Sentences with phrase «space over the course of the exhibition»

They will then be dismantled and reassembled inside the gallery space over the course of the exhibition.

Not exact matches

The grand finale of the exhibit is The Obliteration Room, an all white space that visitors are invited to cover with colored polka dot stickers, transforming it over the course of the exhibition.

Over the course of the exhibition, the blank white space of the New Museum's Fourth Floor gallery will be transformed through the gradual accumulation of drawings and paintings by Museum visitors and a wide array of invited community organizations.

Guest artists will also be invited by Adams to re-design, animate and «live» in the exhibition space over the course of the project.

Sciscione will appear at the Tang periodically over the course of the exhibition to perform Trevor live in the space.

Over the course of the fall, the museum's courtyard and lobby galleries, as well as other public spaces, will remain open and active with new programming and exhibitions.

Over the course of the exhibition, this space will play host to a series of film evenings programmed by Raven.

Over the course of some ten years, the premise for the space evolved into a non-collecting art museum that would organize and present special exhibitions of historic and contemporary art from around the world.

Over the course of seven weeks, beginning Nov. 9, 2017, Silver will construct and deconstruct the exhibition space, encoding and decoding it with an interlacing of official and personal systems of communication in which color, geometry, and space create and obscure messages as conveyers of alarm.

Through a range of critical and creative activities, children and adults are encouraged to use a risograph printing press and other DIY publishing tools available in the space to share their knowledge, experiences and stories, contributing to an archive which will evolve over the course of the exhibition.

In White Walls, Andy Goldsworthy will cover the entirety of the walls in the main space of Galerie Lelong with a smooth, white porcelain that will dry and crack over the course of the exhibition.

Pablo Bronstein's unique intervention at the ICA forms a point of reference and springboard from which a diverse range of programmed and spontaneous events challenge and engage audiences over the course of the exhibition, inviting artists and audiences to experience the ICA in deconstructed and reinterpreted spaces.

Artists are encouraged to use the space — which is open to the public — in a dynamic capacity, collaborating with other artists, using the gallery as a studio, developing on - going programs and events, creating installations, or modifying their exhibition layout over the course of their 3 - month residency.

How would the space at EFA be considered over the course of the exhibition?

Over the course of six weeks 10 Bay Area artists will transform the space through an evolving exhibition of murals and mixed media installations.

Over the course of the exhibition, this space played host to a series of film evenings programmed by Raven.

The gallery is an intimate kunsthalle space that has, over the course of nearly four years, presented thirty - four solo exhibitions from national and international artists, including Michael Assiff, Sondra Perry, Willie Wayne Smith, Hartmut Austen, Lauren Cherry and Max Springer, Ron Ewert, Devin Farrand, Jenny G, Talon Gustafson, Tony Hope, Layet Johnson, Ian Jones, Matthew Kerkhof, Martha Mysko, Ezra Tessler, Anne Vieux, and John Zane Zappas, among others.

In the course of over 20 years she has founded the Israel Museum's international contemporary art collection and curated numerous exhibitions including James Turrell: Two Spaces (1982), Anselm Kiefer (1984), Three British Sculptors: Richard Deacon, Julian Opie, Richard Wentworth (1985), New York Now (Jeff Koons, Sherrie Levine, Allan McCollum and others, 1987), Christian Boltanski: Lessons of Darkness (1989), Life Size: A Sense of the Real in Recent Art (1990), Hidden Reflections (Marylène Negro, Christian Marclay, Hiroshi Sugimoto and others, 1992), Kiki Smith (1994), Gerhard Richter (1995), Marks: Artists Work Throughout Jerusalem (David Hammons, Juan Muñoz, Sarkis and others, 1996) Skin - Deep: Surface Appearances in Contemporary Art (Zoe Leonard, Ana Mendieta, Khalil Rabah, Jana Sterbak and others, 1999), Yinka Shonibare: Double Dress (2002), Nedko Solakov: Alien Auras (2003), Vanishing Point: Hidden Beauty in Contemporary Art (2005), Green Line — A Project by Francis Alÿs (2005), News (2006), Made in China — The Estella Collection (2007), Bizarre Perfection (2008), First Show: Contemporary Art from The Israel Museum, Jerusalem.

Back Gallery: Yesterduh (A Co-Presentation with Images Festival) Over the course of the exhibition Brian Joseph Davis is inviting the public to come into the back gallery space to record in a vocal booth their styling of the song «Yesterday» from memory, in one take, and with no practice.

Over the course of the exhibition, the garage space will also be the site for various performances that Raskin will stage.

Over the course of his career as an artist, Cornwell took part, as a contributor and / or as curator, in countless exhibitions at art spaces including Sandler Hudson Gallery, the Swan Coach House Gallery and Museum of Contemporary Art Jacksonville.

Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large - scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls and furniture covered in multicolored stickers put there by viewers over the course of the exhibition.

As in the 1998 work Plastered, an early, iconic installation in which the entire gallery floor was constructed out of drywall panels that progressively cracked and fragmented over the course of the exhibition as visitors move through the space.