Sentences with phrase «space out of wind»

She has several straw - filled shelters in her pens, which allow her goats comfortable snuggle space out of wind and rain.

Not exact matches

What's certain — that's how we got wind of it — is that Urmson was talking to a number of other top engineers in the space from companies like Uber, Apple and Tesla to join him and could easily attract an A-team of techies who want to strike out on their own.

excellent - made 50/50 wheat / white crust didn't have the white wine and wound up mixing the mushrooms (only had cremini) and the onion mixture together when I ran out of space.

There is only one reason I've come across that medically warrants you spacing out your baby's breastfeeding schedule and that is lactose overload (where they get too much fore milk with more lactose and not enough hind milk with more fat so they get lots of painful wind).

«For the first time, space weather forecasters now have models and tools for predicting how a CME is released from the sun, accelerated out into the solar wind, and ultimately ends up colliding with Earth's magnetosphere creating the geomagnetic storms that impact so many technologies and systems,» says Rodney Viereck of the National Oceanic and Atmospheric Administration's (NOAA) Space Environment Cespace weather forecasters now have models and tools for predicting how a CME is released from the sun, accelerated out into the solar wind, and ultimately ends up colliding with Earth's magnetosphere creating the geomagnetic storms that impact so many technologies and systems,» says Rodney Viereck of the National Oceanic and Atmospheric Administration's (NOAA) Space Environment CeSpace Environment Center.

But the stars could still create all the elements of the periodic table up to iron, and stellar winds could carry those elements out into space.

In two papers in The Astrophysical Journal Letters, the scientists develop models showing that the stellar wind — the constant outpouring of charged particles that sweep out into space — could severely deplete the atmosphere of such planets over hundreds of millions of years, rendering them unable to host surface - based life as we know it.

Measurements of the space environment round it show that the water flowing out from the comet's nucleus forms a prominent atmosphere which interacts with the constant flow of ionised particles from the sun, the so - called solar wind.

The space station Skylab found that the ever - changing corona bleeds off into the solar wind, a flow of charged particles that reaches out to Earth and beyond.

This study also offers a slice of pterosaur life history that is out of reach of fossil evidence, suggesting that the reptiles lived within easy access of warm thermal wind currents near open spaces of land or near the ocean.

«We never dreamt an electric wind could be so powerful that it can suck oxygen right out of an atmosphere into space.

Eventually, Stars Aa and Ab will lose much of their current mass, from intensified stellar winds that eventually puff out their outer gas envelopes of hydrogen and helium (and lesser amounts of higher elements such as carbon and oxygen) into interstellar space as planetary nebulae.

Its shape is the direct result of being blasted by solar wind, high - energy particles released by the sun out into space.

For instance, the spacecraft has returned three years» worth of observations on solar wind — or high - energy particles flung by the sun out into space — from a region barely explored.

Presumably, the strong stellar wind emitted by giant stars eventually blows the titanium oxide out of the star's outer regions (along with hydrogen and helium gases and dust made of elements and molecules like carbon) into interstellar space, until vigorous convection brings out more titanium and oxygen that are created from nuclear processes deeper in the star.

Also, SOHO saw the sun get brighter as sunspot activity increased, watched gas currents whisk below the sun's surface, and analyzed the elements coming out of the «solar wind» — the continuous stream of particles from the sun that bleed into space.

Charged winds moving at speeds up to 1000 kilometers per second from the star, much like those in our Sun's solar wind but millions of times denser, are able to follow the twisted field lines on their way out into space.

After you've come out of a relationship, it's so important to give yourself the time and space to patch up the wounds a break - up inflicts.

The Earth is facing an energy crisis and presumably having run out of wind and the sun, we have decided that the only way left to save the planet is through a particle accelerator in space, dubbed «The Shepard.»

When the earth shifted, exposing the sea floor until it eventually became cliffs, the weathering processes of wind and water cut into the relatively softer stone more easily, gouging out deep spaces and leaving ledges of the harder stone between.

A riot of stimulation, from the wind of whirring fans to the glare of swiveling spotlights and the warmth of infrared heaters, Series of Vulnerable Arrangements — Shadowless Voice Over Three (2008) is a sequence of three partitioned yet interweaving spaces punctuated by dangling scent emitters that gently puff out the smell of fresh - cut grass, French bread and coffee.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

1) The Green Lantern Gallery — which has long been led by Caroline Picard, who is also BAS» newest blogger — is winding down as an exhibition space (but lives on as a publishing venture); this and next week's slate of events offer some of your last chances to visit the space and hang out.

SELECT EXHIBITIONS — SOLO (S) GROUP (G) 2015 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2014 Ian Hughes Paintings 532 Gallery Thomas Jaeckel New York, NY 2013 Ten Artists Adelson Galleries Boston, MA 2012 Untitled Art Fair, South Beach, 532 Gallery Thomas Jaeckel, New York (S) 2012 Context Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2012 Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2012 Art Wynwood, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2011 Aqua Art Miami, 532 Gallery Thomas Jaeckel, New York (G) 2010 Inside Out, Ian Hughes Paintings, 532 Gallery Thomas Jaeckel, New York (S) 2010 Aqua, Miami, 532 Gallery Thomas Jaeckel, New York (G) 2009 Paper in the Wind, curated by David Gibson, 532 Gallery Thomas Jaeckel, New York, NY (G) 2003 New Works on Paper, Victoria Munroe Fine Art, Boston, MA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY Watercolor: In the Abstract, conceived by Melissa Meyers, curated by Pamela Auchincloss and Alex Muse 2002 Michael C Rockefeller Arts Center Gallery, SUNY College, Fredonia, NY (G) 2002 Butler Institute of America, Youngstown, OH (G) 2002 Ben Shahn Gallery, William Patterson University, Wayne, NJ (G) 2002 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL (G) 2001 Hyde Collection Art Museum, Glens Falls, N.Y. (G) Nina Freudenheim Gallery, Buffalo, NY 1999 Surfing the Surface, DFN Gallery, New York, NY 1998 Abstraction in Process, Artists Space, New York, NY; (G) curated by Irving Sandler and Claudia Gould 1991 White Room: Paintings, White Columns Gallery, New York, NY 1991, White Columns Gallery, New York, NY 1990 Hall Walls, Albright Knox Museum, Buffalo, NY 1989 Climate «89, Condeso / Lawler Gallery, New York, NY 1988 Drawings, Massachusetts College of Art, Boston, MA 1985 Selections 31, The Drawing Center, New York, NY

Wound together, the pictures I make float in and out of illusory space while simultaneously denoting flatness of their plane materiality.

There is no surprise that the CO2 in the atmosphere winds up partially in the oceans, nor that the amount of CO2 going into or coming out of the oceans varies in time and space — that's simple equilibrium chemistry between the liquid (that is, dissolved) and gaseous phases, and does explain part of the variability about the long term rising trend.

You state in the response to # 10, ``... There is no surprise that the CO2 in the atmosphere winds up partially in the oceans, nor that the amount of CO2 going into or coming out of the oceans varies in time and space — that's simple equilibrium chemistry between the liquid (that is, dissolved) and gaseous phases...» Are the buffers a part of simple equilibrium chemistry, and where can I go to read up on this and how it pertains to the Models.

But much stronger albedo effects (a measure of how much sunlight is simply reflected back out into space) might be generated by the high winds of the glacial era, giving 10 °C temperature changes rather than the 1 °C excursion of the Little Ice Age.

Lange pointed out the dizzying scope of the province's pell - mell rush to renewables, and the energy sprawl of industrial wind and its associated transmission and substations, that has reached into wetlands, important bird areas, plans to allow a vast array of turbines in the Great Lakes, 20 % of the world's remaining fresh waters, Crown Land proposals, prime agricultural land and pristine recreational spaces.

The whole atmosphere to them is empty space with molecules zipping around at great speeds colliding with each other and bouncing off and thoroughly mixing up, and / or, wind is a huge wooden spoon continually stirring up the atmosphere so everything is well - mixed, and, the idea of gases being lighter or heavier relative to each other becomes a source of great merriment as they picture the atmosphere separating out into layers like a cake..