Sentences with phrase «spatial compositions with»

Avery Singer constructs complex spatial compositions with abstract figures and objects.

Not exact matches

The partially clad Baptist's extended right hand, which holds the baptismal cup, rests on his left knee, thereby endowing the composition with an emphatic spatial depth.

This NASA MARS 2020 approach of mapping the elemental, mineral, and organic composition of rocks at high spatial resolution with non-destructive techniques is now commonly used on Earth to provide unambiguous evidence for early life in its preserved nanoscale context.

With spatial resolutions ranging from 100 km at 5 µm, 240 km at 12 µm and 400 km at 20 µm, we should expect to be able to directly measure the composition of volcanoes with TMT and MIWith spatial resolutions ranging from 100 km at 5 µm, 240 km at 12 µm and 400 km at 20 µm, we should expect to be able to directly measure the composition of volcanoes with TMT and MIwith TMT and MICHI.

The size and spatial distributions of these families, along with their orbital properties, composition, and internal structure play a key role in our understanding of the formation and evolution of the solar system.

The chemical composition of these decay products in relation to the substrate material, the various conservation and restoration historic phases is discussed along with their spatial distribution on the monument's surfaces and also in correlation with environmental and climatic data.

The director and his DP, Harris Savides, shot the movie largely on digital, but the film so often favours steady, patiently held compositions that allow its actors to move around within the frame and interact with each other, showing spatial relations in much the same way that Fincher is drawing connections between the facts of the case.

Using quantitative and spatial methods, her dissertation examines the links between neighborhood and school composition, with a focus on neighborhoods undergoing economic change, and how neighborhood and school contexts matter for children's outcomes.

Schutz creates unsteady cornucopia compositions that build out of paint, creating shifting spatial planes that flip - flop, flickering in confetti color and, until recently, with creamy paint, which flower into bucolic clusterfucks.

In 1948, the artist painted his breakthrough work, Onement I, which is now in the collection of The Museum of Modern Art, New York, and features the first of his signature «zips»: vertical lines running down the canvasses, which divide spatial composition, infuse them with energy, and create a parallel to the spectator's own figure.

His confederate, El Lissitzky, on the other hand, painted lively compositions with shapes that often seem to dance on the canvas, using precise balances of shapes and colors to tell spatial stories — for instance, suggesting that a static shape is actually in the process of falling, or rising — or even convey political propaganda.

These 1967 paintings by Komodore and Anuszkiewicz demonstrate the New York interest in ambiguous spatial depth which varied greatly from the California artists for whom a unified composition with no sense of background and foreground was essential.

With his understanding of formal spatial composition, color theory (his palette has been compared to Matisse's), and expressive paint handling (which has often been compared to Mark Rothko's), it is no wonder that Kahn was a particularly favorite student of Hans Hofmann's.

Works on view experiment with physicality, spatial integration, and unexpected materials, utilizing the gallery walls and floors in their compositions.

With these works — razor - sharp depictions of abstract, brushily painted, sculptural tableaux, for the most part — not only does one struggle to identify the medium, but the compositions traffic in shadowy illusion and spatial ambiguity, making it hard at times to know exactly what is being portrayed.

Here the interview with Max Frintrop (1982, Oberhausen, Germany), who analyzes the spatial properties of color and form building abstract compositions through heavy brushstrokes.

As is typical for paintings from this period, the present work is characterized by the colliding of flatness with the illusion of spatial depth: while the folds in the tablecloth, modulation of the oranges and the cast shadows articulate Hockney's eye for veracity and imply three - dimensionality, the broad, simplified brushstrokes with which the gladiolus and the green backdrop are rendered essentially flatten the composition.

His pure forms and colors blended with the tendency to suppress gesture in favor of creating spatial unity within the composition paved the way for Kelly to have massive influences on both the Color Field painting and Minimalist movement.

These openings in the canvas were evocative of Lucio Fontana's Spatial Concept works, but with greater precision, complexity and integral to the composition.

With the double maze of Jasper's Dilemma (1962 - 63), Stella posed a question of such philosophical brilliance, an aesthetic dichotomy that is so utterly at the core of Modernist and even Postmodernist painting, that it stuns me as deeply as the many profound observations on composition and spatial relations he made during the course of his Charles Eliot Norton lectures at Harvard in 1983 (collected in the indispensable volume, Working Space).

Sperling picks up where his precursors left off, combining the concerns of painting — color and composition — with the spatial potential of sculpture.

By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room