Sentences with phrase «spatial color effect»

And yes, it is the acrylic paint that the viewers see, but instead of seeing it on the surface, it's rather within the artwork, creating mesmerizing and fluctuating highlights, reflections and refractions, through a spatial color effect similar to the one that could be seen in the work of Barnett Newman or Mark Rothko.

Not exact matches

Measuring - Temperature and Thermometers Classifying Components of Mixtures Predicting - Surveying Opinion SAPA Part C, Directions for the Multiplication Game SAPA Part C and E, Multiplication Game SAPA Part D 1st Draft, c. 1972 The Whirling Dervish The Bouncing Ball The Effect of Liquid on Living Tissue Rate of Change Observing Growth from Seeds An Intro to Scales Forces on Static and Moving Objects Observations and Inferences Using Punch Cards to Record a Classification Using Maps to Describe Location A Tree Diary SAPA Part D 2nd Draft Observations and Inferences The Bouncing Ball Rate of Change A Tree Diary An Intro to Scales and Scaling Observing Growth from Seeds (The Bean - It Came Up) Forces on Static and Moving Objects Using Punch Cards to Record a Classification Relative Position and Motion Inferring - The Water Cycle Predicting 4 - The Suffocating Candle The Big Cleanup Campaign 2 - D Representation of Spatial Figures Using Maps to Describe Location SAPA Part D Tryout Draft, 1972 Observations and Inferences The Bouncing Ball Measuring Drop by Drop Rate of Change Predicting 4 - The Suffocating Candle Forces on Static and Movign Objects Observing Growth from Seeds Using Space / Time Relationships -2-D Representation of Spatial Figures Using Punch Cards to Record a Classification An Introduction to Scales and Scaling The Effect of Liquid on Living Tissue Inferring - The Water Cycle Relative Position and Motion Using Maps to Describe Location The Big Cleanup Campaign A Tree Diary SAPA II Module (s), c. 1973 1, Tentative Format Sample, Perception of Color 9, Sets and Their Members 6, Direction and Movement, Draft 34, About How Far?

Bridging painting and sculpture, the works formally address Miles» combined preoccupations with three - dimensional form and forming, material presence and spatial actuality, texture and surface, as well as color, mark, light, and visual effect.

Bright color juxtapositions on interlocking squares, rectangles and triangles create an effect of shifting light and shadow, in turn producing spatial ambiguity.

With chiming harmonics of bright pure color Wright plays wonderful tricks in these intense parlors pitting ambiguous spatial effects against fully frontal areas of flattened paint festooned with ornament.

Homage to the Square is characterized by a superimposition of squares in distinct colors — often capturing two opposing moments, moods, times of day, or seasons — to explore the myriad possible visual effects through color and spatial relationships alone.

Scintillating effects arise through stacked layers of offset line patterns through which contrasting colors are juxtaposed, eliciting fluttering afterimages, optical flicker, disorienting spatial effects, and destabilizing sensations of movement.

Exploring the interplay of color and form, the works of the Abstract Expressionists look at the effects of the color red against different spatial relations and unique painting techniques.

By pouring acrylic paints onto a length of canvas and then folding it over on itself while still wet, or vice versa, he created prismatic spatial effects and unexpected color combinations, pushing the brushless staining and soaking techniques also employed by artists like Thomas Downing, Morris Louis, and Kenneth Noland to a newly lyrical extreme.

If your clients still feel unsure about making selections, suggest they hire a color or paint expert who's used to working with different palettes, knows which color combinations work well together, and understands how colors create different spatial effects.