Not exact matches
I
was actually
speaking at Columbus College of Art and Design this past weekend
about how to help
artists and creatives do a better job growing their businesses.
He
is a talented
artist and his cartoons
speak volumes
about the struggles of other ex-Fundamentalists.
He
spoke about how
artists can often
be found in the margins of the church, in «exile.»
I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I
am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have
been talking for several minutes
about Ivan Karamazov, and
about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an
artist, Dostoevsky
is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.
We
spoke with natural makeup
artist Katey Denno, who has
been working with all - natural brands for the last 10 years and knows exactly which products to use and when and
about how to fight the fatigue by making our eyes look brighter.
Artists, speakers, and environmentalists will
speak out
about the importance of low - impact living as February 15
is officially declared a state holiday the Senate floor.
Softly
spoken and gamine, Grace Wales Bonner
is reticent when it comes to talking
about her work, which
is deeply layered in research into — and collaboration with —
artists, writers, photographers and musicians.
If you
are looking to enjoy a refined and casual date with the chance to
speak to local
artists, farmers and producers
about their craft, this
is likely to
be a date venue that appeals to singles in Worksop.
By the way Tylerr
M, you might want to do a little research
about the bands name because it
's NOT a reference to the myth you
speak of, but a phrase that
is used by a schizophrenic
artist from their hometown who refers to things that
are «not right» or people he doesn't like as black keys.
This association of the feminine with weakness or vulnerability may
be objectionable in a cultural climate where criticasters monotonously beat the drum for the Strong Female Character, but Denis
is an
artist, not a sloganeer, and as such she has always
been gifted with the only kind of strength that matters — the guts to
speak hard home truths and not give a fuck
about how they might
be received.
«The Disaster
Artist»
is an entertaining movie, not just
about filmmaking but
about brotherhood — metaphorically
speaking in terms of Wiseau and Sestero — and literally, in the relationship between Dave and James Franco.
Collins» Ellen, an
artist,
is given several opportunities to talk
about what drives her compulsion; it seems as if her explanation
is begging to
be spoken, but sarcasm comes out in its place.
I tried to think like a Yahoo! commenter while watching Coogler's film because I felt like the message of the film
was already
speaking to my choir and I wanted to consider how filmmakers and
artists can reach beyond the echo chamber to try and change some minds
about the issue of race in contemporary America.
, the other film
about how awful living with an
artist can
be released last year, she
's also worked with David O. Russell, who — well, the sheer volume of relevant links when you Google «David O. Russell abusive»
speaks for itself.
But the series
is more
about lovely images and
artists speaking for themselves than deep critical thoughts.
I saw the article
about Oliver Stone & Vincent Bugliosi doing a «Helter Skelter» remake, but discovered that it isn't true — according to Stone's production company, Ixtlan Corporation and Creative
Artists Agency, Stone's agent; and Vince's wife (I've
spoken with the Bugliosis several times over the phone for the past few years).
We
spoke with the veteran DP
about working in horror, collaborating with other
artists, and why actors shouldn't feel restricted by what
is on their storyboards.
They
spoke about the following topics: E-mailing Kickstarter and getting advice before starting your campaign, creating an e-mail lists of fans, how much to ask for, what your biggest expenses
are, how much to pad out your time and money requests due to unforeseen problems, how much
are kickstarter and credit card processing fee's, paying an
artist, the design and layout of the Kickstarter page, putting images and videos on your page, getting background music for your video, when you should start your campaign, for how long you campaigns should
be and what to avoid, what awards to offer, the emotional rollercoaster that comes with a kickstarter campaign, social media advertising, the logistics of mailing out all the books and more.
What
is it
about these
artists that continues to
speak to people today?
Roy also recently
spoke with Pastor Danny Yamashiro on his radio program, «The Good Life Hawaii,»
about the book, his story as an
artist, and his newfound Christian faith; that hourlong conversation can
be downloaded at ow.ly / eBkOw.
A
spoken word
artist delivers an emotional performance reminding us
about all the incredible shelter pets that
are waiting for loving homes and a professional photographer takes a groups of kids into a shelter to show how taking great pictures can help get more pets adopted.
We
spoke with the game's core team, designer / programmer Kyle Pulver and designer /
artist Peter Jones,
about Snapshot — which
was nominated for an Excellence in Design award at this year's Independent Games Festival (part of Think Services, as
is this website).
Senior technical
artist Luiz Kruel
is set to
speak at
about physically based rendering for game
artists, covering the current jump between conventional shaders and the new PBR shaders like those in Unreal 4.
In the
artist's rant, which argues that «the native language of videogames can neither
be spoken nor written», he describes projects as starting with a vision, moving into a phase in which developers plan and talk
about the idea, then actually making the game.
I
spoke to Jodie Azhar from Creative Assembly and Matt Dickinson from Frontier Developments
about what it means to
be a Technical
Artist in the games industry, for GamesIndustry.biz!
If I
'm painting at all, it comes out of my cousin Richard and the
artist Kitaj, both of whom
spoke to me
about art at a time when I needed it most.
So you need to
be able to effectively communicate your vision as an
artist and
speak about your practice in an intelligent way, both verbally and in writing.
That
's why Brooklynite
artist Joe Fig wrote a book about it, titled Inside the Artist's Studio, and this week, he'll be speaking at the 92nd Street Y with several other ar
artist Joe Fig wrote a book
about it, titled Inside the
Artist's Studio, and this week, he'll be speaking at the 92nd Street Y with several other ar
Artist's Studio, and this week, he'll
be speaking at the 92nd Street Y with several other
artists.
The
artists of whom the Bureau of Labour Statistics
speaks are made up of all kinds of
artists: some work for big companies, some
are self - employed (
about a 50/50 split), some draw cartoons, and some illustrate medical textbooks.
Dodd
speaks about starting the
artist run Tanager Gallery, her choice to
be an observational painter at the height of Abstract Expressionism and her «minimal» approach.
Come and hear the
artist speak about how motifs in religion and the military
are used throughout his various configurations of the temple, the altar, the procession, and anthropomorphic characters.
DHC / ART Foundation for Contemporary Art
is pleased to present French
artist Sophie Calle who will
speak about her development as an
artist through a stunning visual compendium of her work.
SELECTED GROUP EXHIBITIONS 2008 for what you
are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between
speaking and meaning, by Fia Backstorm, White Columns, New York God
is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip,
Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
Issues of legacy and personal narrative animate many of the
artists» encounters in Atlanta — an inquiry into what becomes documented, celebrated, and
spoken about, and conversely what
is not.
Edith Lázár: Even if we
speak about disguise or role - playing, it
is still your body — the
artist's body — that
is photographed and subjected to the gaze.
Politics surfaced, mostly at outlier venues, excepting at an ABMB
artist talk, when photographer / geographer Trevor Paglen
spoke to Jenny Holzer
about a new work
being shown that tracks surveillance using his images of mass surveillance infrastructure, such as designated junction points of fibre - optic cables.
We
spoke about the dilemma
artists face regarding where to live, choosing between residing in a big art metropolis versus somewhere smaller and more affordable, with the latter
being potentially more conducive to art - making.
Showing the solitary life as the final stage of that journey, the
artist is also
speaking about ideas of alienation, a growing issue that both Japanase and Americans can identify with.
JTD: You have
spoken about how welcoming and engaged the local community has
been with the
artists you invite for your residency program.
Walker
spoke with «City Lights» host Lois Reitzes
about the High Museum acquisition along with the sphinx, entitled «A Subtlety, or the Marvelous Sugar Baby,» and
being a controversial
artist in the public eye.
SOLO EXHIBITIONS 2016 «Emma,» Russell Collection, Austin, TX 2009 «Recovery,» Center for Contemporary Arts, Abilene, TX 2008 «Figuratively
Speaking,» Amy Graves Ryan Fine Arts, Abilene 2008 «Emblematic Expressions» Falcon Gallery, Del Rio, TX 2007 «Satiated Between the Layers» Center for Contemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore
Artist, McMurry University 2004 - 2005 Outstanding Freshman
Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition
About the gallery: Artspace Warehouse
is one of the world's leading galleries for savvy contemporary art collectors.
Each flag points to an issue the
artist is passionate
about or a cause they believe
is worth fighting for, and
speaks to how we might move forward collectively as a country.
Kass, a Brooklyn - based
artist who creates works that
are historically and politically analytical, draws on a variety of art historical and popular culture references, and
speaks poignantly
about the state... read more... «Deborah Kass interview at Thirsty Beach»
Here, Artspace's Loney Abrams
speaks with the
artist about the influence of Abstract Experssionism, society's ever - changing conceptions of nature, and what it means to make work
about the body and trauma during a moment in history when these topics
are at the forefront of socio - political conversation.
According to the
artist, Shadows
is also an homage to Koen Wessing (1942 - 2011), a photographer who did not care
about words and trusted that his images would
speak for themselves.
To learn
about the genesis of the collaboration, we
spoke to The Drawing Center director Brett Littman
about the ideas behind the piece, and why Hefuna
is one of the most significant
artists working today.
Up on the 34th floor, there ensues a fascinating discussion
about Andre
's evolution as an
artist; but throughout, like something hanging in the air, there
's the fact of what happened in this room three decades ago, and whether there
is any way one might
speak of it.
His work
was not just
about copying and the act of appropriation: it
was also an existential gesture made by a realist
artist,
speaking through a figurative language of his relationship to his subject matter.
For this episode of Art Matters, the New York - based
artist spoke with BMA Director Christopher Bedford
about Moon Dust and how the installation's 447 lights and 150 fixtures
are a scientifically precise representation of the chemical composition of moon dust gathered during the Apollo 17 mission.
We
spoke to the installation
artist and sculptor
about her upcoming 24 - hour blowout at the Guggenheim and why she
's enjoying getting older so much.