Her numerous contributions to art history
span curatorial work and writing; a highlight among these is the important show «Now Dig This!
Not exact matches
Art Treasures The
Curatorial staff
works closely with expert conservators to preserve countless
works of art
spanning several centuries and representing many artistic styles and media.
Her research and
curatorial practice, which
span large - scale museum exhibitions with extensive catalogues as well as scholarly books and articles, have been instrumental in introducing the
work of now seminal black artists (such as Martin Puryear, David Hammons, and Lorna Simpson) to wide audiences and bringing to light long - forgotten or overlooked black artists.
The 22
works in The Sympathetic Imagination exhibit, one of her first comprehensive museum exhibition in the US,
spans from her
work in the early»90s through 2015 was co-curated by Lynee Cooke, Senior Curator for Special Projects in Modern Art at the National Gallery of Art in DC and Christine Y. Kim, Associate Curator of Contemporary Art at LACMA with the Chicago exhibit coordinated by MCA's Chief Curator Michael Darling and
Curatorial fellow Joey Orr.
This approach seems like a particularly apt
curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework
spans both media and unites the
works -LSB-.....]
Reitmaier's
work in arts and culture
spans over 20 years, having held
curatorial and leadership roles with the Vancouver Art Gallery and the Tate, London, alongside roles in education (Institute of Contemporary Arts, London), broadcasting (BBC), digital marketing (Eyestorm.com) and publishing (Women's Art Magazine, Women's Art Library).
This concluding exhibition is the last of a series of interconnected shows
spanning 2016, which has seen the Gallery take a nostalgic journey through some of its
curatorial highlights from the past 50 years, presenting
works from across this
span of time and recontextualising them with contemporary
works of art and the present day; highlighting everything from globalisation, temporality, consumerism, consciousness, the body, and cultural identity.
This approach seems like a particularly apt
curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework
spans both media and unites the
works on view by reflecting developments in practice.
Curated by Janna Keegan,
curatorial assistant at the de Young, with contributions from Julian Cox, former chief curator of the Fine Arts Museums of San Francisco, «Judy Dater: Only Human»
spans 50 years of picture making, and shows how Dater continues to explore the themes and issues that have always inspired her
work.