Sentences with phrase «spaghetti western with»

The whole soundtrack is great though, and one could easily lift the music from this game and place it in a Sergio Leone spaghetti western with Clint Eastwood and it'd still work.
A little originality goes a long way and you needn't even be all that original; Rango's biggest idea is to make a spaghetti western with computer - animated critters.

Not exact matches

To start Spaghetti Western Marathon with a bang is my Carne Asada Pizza Recipe.
Our Spaghetti Western Week celebration continues with Huevos El Diablo or... The Devil's Eggs.
With his focus on the outlaw spirit of those old spaghetti Westerns, it's not surprising Vohra has a lot of thoughts on what it means to be an independent craft brewer.
Moviemaking geek Quentin Tarantino continues his mission to apparently make at least one movie in every major genre with an expansive Western which can't really pass itself off as a Spaghetti Western despite having the typically bloated running time of one of Leone's epics.
The soundtrack for Django Unchained makes use of music from a number of spaghetti westerns in a mix with a few original songs and a splendid mash - up featuring James Brown and 2Pac but everything flows together and genuinely feels of a piece.
Which brings us to his latest, the Antebellum spaghetti western / slave vengeance picture «Django Unchained,» which has the unstructured, long winded architecture and pace of a novel — or at least a novel that doesn't have to concern itself with the format demands of a visual medium that lends itself to around a two hour experience.
When Calvin Candy's servant explains his role in maintaining the estate, Django replies that the white man is «almost like a nigger,» a bold remark punctuated with one of several ostentatious zooms lifted from the spaghetti western vernacular — allowing for yet another moment of unlikely humor.
Applying the episodic format and visual template of classic and spaghetti Westerns to a revenge saga mostly set in the Deep South just prior to the Civil War, the film makes a point of pushing the savagery of slavery to the forefront but does so in a way that rather amazingly dovetails with the heightened historical, stylistic and comic sensibilities at play.
Beard, the actor (stars as Irish never - do - well James McKinnon) never shows why would we accept him and follow him - while the bunch of other classic spaghetti Western - style group of antiheroes, men who normally would have nothing to do with one another but who are thrust together by circumstances beyond their control - are all doing their own thing.
Many of the most controversial and exciting films of the 20th century are westerns, such the Outlaw with Jane Russell in her memorable film debut - shelved for years before finally receiving approval - to many of our Spaghetti Westerns for their portrayal of explicit vwesterns, such the Outlaw with Jane Russell in her memorable film debut - shelved for years before finally receiving approval - to many of our Spaghetti Westerns for their portrayal of explicit vWesterns for their portrayal of explicit violence.
Along with Jarmusch, A Girl Walks Home Alone At Night is steeped in other influences: Spaghetti Westerns, 1950s juvenile delinquent movies, gearhead movies, teenage rom - coms, the Iranian new wave.
Inspired by the Spaghetti Westerns and celebrating the Western genre with an interesting twist, Good for Nothing follows an odd romance and the resulting emotional confusion of an outlaw who reluctantly develops strong feelings for a woman he has kidnapped.
Quentin Tarantino made some noise this past week with the announcement that Kill Bill: The Whole Bloody Affair would be playing at the New Beverly Cinema in Los Angeles, but even more interesting is a report that he's finishing up the script to his next film, and it will be a spaghetti western.
Like spaghetti westerns in the past, this is certainly a western, but with a unique Korean flavour.
Clint Eastwood owes a great deal to Sergio Leone, who jump - started the actor's movie career with the Dollars trilogy of «spaghetti westerns
Filtering a piquantly feminist perspective on Iranian gender relations through a mesh of genre influences including low - rent horror, film noir and even spaghetti western, here's a fantasy underworld with entirely its own woozy, sinister flavour.
Valerii favors the spare visuals of most spaghetti westerns, emphasizing the isolation and emptiness of the Spanish plains standing in for the American southwest, and the disc presents it all with a sharp clarity and vivid burnished palette.
It features new video interviews with screenwriter Ernesto Gastaldi (13 minutes, in Italian with English subtitles) and Tonino Valerii's biographer Roberto Curti (43 minutes, in English) and a previously unreleased 2008 interview with Tonino Valerii (11 minutes, in Italian with English subtitles), plus a deleted scene, and includes a booklet with an essay by spaghetti western expert Howard Hughes.
In fact, he only directed two in his long and successful career, both with Giuliano Gemma (billed as Montgomery Wood) playing against the mercenary expectations of the defining spaghetti western anti-hero.
With a clever tip of the ten - gallon hat to Sergio Leone's highly influential spaghetti westerns, The American strolls across the screen conveying its drama with an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshWith a clever tip of the ten - gallon hat to Sergio Leone's highly influential spaghetti westerns, The American strolls across the screen conveying its drama with an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshwith an emphasis on the human face as one assassin steps out of the shadows to bathe in some momentary sunshine.
Seems Franco Nero (CAMELOT, DJANGO, FORCE 10 FROM NAVARONE, DIE HARD 2, and he's a voice for the upcoming CARS 2) has apparently revealed to Movieplayer (in Italian) that he's working on some sort «Spaghetti Western» project with Quentin Tarantino.
This one plays more like a spaghetti western, with five star students of the Five Venoms clan gone mercenary to search for hidden treasure and ready to kill one another for it.
Quentin Tarantino has dabbled in just about every genre at this point in his career, so it's only natural that he would try his hand at a Western, although «Django Unchained» is actually more of a genre mash - up between a spaghetti western and a blaxploitation film, with all the musical cues, whip pans and other stylistic flourishes that both genres are knoWestern, although «Django Unchained» is actually more of a genre mash - up between a spaghetti western and a blaxploitation film, with all the musical cues, whip pans and other stylistic flourishes that both genres are knowestern and a blaxploitation film, with all the musical cues, whip pans and other stylistic flourishes that both genres are known for.
The complexity of the characters sets this apart from the rest of the Spaghetti Western pack that exploded during the 1960s, and with some fantastic action and some very choice comic relief to temper the dark, often brutal violence.
I thought the music in the trailer was just part of a quirky marketing campaign, but no, that Ennio Morricone-esque score is right over the opening credits, giving the film yet another layer of fun and interest, as it suggests that Gleeson pictures himself as a spaghetti western hero, cocky but with a deeper layer of dissatisfaction and restlessness.
For example, Spike Lee said of Django Unchained that slavery was «not a Spaghetti Western» and he wouldn't «disrespect his ancestors» by seeing the film; Denzel Washington had a long feud with Tarantino over what he also felt were the director's racists sensibilities.
You can dub a spaghetti Western and nobody cares, but mess with Chabrol and you're eliminating the very quality audiences respond to in his work.
The Film Geeks SD and San Diego Italian Film Festival present the classic Spaghetti Western THE BIG GUNDOWN, an unrelenting thriller about a Texas bounty hunter charged with bringing a heinous criminal to...
But Miike hinted at this exact marriage of a specific Spaghetti Western tradition and the Samurai flicks that were its inspiration with his arch
It should be seen in repertory with evil - children movies like Rosemary's Baby and Night of the Living Dead2 as much as it should be seen with Leone's quartet of Spaghetti westerns — signposts, all, along the road to the paranoia cinema of the 1970s, where the conversation's not about the dissolution of traditional societal mores, nor even really about mitigating the collateral of the coming apocalypse.
Only Quentin Tarantino could have dreamt up a spaghetti western that deals with the grim theme of slavery.
Something To Do With Death — that's the title of Sir Christopher Frayling's biography of the great Spaghetti Western director Sergio Leone.
A Pistol for Ringo & The Return of Ringo: Two Films by Duccio Tessari (1965) The original Ringo films introduced another iconic hero to the spaghetti western; a clean - cut sharp shooter who was markedly different to Clint Eastwood's Man With No Name.
Tarantino once again shows his unparalleled love of cinema as he personifies the spaghetti western genre in the same regards and respect as he accomplished with Death Proof for grindhouse films.
Extras: Audio commentaries for both films by Spaghetti Western experts C. Courtney Joyner and Henry Parke; «They Called Him Ringo,» an archival featurette with star Giuliano Gemma; «A Western Greek Tragedy,» an archival featurette with Lorella de Luca and camera operator Sergio D'Offizi; original trailers; gallery of original promotional images; reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx.
Once Upon a Time in the West Year: 1967 Director: Sergio Leone Along with The Good, The Bad and The Ugly, Once Upon a Time in the West is a Spaghetti Western masterpiece, a tale of revenge complete with an Ennio Morricone score, Henry Fonda (as a villain) and Charles Bronson as the mysterious stranger.
A Girl Walks Home Alone At Night — Ana Lily Amirpour's directorial debut is a self - described «Iranian Vampire Spaghetti Western» that's loaded with style.
Though U.S. audiences likely weren't able to appreciate the movie on the same level as native Chinese speakers because of the way that the film plays around with the language, it's still an amusing and wildly madcap spaghetti western that's anchored by a trio of fantastic performances by director / star Wen, Chow Yun - Fat and Ge You, who have such great comedic timing between them that the subtitles often move too quickly to read.
Mill Creek Entertainment: The Best of «California Dreams» Billy Bathgate (1991) & Blaze (1989)(Double Feature Blu - ray) Father Hood (1993) & Life with Mikey (1993)(Double Feature Blu - ray) The Grand Duel (1972) & Keoma (1976)(Spaghetti Western Double Feature Blu - ray) Hollow Man (2000) & Hollow Man II (2006)(Double Feature Blu - ray) In the Cut (2003) & Trapped (2002)(Double Feature Blu - ray) New York Stories (1989)(Blu - ray) Physical Evidence (1989) & The Anderson Tapes (1971)(Double Feature Blu - ray) «Punky Brewster»: The Best of Season Three (1987) «Punky Brewster»: Turn Your World Around (1984 - 85) «Roseanne»: The Complete First Season (1988 - 89)(Uncut) Ship of Fools (1965) & Lilith (1964)(Double Feature Blu - ray) The Squid and the Whale (2005) & Running with Scissors (2006)-RRB-(Double Feature Blu - ray) «That»70s Show»: Season One (1998 - 99)(Blu - ray) «That»70s Show»: Season One (1998 - 99)(DVD) 3rd Rock from the Sun»: The Complete Season One (1996)(Uncut)
11:00 am / 10:00 am — AMC — The Good, the Bad, and the Ugly Sergio Leone's most definitive spaghetti western finishes off his «Man with No Name» trilogy starring Clint Eastwood.
Until now, I had only seen Sergio Leone Spaghetti Westerns, such as the «Man with No Name» series, etc..
Way more French than Russian in nature, Wintory's music casts its romantic charm with accordion, harp, harmonica and any number of styles that range from Spaghetti western to whimsical waltzes, pirate jigs and tango It's the score equivalent to opening Felix the Cat's magic bag and having all sorts of amazingly inventive wackadoo music jump out of it with unexpected grace that's as absurd as it is lovely.
Everything that makes Tarantino tick, old flicks, spaghetti westerns and mano - a-mano head bashing, preferably with shotguns is stuffed into the 165 minutes of this near perfect movie.
Add in the admittedly precious conceit of overlaying the trailer with a spaghetti western feel, and I'm charmed and totally on board.
The western genre, long associated either with American film and the lone cowboy holding fast to independence in a changing landscape, or the spaghetti western, in which European directors examined more forcefully the often insidious nature of the more corrupt...
The (anti--RRB- heroes face plenty of wayward friendly fire before Colt comically mistakes them for actual heroes advancing the front into enemy territory, and a late scene lampoons Eastwood's spaghetti westerns, as our boys face off — on a war - torn French lane — with the Nazi enemy.
Bonus materials on the unrated Blu - ray release include audio commentaries for both films by spaghetti Western experts; They Called Him Ringo, an archival featurette with star Giuliano Gemma; A Western Greek Tragedy, an archival featurette with Lorella de Luca and camera operator Sergio D'Offizi; Revisiting Ringo, a new video interview with critic and Ringo fan Tony Rayns; gallery of original promotional images; and reversible sleeve featuring original and newly commissioned artwork.
Based on the novel Carmen by Prosper Merimee, with Nero as the loyal, straight - arrow soldier José demoted after he's tricked by gypsy hellion Carmen (Tina Aumont), it's the rare spaghetti western that is actually set in Spain, where it was shot.
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