Around the same time, he created his first environmental work, Ambienti spaziale a luce nero (
Spatial Environment in Black Light), which consisted of a small black room in which several large, fossil - like forms made from papier maché hovered overhead, their fluorescent painted surfaces picked out by black light.
The very first of this new type of work was Ambiente spaziale a luce nera (
Spatial Environment in Black Light) in 1949, in which a series of swaying phosphorescent elements hang from the ceiling in a completely black exhibition space.
Not exact matches
Equivalently, then, that successor presiding occasion prehends the mentality of its predecessor (s)
in the dominant subsociety, not directly through
spatial contiguity, but through the patterns of activity already present both
in the brain as its immediate
environment and
in the entire organism as its overall field of activity.
Contrariwise, divine relativity can make sense of omnipresence, especially when seen
in terms of Hartshorne's understanding of the world being the body of God: «For God there is no external
environment, the divine body just is the
spatial whole; moreover, this body is vividly and distinctly perceived» (OOTM 94).
As part of the limbic system, it plays an important role
in memory processing and
spatial cognition, including how mammals learn to understand and navigate their
environment.
Brain imaging techniques revealed that men found their way out of the maze using the left hippocampus, a memory storage region that also governs
spatial mapping
in the physical
environment.
The fact that experience can shape individual differences, which
in turn can affect the quality of
spatial and social cognition a person, suggests that growing up
in certain built
environments can have detrimental or beneficial effects on their cognitive ability.
To test whether the hippocampus could actually form
spatial maps using only visual landmarks, Mehta's team devised a noninvasive virtual reality
environment and studied how the hippocampal neurons
in the brains of rats reacted
in the virtual world without the ability to use smells and sounds as cues.
The
spatial range corresponding to a good signal - to - noise ratio was tens of meters
in the indoor noise
environment of the NIST tests, but could be extended to hundreds of meters if the noise were reduced to the sensitivity levels of the sensor.
Langston et al. (p. 1576) and Wills et al. (p. 1573) investigated the early development of
spatial activity
in the hippocampal formation and the entorhinal cortex of rat pups when they first began to explore their
environment.
Specifically, UC San Diego scientists were able to show that even without grid cells rats could still mark
spatial changes
in their
environment.
Kane, V.R., et al., Assessing fire effects on forest
spatial structure using a fusion of Landsat and airborne LiDAR data
in Yosemite National Park, Remote Sensing of
Environment (2013)
In a 2014 study in rats, researchers at the University of California found that the neurons in a brain region associated with spatial learning behaved completely differently in virtual environments compared to in real ones, with more than half of the neurons shutting down while in V
In a 2014 study
in rats, researchers at the University of California found that the neurons in a brain region associated with spatial learning behaved completely differently in virtual environments compared to in real ones, with more than half of the neurons shutting down while in V
in rats, researchers at the University of California found that the neurons
in a brain region associated with spatial learning behaved completely differently in virtual environments compared to in real ones, with more than half of the neurons shutting down while in V
in a brain region associated with
spatial learning behaved completely differently
in virtual environments compared to in real ones, with more than half of the neurons shutting down while in V
in virtual
environments compared to
in real ones, with more than half of the neurons shutting down while in V
in real ones, with more than half of the neurons shutting down while
in V
in VR.
«We think the cognitive map
in the hippocampus is not just for knowing where the self is located,» says Fujisawa, «but also for plotting the locations of other people, animals, or objects, and to comprehend the
spatial environment surrounding the self.»
To test the long - term
spatial memory of mice, the scientists trained the rodents to spot a new object placed
in a controlled
environment where two objects of similar shape and volume stand.
In their new study, the researchers reveal that one of the main classes of basket cells plays a key role in how the brain represents and remembers our environment, called spatial information codin
In their new study, the researchers reveal that one of the main classes of basket cells plays a key role
in how the brain represents and remembers our environment, called spatial information codin
in how the brain represents and remembers our
environment, called
spatial information coding.
Spatial navigation tasks are used to study the way animals identify their location and navigate towards favourable, and away from unfavourable, locations
in response to changes
in the
environment.
The subjects completed a
spatial learning task that consisted of navigation through a virtual
environment to deliver passengers to stores (Fig. 1
in the Supplementary Appendix).
In montane
environments, environmental differences can occur over an elevation gradient, favouring local adaptations across small
spatial scales.
The divergence between fungal and bacterial communities
in seasonal and
spatial variations of wastewater treatment plants — Ziyan Wei — Science of The Total
Environment
Ari received his Ph.D. from Duke University
in Ecology, where he studied the
spatial ecology of humpback and minke whales
in the Antarctic, and showed how the distribution of each species was related to their prey and other physical features of the
environment.
The work has received a lot of attention both nationally and internationally, and the discovery of «grid cells» which comprise a neural map of the
spatial environment will appear
in neuroscience textbooks.
Lauren uses poison frogs as a model for understanding how variation
in predation and
spatial structure of the
environment has driven the evolution of chemical defences and parental behaviors.
His main research interests is the study of microbial diversity, specifically of protists,
in the marine
environment, both
in terms of a description of the taxonomic composition of these assemblages as well as understanding their patterns of temporal and
spatial variation
in the
environment.
Curacao: St. Maarten new cabinet expected to be sworn
in this week — The land granted to her by then - Minister of Public Housing,
Spatial Development,
Environment and Infrastructure VROMI William Marlin on May 31, 2013, related to a request dating back to November 21, 2005.
Rather than cheating its way around
spatial design with the kind of connective smoke and mirrors that many video games traditionally use, Souls ensures that every one of its
environments makes total, internal sense, and eventually links back up with itself
in order to create retroactive shortcuts between end and beginning.
Kleber Mendonça Filho's Recife is connected not by
spatial geography, but by the way sounds bleed together
in an urban
environment, trumping class and racial barriers.
Understand how to use mental maps to organize information about people, places, and
environments in a
spatial context.
How to use mental maps to organize information about people, places, and
environments in a
spatial context
In recent years a range of formal methods of
spatial analysis have been developed for the study of human engagement, experience and socialisation within the built
environment.
Rarely involved
in the creation of our
environment, it has the unexplored potential of combining the socio -
spatial dimensions of self - organizing urban processes.
Enjoy small classes
in a warm
environment to reduce stress and where
spatial bubbles can be respected.
With each shift
in position the works» intersecting lines appear to reframe their
spatial environment, revealing new facets of even the most familiar terrain.
The
environments are connected
in such a way that it makes
spatial sense — it has to, since navigation depends sense of direction and memory.
In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian sho
In 1949, he exhibited Ambiente Spaziale a Luce Nera (
Spatial Environment with Black Light), a room - sized work using neon lights
in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian sho
in a dark space of colored walls, a proto - installation style that would reappear decades later and
in the Gagosian sho
in the Gagosian show.
In his
Spatial Reliefs, Nuclei and Penetrables, made during the early - 60s, he strove to liberate the abstract coloured shapes from the wall and from adherence to a particular form by making them part of the viewer's
environment.
There are however no conventional sculptures
in this museum, just as there are no people and no visible
spatial environments or architectures; simply the debris of rotating and pirouetting objects, utensils and ornaments
in a black void.
As an installation artist, he is particularly interested
in the physical aspect of sound and its potential to define the form and atmosphere of a
spatial environment.»
Art historian Gloria Sutton engages LA - based artist Julian Hoeber
in a conversation that focuses on how the artist's work critically transposes architecture and visual art by translating
spatial paradigms of the body and the built
environment (e.g. exploring notions of interiority, rumination and the liminal).
In recent works such as Double Vision (2004) and Bellona (After Samuel R. Delany)(2005), she develops her fascination with spatial concerns and psychological and cognitive patterns in digitally manipulated environment
In recent works such as Double Vision (2004) and Bellona (After Samuel R. Delany)(2005), she develops her fascination with
spatial concerns and psychological and cognitive patterns
in digitally manipulated environment
in digitally manipulated
environments.
Pratt's new project for Offsite examines how forms of
spatial organization become a naturalized force
in the urban
environment.
Drawing inspiration from classical portrait painting of the 17th - century Dutch Golden Age to explore the relationship between her subjects and their
environment, Dumas often presents her subjects as heroic, engaged
in a struggle of sorts against their marginalization or confinement, and against the
spatial and psychological encroachment of people.
Her work often takes the form of
spatial constructions and she frequently deploys subtle devices such as sound and light
in order to illustrate how we orient ourselves
in our physical and psychological
environment.
My work exposes the absurdity of the societal constructs via sculpted objects, photography, and video positioned
in spatial and multidisciplinary
environments.
Following his return to Italy
in 1948 Fontana exhibited his first Ambiente spaziale a luce nera («
Spatial environment»)(1949) at the Galleria del Naviglio
in Milan, a temporary installation consisting of a giant amoeba - like shape suspended
in the void
in a darkened room and lit by neon light.
Austrian artist Peter Kogler is interested
in spatial illusion, projections, brains, ants and creating projections of graphic
environments that give the illusion of changing a fixed
environment to generate an emotional response from the viewer.
The year 1949 marked a turning point
in Fontana's career; he concurrently created the Holes (Buchi), his first series of paintings
in which he punctured the canvas, and his first
spatial environment, a combination of shapeless sculptures, fluorescent paintings, and black lights to be viewed
in a dark room.
One such investigation, by Sarah Oppenheimer, an artist who has long worked with built
environments, and,
in particular, the
spatial organization of the museum, takes place this fall at the Pérez Art Museum Miami.
It is temporal first but also
spatial, as behind a half - closed door an audio track by Kareem Lotfy called «French connection
environment» is hidden at the centre of an abandoned mess
in the kitchen.
The aim of their work is to portray a group of people living
in a specific cultural, social and economic
environment and mapping the
spatial and architectural context where they live.