Sentences with phrase «spans sculptural installation»

Though her work spans sculptural installation, short film, and photography, s he is best known for her large - scale paintings.

Though her work spans sculptural installation, short film, and photography, she is best known for her large - scale paintings.

Not exact matches

In a unique style that is both sensory and utopian, Kusama's work — which spans paintings, performances, room - size presentations, sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures — possesses a highly personal character, yet one that has connected profoundly with large audiences around the globe.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

His work spans from artist books to sculptural installations and performances and deals with potential energy, time and archaeology.

This is the largest Gormley exhibition held in Germany to date, bringing together works on paper, large - scale installations, and indoor and monumental outdoor sculpture that span the artist's sculptural journey, from the early 1980s to site - specific works created this year.

Her extraordinary and highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Kusama's extraordinary and highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design and interventions within existing architectural structures.

With only two rooms dedicated to exhibiting an output spanning the decades between 1974 and 2000, the collection of drawings, collages, videos and several sculptural installations that are on view provide an electrifying, if woefully abridged, introduction to an artist still largely working in obscurity.

The site - specific installation spanning two different environments build on the artist's «preoccupations with deconstructing masculine affect» with two sculptural works on pedestals: one composed of found objects, thrift and hardware store finds composed of cheap Eau de Cologne bottles juxtaposed with its English BRUT variant, not available in Germany.

The exhibition comprise one of the artists key sculptural installation works, Il panorama verso oltremare intorno dove le stelle si avvicinano di una spanna in più (The Panorama Towards «Oltremare» Where the Stars are Coming One Span Nearer).

Kurt Schwitters: Color and Collage spans the artist's output between 1918 and 1947, and includes collages, assemblages, sculpture, and the reconstruction of the architectural / sculptural installation Merzbau, which was destroyed when the Allies bombed Hannover in 1943.

Her highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Spanning several media, the show also includes Wangechi's large - scale collages, sketchbook drawings exhibited for the first time, a site - specific wall drawing, and sculptural installations.

Sindy Butz «s artistic practice spans the disciplines of performance art, photography, video and sculptural installation through time - based projects and historical narrative.

In a practice that spans photography, sculptural installation and audio, Hardy constructs environments that hover between depiction and abstraction.

Spanning two white walls, the sculptural installation Epic (2009) is the oldest piece on view, and the work that, says Fernández, «informs all the other works that come after it».

A large new installation of sculptural wooden objects will form the center piece of the show and be augmented by new large - scale wall drawings and a number of works on paper spanning the last five years.

Spanning from the mid-1990s to the present, the exhibition unites more than fifty pieces, including Mutu's signature large - scale collages as well as video works, never - before - seen sketchbook drawings, a site - specific wall drawing, and sculptural installations.