Sentences with phrase «space work magic»

I've learned that dark colors in a smaller space work magic.

Not exact matches

That's why corporations are looking at new office and work models like coworking spaces to experiment with and see if they can acquire some of the coworking magic and use it for innovation purposes.

Nevin reckons that having Giroud as the centre forward is the way, as his ability as a target man gets the whole team further forward and that allows more space for the German play maker to work his magic.

All he needs is little space to work his magic on his right foot and if that's what he's comfortable with who is anyone to say he should use his left.

What we've missed a lot of last season was the speed of Ox and Walcott out wide to stretch the defensive lines and force them to defend deep — which they don't like to do cos it gives our creative midfield space to work their magic.

This talent truly shines when a birth doula works their magic in a birthing space, turning a standardized (read: sterile and cold) hospital room into a magical birth cave.

This talent also truly shines when a birth doula works their magic in a birthing space, turning a standardized (read: sterile and cold) hospital room into a magical birth cave.

But to work their magic, strings must squirm inside additional dimensions of space beyond the three we can verify with our own eyes.

With its twofold function you'll remove both the toxins from your body, and the fats from your liver providing it with breathing space to work its magic.

You need space inside for the magic to do its work.

Driving around the block a few times means you can survey your surroundings whilst finding a bus - size open space into which you can work your magic.

Here, working with a script by Allan Loeb (The Space Between Us, Collateral Beauty), he puts all the pieces together, but can't make the magic happen.

The ability to shock on various levels, is an obviously powerful tool, and if a filmmaker could somehow consistently find his or her way to that magic point for a mass of viewers, the work would approach a particularly dangerous and effective space.

After a long print publishing career, Jason knows how to work magic with fonts, headers, and spacing.

Whereas Square - Enix had to use its imagination to stuff the epic Final Fantasy VI into a Super Famicom cartridge (and translator / localizer Ted Woolsey had to perform even more magic tricks to make sure all the game's translated text fit — while working inside [and around] Nintendo of America's Big List of No - No Content), the PlayStation's CD format offered Final Fantasy VII's developers a creative space that could house the entirety of their imaginations.

As props go, Buzz Lightyear got himself a space rocket, Mickey is working his magic broom, Wreck - It ralph is pulling the wires at a video arcade, Maleficient is appearing out of a green flame and Mr. Incredible got himself a bucket and cloth and is ready to do some clean up!

This will be a novel and honest presentation, but the curators, working with the New - York based design studio Roman and Williams, seek to create a sense of magic, transporting the visitor across time and space in the Met's finest tradition.

Note that there is a fee to visit the Magic Gardens, though Zagar's works can be seen in countless public spaces throughout Philadelphia.

Each time she does, a gentle, dancelike magic radiates, which spreads to works by Meret Oppenheim, Jannis Kounellis, Joseph Beuys, also on display in the space — it feels somewhat as if the ghosts of her past, as a child and as an artist, haunt the building.

The section will also build on strong representations from the emerging scenes in New York, Los Angeles, Paris, Shanghai and Berlin, offering a platform for ambitious work by Liu Chuang (Magician Space, Beijing), Aaron Garber - Maikovska (High Art, Paris) and Liz Magic Laser (Various Small Fires, New York).

And of course I am in some way — particularly with making a point of borrowing something like David's magic box, which was a very personal object, and then putting it in a very public space of the Whitney Biennial — I'm making a point about the effectiveness, say, of highlighting the personal, and the personal process in relation to broadcasting an artist's work.

She collected works of Pablo Picasso like The Poet (1911) and On the Beach (1937), Piet Mondrian — Composition No. 1 (1938 - 39), Fernand Léger — Man in the City (1919), Paul Klee — Magic Garden (1926), Joan Miró — Dutch Interior II (1928), Wassily Kandinsky — Landscape with Red Spots, No. 2 (1913), René Magritte's Voice of Space (1931) long before anyone saw their significance.

Rather than the crowds of major cultural centres, it's the neglected spaces and unnoticed details that Bustamante subtly interrogates, and in the impersonal materials and processes he makes use of that his work achieves a quiet, cool magic.

In attempting to evoke the wonder, curiosity, and magic moments that unfold in life, taking shape as form, dynamic color planes, and a surreal perspective on space, Rebecca Norris Webb returned to her home state of South Dakota to produce a body of work.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

The one old - school Light and Space artist in the current show, Larry Bell, is the least intriguing, as these works on paper just don't have the magic of his famous glass boxes that unpredictably reflected and refracted light and color.

All these works reflect Erlich's interpretation of nature and architectural spaces, adding his touch of magic and uncertainty.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

2013 BALTIC 39, BALTIC Project Space TUNED CITIES group symposium / screening Newcastle upon Tyne with Clemens von Wedemeyer, Beatrice Gibson, William English, September GRAND UNION, Birmingham, MAGIC EYE — group show with Plastique Fantastique, Paul Sharits, Goodiepal, Luke McCredie, Alexander Stevenson, The Oulipo, July - August GALLERY 400, CHICAGO, I THINK WE»RE READY TO GO TO THE NEXT LEVEL: THE LEGACY OF THE HALFLIFERS, May - June, group show with Shana Moulton, the Halflifers, Bjorn Melhus, James Fotopolis DARK HORSE MOVING PICTURE SHOW — with Paul Tarragó and guest Leo Chadburn Performance / video work I AM YOUR ERROR MESSAGE and other works in a collaborative live show at the Horse Hospital, London, April 5th

Reimagined as «magic tools» the objects within the work coexist in a precarious space of liminality where categorical boundaries are blurred.

Titled Secret Garden, Tayou will work in situ and in close connection with the exhibition spaces dedicated to the magic of space, suggestive light and architectural forms of the museum, taking advantage of the height and unique extension of the Sala Enel.

Her work has been the subject of numerous solo exhibitions, including, most recently, Beta Space: Diana Thater, San Jose Museum of Art, San Jose, CA (2015); gorillagorillagorilla, Aspen Art Museum, Aspen, CO (2015); Delphine, Saint - Philibert, Dijon, Fonds regional d'art contemporain Bourgogne, Dijon (2014); Diana Thater: Chernobyl, Institute of Modern Art, Brisbane, Australia (2011); Diana Thater: Peonies, Wexner Center for the Arts, Columbus, OH (2011); and Diana Thater: Between Science and Magic (2011), Santa Monica Museum of Art, Santa Monica, CA (2010) amongst others.

The works construct a personal, narrative journey in which magic dominates and transcends physical and psychological space ultimately leading the viewer to a unique understanding of the nature of knowledge itself and how we come to construct, acquire and utilize this powerful tool.

Corse has been effecting her magic since the 1960s, when she started out making shaped white or black canvases but also worked in fluorescent light, hiding their generators in the wall, so each piece seemed to hover weightlessly in space.

The precisely ordered composition of his work, as in «The Magic Triangle» — one of the highlights of the show -, constructs a juxtaposition with the chaos that reigns all around it, creating a perfectly controlled but unreal space, in which the pure materiality of it's components vanishes in the halo of an ideal world and dreaming environment: an artist studio where creativity is stimulated and fantasy is unleashed.

My work is about fragility (porcelain), sensitivities (cut paper), and the magic of paint shining through space, placed on a white background, almost without weight, seemingly bodiless - just like life.

A new temporary exhibition space allows collaborations with leading artists and will host the first stop of a national tour of Jeremy Deller's critically - acclaimed Venice Biennale work English Magic.

Having a space to work from that isn't right on the other side of the wall from the rest of the family, and one that offers privacy and peace and quiet so that you can stay focused, could be the magic sauce you need to focus better on your work, and being able to close the door and walk away from it at the end of the day may offer you a clearer sense of separation between work and home life.

In the High Tech, Space Industry Engineering Departments I worked in over a lifetime (you know, the people who designed and built the temperature sensors used around the world today) this technique or «argument» is called «magic with numbers» or more commonly «dry lab - ing the data».

I certainly don't claim to have a magic formula, but I do have a thought process, and it's one I use not only in my own spaces but when I'm working with clients as well.

I've been inspired by so many of your projects over the last few years and would LOVE for y ’ all to work your magic on any or all of our spaces!!!

Oh I love that change for Shauna's front room / magic making work space.

I can't wait to see you work your magic on it space by space.

I'm eagerly waiting to see how you «work your magic» on this new space.