Sentences with phrase «spaces surrounding objects»

If in the space surrounding his objects we experience our own ambivalence about certain issues more intensely, it is because of the way, in theme and structure, his work so elegantly holds contradictory elements in tension.

Not exact matches

Most likely, Meech says, the object is an outcast from another star system: a space rock flung out during the star's tempestuous youth when it was surrounded by freshly - formed giant planets embedded in a disk of debris.

Unlike the famous Sloan Digital Sky Survey, which mapped only part of the sky, the new 2MASS Redshift Survey covers 95 % of surrounding space, skipping over only the region near the plane of our own galaxy, where the Milky Way's stars and dust block the view of remote objects.

The final stages of life for a star like our Sun result in the star blowing its outer layers out into the surrounding space, forming objects known as planetary nebulae in a wide range of beautiful and striking shapes.

The mass of an object warps the surrounding space and this property also affects light.

It allows for sounds to be treated as «objects» that the system can position in the listening space beyond the limitations of traditional 5.1 or 7.1 surround sound channels, including the addition of sound coming from overhead using in - ceiling or vertically firing speakers.

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Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

Other paintings show Braque's interest in conveying the physicality of objects and surrounding space.

Barlow's sculptural practice is grounded in an anti-monumental tradition and is concerned with the relationship between objects and the space that surrounds them.

For Minimalism, it was industrial materials and space surrounding the art object.

A wall painting inflects the surrounding physical space differently than a painting - as - object does, becoming indivisible from the viewer's perception of that space.

Stockholder's Assists explore the interstitial space between works of art and their surrounding objects, questioning notions of boundary and dependence while responding to the landscape of the human - made things that has been explored by Stockholder's work in the past.

Best known for her colossal sculptural projects, for over four decades Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, plaster, fabric and paint to create striking sculptures and expansive installations that confront the relationship between objects and the space that surrounds them.

In this part of the exhibition space, the artists presented a six - channel video on projection screens situated in a way that mirrors the video's own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.

Whiteread typically uses industrial materials, such as the stainless steel of this sculpture, to cast the negative space surrounding or within an object — here, electrical switch boxes.

She insists on the sculptural object, as if in response to Carl Andre and Fred Sandback, whose work encompasses the surrounding space and a viewer's every move.

[ii] Gisela Colon writes — «The trajectory of West Coast minimalism re-defined the art object by disappearing the object into the surrounding space (DeWain Valentine, Helen Pashgian, Peter Alexander); reducing the object to circumstance (Robert Irwin); or dispensing with the object ab initio (James Turrell).»

Rather, the ambiguity that surrounds her subjects, especially their deaths, affords her a space where subject can be confused with object.

Goldschmied & Chiari's Untitled Portrait, incorporates the image of the viewer and surrounding space into its surface, blurring the distinction between object, body, and space.

In this large, light - filled space, a series of assemblages, composed of found objects and dedicated to people and places, surround one last «penetrable»: PN27 Penetrable, Rijanviera (1979), a spare installation furnished only with water, gravel, sand and music, which simultaneously recalls Oiticica's very first geometric constructions and the increasingly complex sound - and image - filled environments of his later years.

There, Trecartin presents his newest movie, a video work that situates various projection screens throughout the exhibition space in a way that mirrors the movie's own 5.1 surround sound, engaging with the visual, sonic, and physical fields as a combined object.

Trained as a photographer, Tatiana Kronberg is interested in objects and the negative space that surrounds them as well as the positive form that space implies when the object itself is absent.

With this attention to detail comes a heightened sensitivity and reaction to all elements of the minimal object, and its surrounding space.

The tactile, sensory, and textured nature of Kang's works, many of which incorporate repurposed materials sourced directly from factories in South Korea, will help form a physical connection between the objects and the viewer, creating a dynamic and interactive relationship to the surrounding space.

The early orthogonal formats are followed by jutting forms that accentuate the works» three - dimensionality and visual, perspectival, and spatial progressions that spread beyond the dimension of the object circumscribed by its physical boundaries, opening up to an active relationship with the surrounding space.

Rachel Whiteread also views the objects and spaces she is surrounded with, yet, by focusing on the negative spaces, she presents the everyday objects from a new perspective, and shows us the beauty in these non-places.

Working with driftwood and everyday objects — clothes pegs, reels, doorknobs, often in combination with elastic bands or mapping pins — Ackling's works have a quiet presence but also a seemingly contradictory and powerful capacity to transform the space that surrounds them.

The implementation of ready - made materials without necessarily having been relieved from their original function is a manifestation of the indirect psychological effect of dependency of an object over its surrounding space and the involving human element.

Works present material as adaptable, with an ability to morph, suggesting we think through the surrounding environment in the same way; objects and spaces, functioning to our own evolving needs.

The ways in which we might conventionally quantify, physically experience or theoretically categorise our surrounding environment are subverted, as the materiality of each object and the syntax of the gallery space itself become fluid and unfixed.

Haberny is also interested in the psychological impact experiencing an object in a space has on a viewer, creating works that seem to defy the confines of the surrounding physical space.

The objects with which we surround ourselves physically orient us within the spaces we navigate.

Throughout her work, she trains her gaze on the architectural spaces in which we live and the objects that surround us.

Best known for her colossal sculptural projects, for more than five decades Barlow has employed a distinct vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create bold and expansive installations that confront the relationship between objects and the space that surrounds them, in an approach that is grounded in an anti-monumental tradition.

In Vance's canvases, the background no longer surrounds the object, but breaks through it — by opening and closing these spaces in the pictorial plane the artist is able to create the illusion of a three - dimensional space.

Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer and surrounding space with his so - called «specific objects.»

Bloodflames Revisited's primary purpose is to construct a collective response to Iolas, Calas, and Kiesler's unorthodox vision in which the visual of the objects and their surrounding environment are dissolved into a free - flowing space, rather than to create a replica.

While Hiorns zeroes in on the object proper, exploring its transformative potential through cycles of growth, chance, and decay, Tuazon extends the definition of sculpture to include the surrounding space as a product of its own construction.

The walls become a document of the negative space surrounding the painted objects.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

While the simplicity of the Minimalist style was less popular by the 1980s, its influence can still be felt in art practice today, through the increased awareness of the «object» nature of painting, the use of geometry and grids, and an awareness of the artwork's relationship to its surrounding space.

The sculptural object or rather objects again become something to look through, changing the perception of surrounding space through its physical presence (Though, as an anecdote, on my visit the few people wandering around the terrace were far more intrigued by slowly melting piles of snow in the corner than they were about Bell's cubes within cubes).

While the chandeliers themselves possess sculptural form as objects, demanding a physical encounter, the light they emit, variously controlled and directed, is less tangible, experienced in the spaces between each work and the surrounding architecture, set aglow and appearing to change throughout the day according to ambient light conditions.

Works from Stockholder's concurrent Kavi Gupta solo, Door Hinges, are simultaneously artworks, context, and architecture in these twinned shows exploring «the interstitial space between works of art and their surrounding objects, questioning notions of boundary and dependence.»

Unlike traditional surround, which sends specific tracks of audio to specific speakers, Atmos allows audio engineers to place sound «objects» in 3D space, and your receiver or soundbar figures out how to re-create it.

This is potentially confusing: Dolby Atmos is all about creating an immersive sound space that differentiates itself from common or garden surround sound by adding height: it's being able to place a sound objects above you that really defines the Dolby Atmos experience.