Sentences with phrase «space rock like»

A NASA spacecraft orbiting the huge asteroid Vesta is beaming home images that reveal the giant space rock like never before, showing its battered and pockmarked surface in stunning detail.

Not exact matches

Yes, if you can launch and retrieve a rocket, Congress would like you to be able to mine, transport and sell space rocks.

Such collisions release a huge amount of energy into universe, warping space and time as the waves travel outward, like a rock dropped into the center of a pond.

Essentially a Law sounds like it is written in stone but a theory is written in stone but there is more space to add onto it on that rock.

We're on a fucking rock in the middle of space like every other rock out there.

Owned by Steve and Jean Elliott, Fundemonium offers a children's play area, a slot car track, a 1,200 - square - foot indoor radio - controlled car track, rock tables for radio - controlled rock crawlers, birthday party rooms, a snack bar, LEGO play, and space for activities like club meetings or gaming, such as Magic The Gathering, D&D, and Miniatures.

Dd's room was next to ours Swaddle Blankets yes Crib yes, but you could put off the purchase several months SnuggleU Rocking chair / glider yes, at least somewhere to sit Activity gym yes Bouncer yes Bumbo Exersaucer yes Jumper no, but some babies love it Front Carrier yes, for shopping in stores without carts Stroller yes Wet wipe warmer Changing table yes, it keeps all the supplies in one spot Swing yes Lilly Padz Nursing pillow yes Milkies Nipple cream yes Nursing nightgown no, no I gave up and just wore a t - shirt to bed Bottle warmer Bottle dishwasher basket yes, it's great for anything small, like pump parts Bottle drying rack Highchair yes, we use the Fisher price space saver Booster Seat for Meals yes Burp clothes yes, we just used Gerber diapers Baby bathtub yes, totally not necessary though Nasal aspirator yes, target one you can suck!

This means that the space should have nothing in it that your child can play with like toys, a rocking chair, or TV.

And all the while, the space rock just drifted, tumbling end over end like a poorly thrown football.

Space colonizers could even adopt a DIY approach to building materials by baking lunar and Martian regolith — rocks and dirt — into ceramics, rather than transporting heavy supplies like steel and metal.

First seen in October 2017, the space rock «Oumuamua looks like a skyscraper tumbling through space — and challenges our ideas of how planetary systems form

The team also found the comet was much weaker structurally than previously believed; the soufflé - like comet is more empty space than rock and ice.

Visible from space, the Bayan — Obo iron mine in Inner Mongolia is the world's largest source of rare earths, and the Chinese companies supplying them employ acid to dissolve them out of ore rock that often also contains radioactive elements like thorium, radium or even uranium.

Microscopic analyses of chondrites, the oldest rocks in the solar system, are filling in details of what our neighborhood in space was like shortly before the planets formed

Straight away, the Hypatia mineral matrix (represented by fruitcake dough), looks nothing like that of any known meteorites, the rocks that fall from space onto Earth every now and then.

Like an unseen spider visibly tugging on a web of gravitational strings, a hidden celestial body is luring distant space rocks into clusters of orbits too conspicuous to ignore.

During a video showing images of the earth from space, rally - goers silently lifted their signs like lighters at a rock concert.

Convection currents, like those that move molten rock within the Earth's mantle, would develop, helping to transfer heat into space, the models showed.

It is the residual heat of creation — the afterglow of the big bang — streaming through space these last 14 billion years like the heat from a sun - warmed rock, reradiated at night.

All of this information has helped meteor scientists get a better understanding of what this falling space rock looked like before it hit the atmosphere.

Squeezed by 1.5 times Earth's atmospheric pressure yet buoyant under one - seventh Earth's gravity, humans on its surface would feel more like divers under an ocean than astronauts on exposed airless rocks in space.

Saturn's moon Enceladus seemed like a boring ball of rock and ice — «until we figured out that it was spewing out its insides,» says Hunter Waite, a space scientist at Southwest Research Institute.

THE newly discovered interstellar asteroid «Oumuamua isn't like most space rocks we've ever seen.

Meteor expert Peter Jenniskens describes what it was like to scour the Nubian Desert for fragments of the first space rock ever observed before it hit Earth

Waste simply seeps out, filling tiny spaces left between the grains in the rock like the gaps between stacked marbles.

The little moonlet, which according to The Verge is about 20 miles wide and resembles «a little space rock with what looks like two googly eyes,» resides in what is known as the Encke Gap, a 200 - mile - wide space between Saturn's rings that is caused by the diminutive object itself.

A violent collision with a space rock, like the one that doomed the dinosaurs, may have also caused our planet's greatest mass extinction 250 million years ago.

And admittedly looked like the perfect workout program to rock in the small living space that was our college dorm.

As if to underline his status as one of indie rock's great eccentrics, Malkmus makes a decent fist of orchestral pop on the frisky, staccato - like Brethren, and severs all ties with conventional songwriting, revealing an aptitude for space rock (Difficulties / Let Them Eat Vowels).

And like Guardians of the Galaxy, it presents us with the comforting notion that outer space isn't all that different from a glam rock - themed disco.

But Last Days works only when it deviates from this pattern, as it does in a hilarious scene depicting the rock star's friendly yet indifferent agreement to buy space in the yellow pages from a clueless door - to - door salesman (Thadeus A. Thomas, the movie's only perfectly cast actor), or when it focuses on other members of Blake's entourage, or when the camera retreats at a snail's pace from the mansion for what feels like eternity.

Good, because we still haven't gotten to the ruthless promoter who aims to bring a recently - deceased rock legend back from the dead; the hulking henchman who gradually grows very tired of Johnny's bossy ways; and a magical space suit that allows its wearer to control nearby humans like puppets.

These visual properties combine with other elements like the evocative sound design and carefully detailed locations to generate what is perhaps the film's most exceptional quality: a true sense of being somewhere — with actual people in actual places, whether they be as loudly wide - open as a rock band's studio loft show or as comfortably intimate as a suburban basement - turned - practice - space.

And then there's the stupendous score by Stephen Moore (who is one half of the space rock duo known as Zombi), and a handful of atmospheric tracks from the likes of The Sisters of Mercy, Stevie B., and Survive which make for delectable accompaniment to Robby Baumgartner's 80's inspired look.

Like all other types of rocks, the USB Pet Rock takes up space.

Microsoft's primary market for Surface 2, which was developed in conjunction with Samsung, includes restaurants like the Hard Rock Cafe, in addition to galleries and other public spaces in need of a dynamic visual display.

Any small object (like a toy, ball or a rock) may be devoured, the pool should be covered and the fence must not have free spaces between fence boards.

Newtown Social Club offers rock show most nights of the week, with popular Australian acts and cult international artists sharing the space, while underground venues like Red Rattler and Black Wire nurture active punk, jazz, and queer performance scenes.

Several sunbathing spaces and a promenade designed to look like a natural rock formation are dotted by Mediterranean vegetation, blending with the bordering Cape Horne Forest.

After a roller coaster year for Richard Garriott — traveling in space, leaving NCSoft and having his Sci - Fi MMO Tabula Rasa canceled — it looks like Lord British is planning a rock star comeback of epic proportions.

Then of course there's the selling of space rocks, which sounds like an occupation unto itself when you factor in the transport logistics necessary to sell high, not to mention possible speculation if you opt to purchase storage facilities and wait for the market to trend in your favor.

When early previews of Space Marine surfaced last year, one line in particular caught my eye: a response from a Relic rep to a question from Rock Paper Shotgun about whether or not the game - looking so much like Gears of War as the writer felt - would contain a cover system.

Years ago, rhythm games infiltrated arcades and living rooms, where titles like Guitar Freaks, Taiko: Drum Master, Dance Dance Revolution, Guitar Hero, and Rock Band dominated recreational spaces with their hulking cabinets and faux plastic musical instruments.

Years ago, rhythm games infiltrated arcades and living rooms, where titles like Guitar Freaks, Taiko: Drum Master, Dance Dance Revolution, Guitar Hero, and Rock Band dominated recreational spaces with their hulking cabinets and faux plastic...

There are reportedly new Guitar Hero and Rock Band games on the way (the socially acceptable face of ridiculous oversized gaming devices), and the return of space combat simulators like Elite: Dangerous and Star Citizen has meant a renewal of interest in proper sticks.

With video games like No Man's Sky, Elite Dangerous, and Deep Rock Galactic nonetheless going robust, space - faring exploration is all the fad proper now.

Of course his rock, paper, scissors «Janken» moves could be used for his smash attacks, but a pedicopter - riding recovery move, possibly an Opa Opa familiar (similar to Rosalina & Luma), and the prospect of a summon - type final smash where he summons the aid of other lost SEGA icons like Ulala, Space Harrier or Professor Asobin would make him an instant favorite with die - hard SEGA fans.

For this year's Biennale, the foundation «produced» WeltenLinie by the Polish artist Alicja Kwade, a walk - through installation that set rocks, petrified wood and other totem - like objects in mirrored, quasi-domestic spaces.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Collar's exhibitions and performances include: A rock that keeps tigers away, group exhibition, Kunstverein München, Munich, July 2017; a performance event and micro residency, Kunstraum, London, June 2017; Plural Melts at Yvonne Lambert, Berlin, 2017; Tall Tales, touring group exhibition and performance, Freud Museum, London, Touchstones Gallery and Museum, Rochdale and Glasgow Women's Library 2016; Tarantallegra, group exhibition, Hester, New York, July - Aug 2016; Secret Surface, group exhibition, KW, Berlin, Feb - May 2016; 11/50, solo exhibition, Fig - 2, ICA, London, March 2015; Probably, Like a Melon Rolling Off a Table: Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2014.