Sentences with phrase «spaces between nature»

One glimpses this at work in T. S. Eliot's Four Quartets, which are set in the spaces between nature and the folk cultures emerging in concert with nature.

With few barriers between outside and inside, the Heinz Julen Loft creates a space between nature and refined architecture.

Not exact matches

However, given the increasingly competitive nature of software development, the creative problem - solving that empowered engineering teams provide will likely prove the difference between the winners and the losers in your and our respective spaces.

Whitehead's endeavors to resolve questions of becoming began with physical nature as a frame of reference and an event as the primary datum in the construction, functioning, and form of nature, with the time factor of space - time constituting one of the major expressions of the relation between events.

The succession of theories of the atom, for example, exhibits no «convergence» in descriptions of the nature of fundamental particles, but oscillates between continuity and discontinuity, field conceptions and particle conceptions, and even speculatively among different topologies of space.39

ready for Him to fill, whence His Spirit can radiate through all the centuries and all beings; and because of the genetic links running through all the levels of Time and Space between the elements of a convergent world, the Christ - influence, far from being restricted to the mysterious zones of «grace», spreads and penetrates throughout the entire mass of Nature in movement.

Whitehead offers an alternative formulation and claims on behalf of his formulation that it can account for all experimental results accounted for by the Einsteinian formulation but that it represents a different interpretation of these results in terms of a more adequate concept of nature (PNK vi; CN vii, 182; IS 125 - 35).18 The major theoretical difference between the two formulations is that whereas in the Einsteinian formulation the metric structure of the space - time continuum is variable from point to point and in differing directions (that is, heterogeneous and nonisotropic), in the Whiteheadian formulation the metric structure of the space - time continuum is uniform from point to point and in differing directions (that is, homogeneous and isotropic).

Thus, Whitehead's theory of space - time structure represents an interesting intermediary position in the controversy between the positions traditionally labeled «relational» and «absolutist «33 Whitehead's theory is «relational» with regard to the fundamental nature of space - time and is «absolutist» with regard to a structure exhibited within and sustained by the extensional relations of events.

Science is caught, then, between the possibility of slavery to will (in the person of stereotypically gruff kill - it - or - pillage - it space Marines types) and the hope of serving some other prime mover in its own mastery of nature.

Neither his relational conception of space, which is basic for understanding his concept of extensive abstraction and which gave his theory of relativity its unique character, nor the problem of the bifurcation of nature, with its differentiation between the materialistic and personalistic outlook on the world, seem to be clearly in Whitehead's mind at this time.

In their paper, «Higgs Seesaw Mechanism as a Source for Dark Energy,» Krauss and Dent explore how a possible small coupling between the Higgs particle, and possible new particles likely to be associated with what is conventionally called the Grand Unified Scale — a scale perhaps 16 orders of magnitude smaller than the size of a proton, at which the three known non-gravitational forces in nature might converge into a single theory — could result in the existence of another background field in nature in addition to the Higgs field, which would contribute an energy density to empty space of precisely the correct scale to correspond to the observed energy density.

The researchers» progress with the technique could spark a space race — style biomedical competition between the United States and China, Carl June, an immunotherapist at University of Pennsylvania in Philadelphia, told Nature.

The real numbers are sometimes referred to as the «continuum,» reflecting their continuous nature: There's no space between one real number and the next.

On June 30, following on work published in the scientific journal Nature by STRI post-doctoral fellow, Scott Mangan, a group of 50 researchers from 12 countries published a paper in Science (lead author, Joe LaManna, Washington University in St. Louis) showing that close plant relatives make bad neighbors and that the negative interactions between relatives are stronger in the tropics, which may explain why tropical forests are so rich in species diversity: Because plants do not do well next to their relatives, there is more space for non-relatives to fill.

Now, as chemists report online today in Nature, buckyballs — complex molecules with 60 carbon atoms arranged into what look like the geodesic domes of R. Buckminster Fuller — do indeed exist in the space between the stars.

The research, submitted to the journal Nature for publication, also provides direct evidence of ripples in the structure of space - time made by gravitational waves, and it affirms the often tense link between quantum mechanics and Albert Einstein's theory of general relativity.

Arty visuals of things like the sunset or scenes of nature may set a mood or serve as breathing space between the heavy dramatic sequences but they do get in the way and distract.

There's an elision of important differences going on in your argument between the nature of a game meant to be played by people sitting in a room together with the human rulesmaster and a game meant to be played by strangers separated in time and space from each other and from a potentially non-human rulesmaster.

In some, there's an odd space that finds itself sandwiched in between: a point of connection between the ground we know and the sky, whether it's materialized by a tree, a totem, a mountain, a pillar, or anything sculpted by nature or man.

Hughes's work is concerned with our environment and contemporary man's relationship to it, examining the space between the world people habit and that which nature claims as its own.

Since his 1988 exhibition The Land of Sherpa, he has searched far and wide for the «primordial connection between humans, nature and space», and a variety of other phenomena, releasing them in exhibitions and books.

«The ambition is to reverse the traditional relationship between landscape and architecture, in a way that every occupiable space has direct connection to the nature» say the authors.

The Visual Arts Program at Wave Hill presents the work of contemporary artists who explore the dynamic relationship between nature, culture and site through exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.

Looking at and questioning relationships and hierarchies between man and science, space, history and nature, the exhibition draws on the museum's past as artists dig into records and objects from its previous lives.

In an urban context, the outdoors is not so much «wild nature» but rather the space between thousands of «containers» in which individuals carve out a private space and fill it with personal objects.

The series explores the nature of the viewer's gaze, signs, symbols, mirrors, interior architecture spaces, the spaces between things, reflections, mediated spaces, and art discourse.

showcases artists» responses to our changing environment, revealing the undefined lines between nature and industry and the gaps and secret places between natural and mediated spaces.

For their project in the Sun Porch, Frezza and Chiao examine the tension between nature and artifice embedded in the concept of a «controlled wild,» transforming the space into a competitive natural environment created largely through artificial means.

The Lynden Sculpture Garden opened to the public in May 2010, and by choosing Inside / Outside as our inaugural theme, we hoped to initiate a dialogue between the new indoor gallery and the environment — both sculpture and nature — beyond its walls; to explore Lynden's transition from a private, domestic space to a public space; and to define Lynden's new position within the art community.

Do Ho Suh's immersive, dreamlike work explores the nature and meaning of home, fastening ties between personal space and shared experience.

Holme's work stems from the intersection of material, space and chemical reaction, transforming the contextual and physical nature of her materials to create a discourse between painting and sculpture.

The spaces between pavilions create what director Don Bacigalupi has aptly dubbed a «palate cleanser» of nature between galleries that are, after all, often filled with depictions of it.

Prominent themes explored by the work of 18 shortlisted artists included alienation in the digital age, the intersection between private and public spaces, sensory experiences and the transient nature of life.

They strove to challenge and transgress the traditional dictums of art making, to transport art into new spaces, to create an experience for the viewer, and to dissolve boundaries between nature, art and technology, all with an optimistic enthusiasm and unrestricted aesthetic.

The large scale works blend formal concerns such as surface, color and abstracted space, with what the press release states as, ``... investigations into the connections between sexual fetish of the female figure, and forms of nature.»

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

Casualties is a multi-part installation of new work by BOLT Resident Annette Barbier, exploring the tension between the built environment and the marginalized place of nature in our urban spaces.

She explored the nature of the image and its varying layers, the perception of the represented and the dynamics between work, space and audience.

This series of paintings undeniably deal in part with the dissolving and transitional nature of expressive forms in the visual and mental space that exists between drawing and painting in the extended mark making process.

James Dean Erickson, an artist whose paintings explore the space between realism and abstraction to elicit the ephemeral and enduring qualities of nature, will lead the Painting -LSB-...]

His paintings explore the space between realism and abstraction bringing to mind the ephemeral and enduring qualities of nature.

Hovering in a space between video and still photography, the unfixed nature of this work mirrors the uniqueness of its non-binary subject, Mona Ahmed.

Filtered through his photographs, Mesoamerican architecture showed Albers the accordion - like nature of pictorial space: it could be rendered as volumetric, flat and something in between at the same time.

It is Wolfgang Tillmans» attraction to the space not only in pictures but between pictures that pushes the complexity of both a photograph's content and its nature to captivating ends.

Working with resin on canvas, Josh Fayer manifests the connection between consciousness and space with his abstract interpretations of nature.

Qin's interest in balancing the dynamic between positive and negative space within his compositions mirrors his interest in exploring the delicate harmony between humans and nature.

Among the themes explored are the establishment of new definitions of painting; the introduction of movement and light as both formal and idea - based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology and humankind; and the production of live actions or demonstrations.

Kounellis participated in the exhibition «Arte Povera — e IM Spazio» at the La Bertesca Gallery in Genoa curated by Celant, which brought together artists whose work was concerned with the space between art and life, and nature and culture.

These prints are exhibited in a space where the same soundtrack as the video work is audible, further raising questions about the nature of representation, the relationship between different media and the choices made by an artist in the selection of particular images.

To exist despite the alienating and antagonizing nature of their surrounding environment — as if a precarious and utterly temporary agreement was struck between them and the molecular components of paint and canvas, lines and colors, even the space itself, threaten to engulf them,» says David.