They serve as the backdrop to a game that makes
spatiality as much a gameplay element as it does the mechanics themselves.
Not exact matches
Averroës proposed to correct Avicenna in two ways: first, that the essence of corporeal form lies in indeterminate dimensions, thus asserting the priority of
spatiality in the abstract over the particular incidental form of a body, its so - called determinate dimensions; second, a characterization of corporeal form
as «merely the capacity of prime matter for natural motion and
as merely the tendency to move to its natural place» (CM 40), a harbinger of the formalities of dynamics to come.
But that does not settle the question
as to whether in a spatial epoch he is characterized by
spatiality.
Now to Craighead's first claim, Hartshorne has responded directly that it is contradictory to affirm the being of nonbeing or the possibility of no possibility; likewise, it is contradictory to imply with phrases such
as «There is nothing» or «There might have been nothing» the
spatiality or temporality of that with no location in space or time (CSPM 58, 245, 283; LP 149; WP 80; NTT 83f; DR 73; PS I: 25, 26; IDE 88 - 93).
We may go further: the other half of knowledge is no longer so radically relative,
as certain philosophers say, if we can establish that it bears upon a reality of inverse order, a reality which we always express in mathematical laws, that is to say in relations that imply comparisons, but which lends itself to this work only because it is weighted with
spatiality and consequently with geometry.
Bergson believes that the chemicals, energies, and physical principles without which life could not exist are misconstrued by us
as being perfectly spatial, not
as possessing degrees of
spatiality (i.e,
as characterized by their «extensity»).
Since this effort is not instantaneous, transmission must exhibit a finite ratio of temporal extension to spatial size, such
as that exhibited by the perspectival spatial shortening and temporal slowing in special relativity, with the smallest quantum «volume» in our epoch being expressed by, h, the famous Planck Constant.20 For any moment, a perspective that prehends something with less
spatiality than another, must prehend it «with more temporal duration.
GNR Presents: convenes a cross-generational group of artists, from the Global North and South, whose works reflect on formal concerns such
as the role of color,
spatiality, and the public.
His vibrant paintings hinge on a tension between figure and ground; flatness and
spatiality; edge and interior; geometry and disorder; with influences
as varied
as Henri Matisse, Edward Hicks, and Henri Rousseau.
This requirement for abstract sculpture,
as well
as its involvement with an all - over plastic
spatiality and physicality, seems to be something very few artists or commentators who are not directly involved can understand at the moment.
All of her works harbor a unique
spatiality in which a sense of liveliness
as if having condensed the world of fantasy, complexly overlap with the layers of the image.
The mural installation titled «
Spatiality» was painted
as part of a group exhibition at the «Moskvich» Cultural Center in Moscow.
Throughout his career, Hyde has paid especially close attention to the material components of his practice, deconstructing established techniques and employing variables such
as seriality, repetition, and
spatiality.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique
spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art
as exemplified by a work James Rosenquist created for one of the magazine's issues.
Together with the remains of the hardware store in Gallery I, the material associations in Freedom of Assembly assert the fragile
spatiality of society, serving
as a reminder that all spaces are subject to economic and political forces.
Driven by this inquiry, Feelings of my Thatched Hut is conceived
as both an exhibition and a stage juxtaposed by the divided
spatiality of Grimmuseum.
Instead he made a work that invites the viewer to contemplate (and contemplation of art always involves feeling at least
as much
as intellection) human
spatiality, which is the only
spatiality there is, phenomenologically speaking.
Anne Smart: Well, you've started to do that,
as you've said in No. 1, brown on top of the black, which adds to the depth and
spatiality...
Does any of this apply to abstract painting, where you have none of the figurative clues
as to
spatiality in the «planes parallel to the picture surface»?