Sentences with phrase «spatiality for»

The idea that our concept of space can change with historical time is a fascinating one, though for me it doesn't lessen the importance of spatiality for painting.

Not exact matches

One could similarly relax the axioms for a topological space to achieve more generality at the expense of losing the key features of spatiality.

For a more extensive argument that objectification does not require perishing see Ford's essay, «Whitehead's Conception of Divine Spatiality,» Southern Journal of Philosophy, VI, I (Spring 1968), 8, 9.

Averroës proposed to correct Avicenna in two ways: first, that the essence of corporeal form lies in indeterminate dimensions, thus asserting the priority of spatiality in the abstract over the particular incidental form of a body, its so - called determinate dimensions; second, a characterization of corporeal form as «merely the capacity of prime matter for natural motion and as merely the tendency to move to its natural place» (CM 40), a harbinger of the formalities of dynamics to come.

Its greatest development was in the study of space, and, for the Greeks, a certain spatiality always clung to the idea of number and quantity.

For a discussion of issues concerning Whitehead's treatment see Lewis S. Ford, «Boethius and Whitehead on Time and Eternity,» International Philosophical Quarterly, 8 (March, 1968), 38 - 67; and Lewis S. Ford, «Whitehead's Conception of Divine Spatiality,» Southern Journal of Philosophy, 6 (Spring, 1968), 1 - 13.

Since this effort is not instantaneous, transmission must exhibit a finite ratio of temporal extension to spatial size, such as that exhibited by the perspectival spatial shortening and temporal slowing in special relativity, with the smallest quantum «volume» in our epoch being expressed by, h, the famous Planck Constant.20 For any moment, a perspective that prehends something with less spatiality than another, must prehend it «with more temporal duration.

See, for example, Christian («God aims not at some finite objective but at the realization of all possibilities whatever» [LWM 297Th Ford («Whitehead's Conception of Divine Spatiality, Southern Journal of Philosophy 6 [1968], 10, and BW 66); and Nobo (GEI 179).

This requirement for abstract sculpture, as well as its involvement with an all - over plastic spatiality and physicality, seems to be something very few artists or commentators who are not directly involved can understand at the moment.

Pursuing his interest for architecture and spatiality, Dietrichson will work with the garden at F 15 in direct connection with the ground floor.

For the seven new sculptures in this exhibition Vincent Fecteau uses for the first time new material or new base material that significantly affect the spatiality and form of his sculpturFor the seven new sculptures in this exhibition Vincent Fecteau uses for the first time new material or new base material that significantly affect the spatiality and form of his sculpturfor the first time new material or new base material that significantly affect the spatiality and form of his sculptures.

We need to push abstract very hard so that it can match great figurative painting for complexity and spatiality.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

For one thing, Klee was not interested in either spatiality or the unity of the picture plane, which is to say he had only a passing interest in pure abstraction.

This dilemma shouldn't entirely preclude making good art — it may lead through resolution to something really exciting — but it does make for difficulty in really pushing genuinely abstract painting towards spatiality.