Sentences with phrase «space war between»

This year you'll get the chance to continue the giant space war between Man, Elves and Orks.

Towards the end, a major story event happens, and then suddenly the space war between the four factions takes a back seat.

multiplayer wasnt the only lie either but it was the biggest because he went into detail about it saying ya you can troll other players how you have to look hard for the others because theres no username over their head, about drop in lobbies ect and all that bs unbelieveable how slimy that guy is hope karma gives him cancer other lies: planets have different gravity, different class ships (all ships are the same...), some planets are completly sand or water, space wars between fractions scripted events, the center of galaxy being special YOU CANT EVEN GO TO THE CENTER lol... garbage game cash grab from this scumball and his 15 other idiots they prob all got millions from this scam i just want the lawsuits to roll in and ruin them all their names are tarnished from game industry now any way.

Not exact matches

In light of the tug - of - war in the crude oil space, where prices have traded between the low $ 40s and low $ 50s since March, Cramer used the charts to try to foresee the commodity's future.

The space between rituals is a cold and confusing place, and Infinity War is leaving us in that place over a year before telling us if it's possible to move forward.

Brooklyn Borough President Eric Adams has already allocated $ 1 million toward the re-opening of the War Memorial, and another $ 500,000 to transforming park space between Borough Hall and the Brooklyn Bridge, according to the Brooklyn Daily Eagle.

The gravitational tug - of - war between a star and its orbiting planets means that the worlds must be spaced at particular distances or else their orbits become unstable.

Then came the turf wars — both within NASA and between NASA and the Space Telescope Science Institute that astronomers had insisted be set up to manage the science.

In comparison with your average modern blockbuster, in which the story grinds to a halt every 15 minutes to make room for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.

Related Reviews: Now in Theaters: Fist Fight • The Space Between Us • The Lego Batman Movie Matt Damon: The Martian • Contagion • Ocean's Thirteen • Jason Bourne • We Bought a Zoo • Invictus • Elysium Willem Dafoe: Platoon • The Last Temptation of Christ • Dog Eat Dog • eXistenZ • The Life Aquatic with Steve Zissou Directed by Zhang Yimou: Hero From the Writers: World War Z • Prince of Persia: The Sands of Time • Armageddon • Rogue One: A Star Wars Story • The Sorcerer's Apprentice Season of the Witch • Godzilla (2014)

From space (Star Wars) to the ice (I Tonya) and everything in between, movies to get you through the holidays

There is the racist American dwarf expounding upon the coming war between black and white, the fat - assed family unconscious of the space they occupy with their broad girth, and the snide jerk who complains about smoke even though he's seated in the smoking section of the restaurant.

With Star Wars: Battlefront 2, the studio has aimed to rectify many of the complaints raised against the original, with an abundance of content, a class system, revised space battles, as well as a full - fledged single - player campaign that bridges the gap between episodes VI and VII.

Description: A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy.

Makin» wookiee In comparison with your average modern blockbuster, in which the story grinds to a halt every 15 minutes to make room for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.

Von Drehle devotes much space to the crucial conflict between Lincoln and General George McClellan, who consistently found reasons, or excuses, to keep his troops out of action when potential Union victories would help win the war and raise morale.

Interestingly, space research is said to have benefited immensely from the Cold War rivalry between the two then super powers.

However, those can still be enough to provide more than just a glimpse of how the various space program unfolded or what it was like for the highly competitive space programs between the two warring nations, the US and USSR, during the height of the Cold War.

Clearly this space is only just starting to heat up, especially as a price war grows between Google and Amazon.

The war between the Galactic Federation and the Space Pirates is far from over.

What started out as a somewhat simple story involving genetic memory and a secret war between a cadre of assassins and the Knights Templar has spiraled out into a nearly convoluted tale about space Romans who held dominion over Man until they rebelled and Adam and Eve became the first Assassins.

According to Kotaku, Ragtag was set between A New Hope and The Empire Strikes Back, and was to be a sort of «Star Wars Ocean's Eleven,» featuring a cast of charming space criminals.

Trailblazers» storyline features a space frog with daddy issues, a love story between a 1000 - year - old imperial bureaucrat, and a giant red alien war chief, and also a robot uprising.

Fusing turn - based battle with real - time interstellar travel, Space Wars allows players to take sides in a fierce conflict between four vast empires locked in a struggle for galactic domination.

A New Hero, a Story Untold Jump into the boots of an elite special forces soldier, equally lethal on the ground and space, in an emotionally gripping new Star Wars campaign that spans over 30 years and bridges events between the films» Star Wars: Return of the Jedi and Star Wars: The Force Awakens.

This space RTS depicts a fascinating war between the Terrans, Zerg, and Protoss.

The game extends a nearly decade and a half's long campaign of real - time space war with an RTS system that serves as a cross between the resource acquisition of traditional 4x turn - based strategy games such as the Civilization series and the RTS battlefield play of the Total War seriwar with an RTS system that serves as a cross between the resource acquisition of traditional 4x turn - based strategy games such as the Civilization series and the RTS battlefield play of the Total War seriWar series.

«Making Space shines a spotlight on the stunning achievements of women artists between the end of World War II (1945) and the start of the Feminist movement (around 1968).

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

Zeigler has amassed quite the resume in recent years, between his space - rock outfit Arc in Round and his production work for local luminaries Kurt Vile, Purling Hiss and The War on Drugs.

«A Cold War,» Jamison Carter's current solo exhibition, and his second with Klowden Mann, revisits dichotomous themes introduced in his 2013 solo exhibition with the gallery, in which he explored the tensions that exist between man's pervasive desire for advancement and the limitations of space - time.

Decidedly not a minimalist, he continues to ponder objects and the space they occupy in quite modernist terms that land him somewhere between the historical avant - garde and the post war New York School.

She has been included in the group shows «Post War: Art Between the Pacific and the Atlantic 1945 - 1965», Haus der Kunst, Munich, Germany (2016); «Order, Chaos and the Space Between», Phoenix Museum of Art, Arizona, USA (2013); and «The Geometric Unconscious: A Century of Abstraction», Sheldon Museum of Art, Nebraska, USA (2012).

Making Space (until 13 August 2017) shines a spotlight on the stunning achievements of women artists between the end of World War II (1945) and the start of the Feminist movement (around 1968).

The power of words — slogans, graffiti, signs, newspaper stories — and the interpretive space opened up between their transmission and reception are explored in works such as Homage to the Walls of Athens 1941 - 19..., 1959, by Vlassis Caniaris (1928 - 2011), a palimpsest of sacking, wax and cloth saturated with whitewash plaster in which we see fragmentary hand - painted letters — including the letter E, for Eleftheria (freedom), for Ellás (Greece), for EAM, the National Liberation Front, the main movement of the Greek Resistance during the Axis occupation during World War II.

At some time in the»80s I gave a lecture about American painting between the world wars at a space the Whitney Museum had on Wall Street, where they put on shows and had people come and give talks at lunchtime.

Dating from the European movement's heyday between the First and Second World War, when Surrealism's psychic, sociocultural probings dominated the School of Paris, its soft, drooping pocket - watches scattered around a barren landscape create an unforgettable image of the pliability of time and space.

The power of words — slogans, graffiti, signs, newspaper stories — and the interpretive space opened up between their transmission and reception are explored in works such as Homage to the Walls of Athens 1941 - 19..., 1958, by Vlassis Caniaris (1928 — 2011), a palimpsest of sacking, wax and cloth saturated with whitewash plaster in which we see fragmentary hand - painted letters — including the letter E, for Eleftheria (freedom), for Ellás (Greece), for EAM, the National Liberation Front, the main movement of the Greek Resistance during the Axis occupation during World War II.

Materially reflecting the complexities of individual and collective identity, Les guérillères XII also evokes the uncanny formal ruptures employed by Dadaist artists in the aftermath of World War I. Perret's figure in repose occupies the time and space between action and inaction; whilst guns pose a key threat to societies of our time, here this cast resin gun is candy - like, fetishised, temporarily immobilised yet still harbouring potential.

Sama Alshaibi's multi-media artworks disinters negotiations in spaces of conflict: the causation and aftermath of war and exile, the clashes between nation and citizenry, the vexatious dynamics of humans competing for land, resources and power, and finally, one's own internal battle for control through fear and fearlessness.

Alternatively, a previous owner may have gotten the itch to try and fix things and this can range from crumpled news papers stuffed into the spaces between studs — I've found papers dating to World War I in stud spaces in old structures — to blown - in insulation, typically mulched paper.

In 2016, there's a new format war taking place in the home entertainment space between two types of high dynamic range (HDR) video technologies — HDR10 and Dolby Vision.