and gritty painting was intended to evoke a continuous, infinite space beyond the fragmented sphere of human action and intervention.

Extending from the late 1970s to today, this selection of work reaches beyond the limitations of medium to emphasize the slippage between painting, film, photography, pictorial space, and performative space.

My recent paintings and sculptures focus on the African - American experience of navigating public spaces while remaining buoyant within them... Working beyond the physical image of the body, objects of buoyancy, and navigation become metaphors for selfhood, resilience, and the sanity required in the turbulent oceans of contemporary America.»

In her first solo exhibition at the gallery, Commito will show paintings that, while abstract, also look beyond their own geometric formal language to the world outside them — conveying the artist's interest in architectural space, the materiality of our everyday surroundings, and the productive process by which impressions and recollections are converted into images.

Michael Rosenfeld Gallery is pleased to present its eighth solo exhibition of work by Charles Seliger (American, b. 1926) consisting of 16 new dynamic paintings which continue to disclose the artist's exploration of the infinite spaces within and beyond the natural world.

His sense of space, light and composition combine to create graphic tensions which intrigue beyond the beautifully - painted forms of the subjects.»

With material as departure point, Lang's recent works explore the tensions between abstraction and figuration, and investigate space beyond the limitations of the human body through sculpture, reliefs, assemblage, paintings and collages.

With a grand use of white space dominating the work, one can't help but feel the push and pull — of the artist's intention and of the suggested action beyond the physical edge of the painting.

Most of her images, like Web # 1 1999, are painted or drawn very close to the edge of the surface she is working on and seem to extend beyond the frame of the image and into the space occupied by the viewer.

Vibrating with hues, textures, and emotions, Humphrey's paintings demonstrated a consistent commitment to color, space, and structure — elements he used to move abstraction beyond formal considerations to that of the human experience.

The paintings live in the seductive space of metaphor and possibility, which can stretch beyond the artist's intentions.

The paintings themselves are made through a multiple processes and playing with the relationships of negative space, depth and the picture plane to create art that play with balance and perception and oscillates between sensations of chaos, tranquility and curiosity of what lies just beyond view.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

11, No. 6 Capps, Kristen, «No Longer Presidents but Prophets», Washington City Paper, March 22 Butler, Sharon «Medium Unspecificity Prevails», Two Coats of Paint, Feb. 27 Peña, Art, «Making [in] Dallas», New American Painting, Feb. 22nd Kimball, Whitney, «This Week's Must - See Art Events», The L Magazine, Feb. 18th McQuaid, Cate, «PAINT THINGS is off the wall», The Boston Globe, Feb. 7th Garza, Evan and Dina Deitsch, «PAINT THINGS, Beyond the Stretcher», January 25 (Exhibition catalog) 2012 «Katie Bell by John O'Connor», Artists on Artists, BOMB, Number 121, Fall 2012 «Primary», City Paper, Baltimore, Aug. 16 Art F City, «We're Going to Open Studios», Art F City, April 25 Labarre, Suzanne, «Katie Bell, An Artist who Paints with Torn Apart Houses», Fast Company 2011 Brennan, Valerie, «Katie Bell» Studio Critical, October 17 Miranda, Lynnette, «Living Arrangements at PLUG Projects», Make Space, Sept. 15 Garza, Evan, «Small Crowd: RISD MFA Painting Grads at Mixed Greens», New American Painting Blog, June 28 Garza, Evan, «New Insight: Top MFA Students on View at NEXT», New American Paintings Blog, April 29 Bergstein, Mary, «RISD MFA Painting 2011 ″, (catalog), June Hamada, Jeff, «Katie Bell», Booooooom!

Taken together, Exhibition Space stretches beyond Martinsen's signature freeform and gestural style of painting into a collection that intends to show more clearly the relationships between the artist, the art, and, most importantly, the space that houses theSpace stretches beyond Martinsen's signature freeform and gestural style of painting into a collection that intends to show more clearly the relationships between the artist, the art, and, most importantly, the space that houses thespace that houses the two.

«The famous hole and cut were not just gashes punched through a canvas, but a way of making the viewer look beyond the physical fact of the painting, to what Fontana called «a free space».»

The archaic and obscure symbols found throughout his paintings are the tools by which he reaches into this surreal space, utilizing Jung's theory that by contemplating symbols one can explore «ideas beyond the grasp of reason.»

Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic forms, resulting in atmospheric images evocative of representational landscapes, but always opening up to something more, something beyond.

They evoke space and suggest a bond between the inside and outside by extending the charcoal lines to the top edge of the canvas and presumably beyond, directly challenging the formalist orthodoxy that defined painting as a self - contained object or surface.

The delicate veil of painted swoops and swirls that sweep across the surface extend to all edges of the canvas, suggesting the continuation of the net into the space beyond the painting.

From the first major U.S. exhibition of long - overlooked abstract painter Hilma af Klint and the biggest U.K. show of pioneering video artist Joan Jonas, to the passionate paintings of early 20th century Viennese modernist Egon Schiele and the world's first space sculpture by contemporary artist Trevor Paglen, here are 12 shows opening across the globe — and beyond — that you won't want to miss.

In her first solo exhibition at the gallery, Commito will show paintings that, while abstract, also look beyond their own geometric formal language to the world outside them — conveying the artist's interest in architectural space, the materiality of our everyday surroundings, and the -LSB-...]

Against the historical background of mural paintings and wall designs dating back over millennia, artists in the early 20th century devised concepts for wall paintings, picture walls and wall reliefs, which went beyond the frame of an individual image in order to take an entire wall or interior space into view.

Instead of seeing Czanne's «The Bather» first thing when you enter the second - floor galleries, where «People» unfolds, you see an expansively open space with only two works: Aristide Maillol's luxuriant cast - lead female nude, «The River» (1938 - 1943), and beyond it, Barnett Newman's abstract painting, «Vir Heroicus Sublimis» (1950 - 51).

These recent paintings are astral - like, conflating lyrical abstraction with Op Art and hard - edged painting to create portals with a view of some great abyss or boundless space beyond.

Selected group exhibitions: PRESENT, SHANGHAI GALLERY OF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEAROF ART, Shanghai, 2014; OPENING EXHIBITION OF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEAROF ANNTENNA SPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSPACE, ANNTENNA Space, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2013; LUST AND LOVE OF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEAROF THE YOUNG AND LIBERATED, 798 SPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSPACE, Beijing, 2012; 70S PRESENT CONTINUOUS, Lin & Lin Gallery, Taipei, 2011; 15 days: cooperative painting, White Box Museum of Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEARof Art, Beijing, 2011; LEARNING METHOD: HANDS ON NO. 4, V Arts Centre Space, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2011; DU — CROSSOVER, Around Space, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2010; NEW INTERFACE IV — HERE COMES SPRING, Red Bridge Gallery, Shanghai, 2009; YOUTH CHINA, Red Bridge Gallery, Shanghai, 2008; LOOKING FOR ME, Minsheng Art Museum, Shanghai, 2008; PLOT TOGETHER - EXHIBITION OF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEAROF CHINESE AVANT GUARD, Kuang Space, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Shanghai, 2008 ； XING ARCHIVE - WITNESSING CHINESE ART IN THE TWENTY FIRST CENTURY, Beyond Art Space, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YSpace, Beijing, 2008; NEW INTERFACE 2, Red Bridge Gallery, Shanghai, 2006; DIALOGUE, 100 YEARS?

His use of space refers strongly to the formalists concern for edge but go beyond that in the regard for image — the content therein alluding to a personal mythology of forms which are delivered through a primitive, gestural handling of the paint.

An alchemist of sorts, Quaytman moved abstract painting beyond the mundane into the realm of cognitive understanding through a heightened sensory involvement with materials and an ultimate clarity of space.

Radiating from a central point, this painting traces a network of dotted lines that seems to expand beyond the edges of the painting into the infinity of space.

Attempting to locate themselves somewhere between the painting / apartment, the negative space, and their own bodily experience as they navigate the virtual space, viewers enter a fourth dimension that goes beyond traditional conventions of a physical encounter with a static, painted object in space and time.

Beyond the obvious uses — as a place to jot down reminders or a spot where kids can draw on the walls — we like the idea of painting pantry jar lids to identify what's inside, creating chalkboard patches on terracotta pots to identify the seeds you planted, and (of course) painting a pegboard and outlining designated spaces for tools.