Sentences with phrase «space scene at»

Maybe if quite so much of the budget hadn't been splurged on that rats - in - space scene at the beginning, the crashing helicopter work could have been fine tuned.

Not exact matches

Exclusive interviews with coworking industry professionals give you a behind - the - scenes look at what's happening in other spaces.

The local art scene thrives with countless galleries, performance spaces and museums, and Windsor Court boasts a museum - quality collection of paintings, sculptures, tapestries and furnishings valued at more than $ 8 million.

The Belgian international showed real patience and persistence to find space in the box to take his shot, and he eventually forced his effort into the back of the net to spark wild scenes in the away end at Selhurst Park.

Then he stood up, took the chalk, and each time wrote the name of his partner, Johnny Franklin, inside the empty space — just like a cop at a crime scene.

One arresting scene in the story of the X Prize comes at the end of SpaceShipOne's first foray into space, captured in a Discovery Channel documentary.

Here's an exclusive, behind - the - scenes look at the most audacious space project in decades

I recently shared some of our plans for the bathroom at the A-frame and while the work is underway, I wanted to give you a behind the scenes look at some of the inspiration behind the soon to be finished space.

The acting is better than ever the scene at the end of Crawl Space (the tenth episode) was Cranstons best performance yet... he got robbed at

Apart from the soft pad of her feet on the carpet, the scene is nearly silent, with no orchestral sting underlining the looming threat, and when she turns around, he's vanished, but the movie has succeeded in making us afraid of empty spaces and the human monsters that might at any moment step into them.

But Last Days works only when it deviates from this pattern, as it does in a hilarious scene depicting the rock star's friendly yet indifferent agreement to buy space in the yellow pages from a clueless door - to - door salesman (Thadeus A. Thomas, the movie's only perfectly cast actor), or when it focuses on other members of Blake's entourage, or when the camera retreats at a snail's pace from the mansion for what feels like eternity.

Real - life astronauts have given the film their blessing but one or two artificial - looking scenes betray the fact the film was shot on sets at Shepperton and Pinewood, not in outer space.

This is inarguably Franco at his best, finding a kindred spirit in would - be actor and filmmaker Wiseau, on a quest to discover his place on the scene, and then carving out that very space for himself.

Roger Deakins shows himself again to be one of cinema's great masters of light and space — something he demonstrated to jaw - dropping effect in a scene in a glass office at night in Bond film Skyfall, also designed by Gassner.

More impressively is an image from the scene that played at San Diego Comic Con, in which the Cap (Chris Evans) takes on a band of rogue agents in the confined space of a cramped elevator.

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Some scenes were also filmed at Johnson Space

An early scene has Bud and his girlfriend at their cozy and colorful apartment, albeit small in space.

Even if the setup of these two losers pitted over one goddess is a bit rote, when Reilly is given space (and the Duplass Brothers are good at giving their actors space), he's capable of exuding an abject sweetness that carries a scene.

Although audiences are familiar with the famous astronauts in this era — Buzz Aldrin, John Glenn and Neil Armstrong — there were hundreds of overlooked men and women tirelessly working behind the scenes at NASA to launch these brave astronauts into space and bring them back safely.

The Cloverfield Paradox is an unholy mess... The characters here never feel like they could exist in a world outside of this space station, all of them barking in tech - speak at each other, rarely acting in what could be classified as recognizably human behavior... As the film bumbles from one confusingly mounted scene to the next, disappointment turns to boredom... The Cloverfield franchise is rumored to grow even more later this year with a second world war - set thriller potentially unspooling in October.

The usual space battles take a backseat to scenes of controlled chaos (like a shootout between the crew, with the aid of a temporary ally, and a squad of Klingons) and coordinated feats of precision (like a truly thrilling sequence in which Kirk and Harrison dash through debris in the vacuum of space from one ship to another, with the complications mounting at every turn).

Watching Emily Blunt's kidnapping specialist Kate Macer be talked into volunteering to assist on some patently shady cross-border operation near the start of Sicario, I was oddly reminded of a similar scene at the start of Aliens, where despite losing her entire crew in the previous installment, floating in space for 57 years, and having her daughter die in the meantime, Ellen Ripley needs only around two minutes of convincing to return to the fray.

Then there is the unobtrusive cinematography by Sam Levy, which also has moments of fancy in overhead shots but can also keep a distance in movingly dramatic scenes that allow the actors all the space they need to perform, which may be a bonus about having an actress at the helm of the film.

The Last Jedi also has perhaps the best lightsaber battles yet, some fan service that doesn't overly distract (Chewbacca has some very funny and fist - pumping scenes, and Yoda even gets a good line and a fine cameo, too), a real emotional punch and at least two epic space battles.

, which also has moments of fancy in overhead shots but can also keep a distance in movingly dramatic scenes that allow the actors all the space they need to perform, which may be a bonus about having an actress at the helm of the film.

The film's final scene and final shot are stunningly coterminous: one bravura camera setup that reveals Garrel as an undisputed master at organizing cinematic space.

The set design in Outland is one of realism, and in that scene, we really get a good look at what is essentially an oil - drilling platform in space.

These, and other scenes, go on for the rest of the film, and end at his death, in which McQueen brilliantly pays homage to an unlikely film source, Stanley Kubrick's magisterial 2001: A Space Odyssey.

Don't miss: Bonus materials include a featurette on creating a thriller in space, a look at «Life in Zero G,» deleted scenes, astronaut diaries and a featurette on the art and reality of Calvin.

Also included are two unedited scenes of Andy Serkis» performance as the nefarious Supreme Leader Snoke, as well as in - depth looks at how Johnson interpreted the mythology of the Force and how he brought key scenes — like the opening space battle or the clash on Crait — to life.

- Scene Breakdowns: This looks at the making of the three scenes - Lighting the Spark: Creating the Space Battle, Snoke and Mirrors, and Showdown on Crait.

While we are in the 1970s, we also take a long look at Nic Roeg's Don't Look Now and its lasting effect on horror, sex scenes and the fracturing of space and time through editing.

This film provides as visual feast of color and shape as it focuses on the behind - the - scenes creation of LeWitt's retrospective at nearby Mass MocA that covers nearly 40,000 square feet of wall space.

This scene is really good at building hype for Infinity War — though if Marvel wants to keep its goodwill, Taika Waititi's rock person, Korg, better make it out of space alive.

«Take a close look at the scene and you can see the white egg is set up as a space for the «USA 32.»»

If you want to learn about the entire digital audio industry, some of the startups that are disrupting the space and the international scene, take a gander at our very extensive Digital Audiobook Report.

French Guiana's Space Centre offers visitors a behind the scenes look at what it takes to launch satellites into sSpace Centre offers visitors a behind the scenes look at what it takes to launch satellites into spacespace.

Delve into Havana's contemporary art scene this afternoon by meeting with local artists at one of Havana's top art spaces.

Allow me to take you on a journey that transcends time and space so that you may enjoy these beautiful scenes at their most intimate.

Conceal your valuables, watch your things, avoid deserted streets, walk purposefully, take taxis at nights, and be vigilant if somebody invades your personal space, or if there is a scene of commotion, either of which may be done to distract you.

But the patented Daedalic highlighter is at least still present and correct — hold down the space bar and everything that you can interact with in a scene will be highlighted for your convenience and putting an end to those dreaded pixel hunts of point and click games from the past.

The enemy mixture becomes more varied and challenging, throwing things like dogs at you that will catch your scene from a few spaces away and then follow your scene around the board, making it impossible to backtrack even a single space.

Meanwhile, I was looking for extra «flavor» for this article, and OH MY GOD, it's Gizmondo's ridiculous street - scene exhibit space, which I remember walking through at E3 2005, I think?

You approach one battlefield at a time, after each one, you have a minute or two's grace where you can collect any weapon drops or upgrades and sometimes will have set conversations / cut scenes to help progress the game's plot or explain where you are in the space station, or your next objective.

Other highlights this weekend include Bushwick Basel, in which 11 mainstays of Bushwick's gallery scene will be curating their own show within Starr Space; the Buswhack series of performance and film at the Bushwick Starr; «Sculpture Garden» at the Historic Onderdonk House, a group show of sculpture co-curated by Deborah Brown of Storefront Bushwick and one of our favorite local artists, whose latest series of paintings, «Freewheeling,» opens at the Active Space during the festival.

Dana Schutz is our era's master painter of awkwardness and discomfort, and her second solo show at Petzel amps up the queasy - making closeness with its exclusive focus on scenes of people stuck in claustrophobic spaces.

In Drawing for Sculpture the Size of a House (2001), on view at the Whitney, he intensified this photographic compression by blacking out a house from a snapshot using felt - tip pen, radically collapsing the pictorial space and blocking most of the scene from view.

The first major museum survey dedicated to scenes of night in American art from 1860 to 1960 — from the introduction of electricity to the dawn of the Space Age — opens at the Bowdoin College Museum of Art (BCMA) this June.

CHELSEA SPACE Lynda Morris: Dear Lynda 04 July — 04 August 2012 The personal archive — part scrapbook part record of her extraordinary career at the centre of the London scene in the 60's through to her time as curator at the Norwich Gallery.