Sentences with phrase «spatial relationship on»

Not exact matches

Native Knowledge Over the years Spelke has conjured up many other elegant and productive investigations on object and facial recognition, motion, spatial navigation, and numerosity (grasping of numerical relationships).

Due to the free rotation of the side - chains, it was not straightforward to define the mutual spatial relationships among the functional groups, although previous studies had reported the fixed distances between Cβ atoms substituted with key functional groups on the rigid cyclic peptide nucleus.

Statistically significant increases in the mean scores for Items 1 and 2 on the postsurvey suggested that preservice teachers came to believe more strongly in the close relationship between GST and spatial thinking and the potential of GST in education.

The Superdog method is based on the The Canine Spatial Relationship, the first comprehensive Behavioral and Off - Leash training method.

The Superdog method is based on The Canine Spatial Relationship, the first comprehensive Behavioral and Off - Leash training method.

This Brooklyn show, curated by artist Matthew Mahler, focuses on a trio of artists who each consider space conceptually, and push viewers to reconsider spatial relationships.

The latest iteration of Bloom Projects, which will go on view the same day, debuts a newly commissioned site - specific installation by Brooklyn - based artist Michael DeLucia, whose work addresses the condition of sculpture and spatial relationships in the technological age.

Drawing on a wide variety of sources, including literature, animal behavior, mathematics, chess, and sociology, her evocative and sometimes near - abstract works interact with their surroundings to create an intricate relationship between time - based and spatial dimensions.

Features works from the permanent collection that utilize black and white to focus on elements such as composition, detail, and spatial relationships.

Works in various scale create dynamic spatial relationships: a metal structure covered with accumulated bottles sits on the floor, informed by vernacular architecture as well as the cotillion, a social dance originating in France in the 18th century and further developed by African Americans in the United States; and a chandelier of oversized cowrie shells hangs dramatically within a large and site - specific yurt - like structure.

The works utilize black and white in a variety of media to focus on elements such as process, composition, and spatial relationships.

A Stroll through the Worlds of Animals and Men» Jacob von Uexkull (1957) / EXTRACT:» We are easily deluded into assuming that the relationship between a foreign subject and the objects in his world exists on the same spatial and temporal plane as our own relations with the objects in our human world.

His exhibition at the Aargauer Kunsthaus revolves around a reflection on spatial aspects and the relationship to transience and time.

It places works by Rodin and Nauman into unusual spatial relationships, calling attention to the artists» mutual artistic concerns while also focusing a lens on how each sculptor conceives of the body as an emotional instrument, something not always understood by the rational mind.

As our spatial relationship with such works is reconfigured, objects on view in Off the Wall permeate into space and challenge our comprehension of both painting and sculpture.

Krebs, too, works with gradations of light and dark hues in spatial relationships, often using combinations of rectangles, squares, and ellipses methodically plotted out in works that border on optical illusion.

«Featuring nationally performing artists Biba Bell, Megan Byrne, Jennifer Harge, Pedro Jiménez, Jessica Ray, and Maya Stovall, as well as St. Louis - based artists Jacqueline Fritz, Maxi Glamour, Fame Mizrahi, and Kat Reynolds, among others, this program will explore spatial relationships to fluidity and movement in response to Medardo Rosso's figurative work on view, as well as the spaces of the Pulitzer's Tadao Ando - designed building and the architecture of St. Louis.»

Robert Morris's reflections on what he called «the better new work» defined this pursuit: «One is more aware than before that he himself is establishing relationships as he apprehends the object from various positions and under varying conditions of light and spatial context.»

However, choosing the name «1 Apartment for 2 Women 4 Men» is not only based on such an apparent fact, but also because we believe that this concise statement, which lists and juxtaposes the spatial structure, numbers and genders, although might be seemingly expressionless, it will help us to confirm and emphasize that, the very thing that determines our cognition and imagination is always an undefined relationship in a specific space.

In the exhibition «Ground», James Hyde uses the flat field of painting as a topological arena that ties together the physical substance of painting and the ground on which it is laid, extracting spatial dimensions and new meanings from this relationship.

Based on his relationship to everyday objects, Gabriel Kuri considers the site like a given situation, with its specific component parts, whether these are spatial, economic or cultural.

The tree's organic shape is plotted on graph paper, with rows of numbers mapping shape and, apparently, tonality and spatial relationships between one branch and the next.

His work focuses on perception, spatial relationships, human psychology, and questions about life and death.

The show focuses on Los Angeles artists during the 1960s manipulating light and spatial relationships by means of surface effects and finishes.

With approximately one hundred works, from his paintings of consumer products in the early 1920s to the work left on his easel at his death in 1964, the exhibition will highlight Davis's unique ability to transform the chaos of everyday life into a structured yet spontaneous order that communicates the wonder and joy that can be derived from the color and spatial relationships of everyday things.

Also here is a large grouping of Hannah Wilke's «blossoms», which reverberate with nearby works by Mira Schendel and Gego, European émigrés whose delicate sculptures reinvented the notion of drawing as a spatial celebration of the artist's one - on - one relationship with her materials.

How do you keep the painted relationships in an abstract painting JUST spatial / pictorial — neither depictive, descriptive, suggestive of illusionistic, figurative, atmospheric space; nor literal, one layer on top of another (even though they are), or flatly adjacent?

However, the large spatial variation in this relationship is logical, based on factors related to topography and atmospheric circulation.