Sentences with phrase «space places artistic»

Krauss» space places artistic process and collaboration between artist and curator at the center of its activity, allowing the art's development to be open and reactive to the particularities of the context and locale of its making.

Not exact matches

SPACE places socially engaged artists and their studios inside Chicago public high schools, physically transforming unused or under - utilized spaces into hubs of artistic production and civic conversation with students.

The title of the show derives from a 1976 article, «The Apotheosis of the Crummy Space,» by Nancy Foote in Artforum, in which Foote celebrated the artistic use of spaces in abandoned buildings; her notion that such rooms in such buildings could be transformed by additions to or changes within them was, at the time, a powerful esthetic for Gordon Matta Clark's excavations of forsaken places in New York City, or by David Wojnarowicz's work a generation later.

Created as «Wulff's Artistic Training Facility Chambless, California», the space is a place for artistic production and collabArtistic Training Facility Chambless, California», the space is a place for artistic production and collabartistic production and collaboration.

Organized within a compatible framework, the studio - like space acts as a site - specific occasion, allowing daily artistic practice, improvizational endeavours, and unexpected interactions to take place.

They question volumes and the place of art in the public space by bringing it face to face with its problematics, not just artistic, but also architectural or sociological.

Scheduled to take place in the fall of 2017, we are sure that the 15th Istanbul Biennial will create a space for a universal language and an everlasting artistic and intellectual discussion.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

Examining the impact of time and space on identity constructions, places, and (hi) stories, these works record, critique, and expand the understanding of the social role of artistic practice.

She will be writing a dissertation about the place and experience of Marfa, and is interested in parallel concepts of place and space between both geographic and artistic thought.

Spaces adjacent to ISCP will become sites of artistic intervention for the exhibition namely under recognized yet significant places, facades, street corners and small gardens.

In the paintings, works on paper and sculptures at Kent Place, one can see Dagley developing a wide range of artistic possibilities, including hallucinatory optical and retinal color effects, intense patterns, contradictory painterly spaces and geometric constructions.

Focusing on the artistic impulse to seek out new places, experiences and dimensions, WANDERLUST invites guests on a heady journey through time and space in pursuit of aesthetic perfection — and to other - worldly realms that only artists can conjure.

The natural light, and «natural setting,» give Still's work a place to shine and his artistic voice to ring through, while also creating the kind of meditative, contemplative space where the works can be visited, known, again and again.

Olly Olly, an alternative art space in Fairfax, VA, presents Embracing the Power of Artistic Practice, a new collection of art in conjunction with Al - Mutanabbi Street Starts Here DC 2016, a book arts and cultural festival taking place throughout the Washington, DC area from January through March 2016, commemorating the 2007 bombing of Baghdad's historic book selling street.

In harmony with POP Montreal's mandates, Art POP strives to create a place for young, emerging artists and curators to share space alongside established talent, and to find challenging and creative ways to situate Montreal's artistic community within the context of international contemporary art practices.

The exhibition will take place in both the Upper and Lower Galleries, thereby offering space for the distinctly individual artistic voices of those who have been invited to exhibit.

With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.

Similar to Gordon Matta - Clark's practice of physically altering spaces and places, Day's artistic vocabularies challenge the sense of history and evoke a vertigo of displacement, both physical and temporal.

Taking that principal thematic from an artistic standpoint, the exhibition features practices that deliberately place themselves within restrictions yet still find space for flexibility and expression.

The fourth chapter of IT IS PROBABLY BETTER TO START FROM ZERO is a long term curatorial and artistic project taking place in the Window Space, at the Cass Faculty of Art, Architecture and Design, London Metropolitan University from December 2015 to July 2016.

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Bern?

The recent anti-cuts campaigns and protests that I have been involved in, have done much to strengthen my interest and a sense of urgency in interrogating the relationship of art and activism and the place of artistic production in the current neoliberalisation of cultural spaces and art education.

Becoming Modern posits that some of the most exciting breakthroughs in the medium took place in the nineteenth century as artists were regarding drawing as a space of invention and as a crucible for new ways of thinking about artistic process.

LIMITACTION is a collaborative art project, developed as a curatorial and artistic residency, taking place in the Window Space Gallery at Continue reading →

Taking place in New York this March, the fair will dedicate 2,600 - square - feet of its space in the heart of PIER 90 to the exhibition, offering an exciting look at a popular artistic medium.

A significant area of Lynda Gammon's artistic production over the past several decades has dealt with the subject of space / place, which she has explored through installation works...

Likening the artistic explosion taking place in the city to the Harlem Renaissance and the Detroit techno movement, he believes that the slowdown in the Nigerian economy will create an availability of free and affordable spaces for creative expression to thrive.

However, their situation within a gallery space also places these products in a new artistic context.

The elegant symmetry of the works in this series is achieved by placing a sequence of L - shaped right angles in a variety of combinations — in Telluride they are placed back to back — to produce the first paintings in Stella's oeuvre that breaks centuries of artistic tradition that enclosed pictorial illusion within the confines of a rectangular enclosed space.

Participation as Artistic Principle, Museum Morsbroich, Leverkusen Group Exhibition Curated by Asha Bukojemsky, Samuel Freeman gallery, Los Angeles You can tell I'm alive and well because I weep continuously, Knockdown Center, New York While I was also listening to David, Eleanor, Mariana, Delia, Genk, Jean, Mark, Pierre, Shima, Simon, Zin and Virginie, Criée centre of contemporary art, Curate by Felicia Atkinson, Julien Bismuth, Sophie Kaplan and Yann Sérandour, Rennes, France Commercial Break, Public Art Fund 40th Anniversary, Public Art Fund, New York 2016 Sequences Art Festival, 10th Anniversary at Marshall House, Reykjavik Breathing Space, Museum Arnhem, Netherlands 8688, curated by Diana Campbell Betancourt, Project 88, Colaba, Mumbai A Moment In Time, BolteLang, Zürich The Sun Placed in the Abyss, at Columbus Museum of Art, Columbus Sea, curated by Monika Kozioł, MOCAK, Museum of Contemporary Art, Krakow Group presentation at Artissima, Turin The Distance of a Day: New in Contemporary Art, curated by Rita Kersting, The Israel Museum, Jerusalem I will go where I don't belong, at Volcano Extravaganza, Stromboli Par tibi, Roma, nihil, Palatin Hill, Rome I»M WAITING FOR SOMEONE TO CALL ME, at Galeria Dawid Radziszewski, Warsaw Six Weeks, in Time, Henry Art Gallery, Seattle True Spirit, Galerie Allen, Paris Publish or Perish, Transmitter Gallery, Brooklyn, New York

are four mini-exhibitions based on crucial shows, spaces, and groups in Chicago (the Hairy Who), San Francisco (Funk), Ann Arbor (Destroy All Monsters), and Providence (Forcefield)-- places outside the artistic focal point of New York.