Sentences with phrase «spatial relationships within»

Set within Vitrine's unique window gallery space, spatial relationships within this body of work are further explored in their presentation.

For the first time ever, Abts» paintings will be accompanied by a series of small, previously barely known drawings that she has created over many years alongside her paintings in order to work out the lines, shapes and spatial relationships within her delicate compositions.

Not exact matches

Observing devices, either within the region of the dissipative structure or outside of it, may detect regular oscillations caused by variations of components of the structure, or, if their temporal or spatial resolving power is not high enough for that, they may detect only a new, averaged reading, corresponding to a novel state of affairs brought about by the closure of the set of relationships which defines the dissipative structure.

The analysis of the spatial genetic structure of the Parkia population revealed a significant genetic relationship of the plant embryos and young trees within a radius of 300 meters, which coincides with the distance within which most seeds are dispersed by the tamarins.

It's the camera - in - a blender - school of action filmmaking: There's so little understanding of spatial relationships that the whole thing plays like that Naked Gun gag where the gunfight is taking place between two people within arm's reach of one another.

Rhythms of reading are built up through exploring this spatial - temporal relationship between the reader's own experience of time and the portrayal of time within the story world of the comic.

Works in various scale create dynamic spatial relationships: a metal structure covered with accumulated bottles sits on the floor, informed by vernacular architecture as well as the cotillion, a social dance originating in France in the 18th century and further developed by African Americans in the United States; and a chandelier of oversized cowrie shells hangs dramatically within a large and site - specific yurt - like structure.

Free Roses continues within this trajectory and presents a cinematic and spatial mise - en - scène that, more than any other recent contemporary show, brings questions and conversations about the relationship between art, architecture, site, and installation to the forefront.

The work in my current show at Halsey McKay Gallery has developed in scale and continues to investigate spatial relationships with a perceptual shift that occurs as the viewer places themselves within the work.

I am interested in spatial relationships that capture an essence of a place, how we move through a space in the world and within a piece of art.

Specific geometric shapes and their variations, spatial arrangements, and experimentations with scale trace her explorations through color as a fluid, ineffable topic and experience — the proposed, implied, and often inconsistent logic within color systems, expectations of color relationships, and aesthetic decisions as value choices.

This pairing releases representational areas within the work from their descriptive function, creating a dynamic spatial relationship with the whole.

``... within the multi-faceted graphic work of Serra, we can employ various ways of looking: the heroics and intimacies of scale call us back into the sculptural, while Serra's inventiveness with mark - making and media evoke a linear tracing of spatial relationships commonly found in his drawing.»

The selection of these objects, their colour, spatial relationship and juxtaposition is what provides the tension and narrative within his work.

Stephen Prina's The Second Sentence of Everything I Read Is You: Mourning Sex (2005 — 7) has all the markings of a work of institutional critique, that loosely defined genre of contemporary art that seeks to evaluate and question the position of art in relationship to various cultural and political contexts.4 Looking beyond the frame of the artwork itself, works of institutional critique recognize that art exists within a discursive field and grapple with the concentric or overlapping circles of spatial, temporal, cultural, social, economic, and political structures — or «institutions» — that «frame» the work in other ways.

This spatial power relationship is generally observed as existing within a hyper - segregated hierarchical power regime, characterized by socioeconomic divisions defined by class categories or tribal based constructs, manifesting along bloodlines, ethnicity, race, religion, political identity, language, and cultural traits.

I contend that interdependent power structural arrangements may be observed within socioeconomic relationships that influence and shape the distribution of power within society, in which the actors in conflict relate to one another in a prescribed spatial power relationship.