Sentences with phrase «speak for the trees»

So just as the Lorax spoke for the trees, I'm speaking for the women who have been told their bellies are tiny: Don't do it!

The movie is phenomenal and fun but the subject matter is serious and there is no time like the present to work together as a family to do your part and speak for the trees, and the air, and the waterways, and all things Mother Earth.

Well, like the Lorax, I speak for the trees.

I speak for the trees.

I speak for the trees for the trees have no tongues.»

Artist statement from Speak For The Trees

It's an homage to Dr. Suess» The Lorax, who speaks for the trees.

I speak for the trees for the trees have no tongues.»

With a mix of scientific research and his own observations — the 51 - year old Wohlleben studied forestry and has worked in the forest since 1987 — the man who speaks for the trees does so in decidedly anthropomorphic terms.

I'm just a guy who loves forests and tries to speak for the trees.

Read more about Wangari Maathai Wangari Maathai «Unbowed» and Unbroken Protecting the Environment Will Combat Poverty: Wangari Maathai Quote of the Day: Wangari Maathai Speaks for the Trees

Like some Lorax of Hollywood — minus the «shortish and oldish and brownish and mossy» — Harrelson speaks for the trees.

Related reading on Wangari Maathai The TH Interview: Wangari Maathai (Part One) Protecting the Environment Will Combat Poverty: Wangari Maathai The TH Interview: Wangari Maathai (Part Two) Quote of the Day: Wangari Maathai Speaks for the Trees Wangari Maathai «Unbowed» and Unbroken

As the Lorax speaks for the Trees, (From Dr. Seuss), I speak today for the OUIS!

Not exact matches

He spoke with CNBC while preparing for a gig — «ho - ho - ho «ing» from a fire engine during a tree lighting in a nearby town.

Speaking for God, he announced: «Do not let the foreigner joined to the LORD say, «The LORD will surely separate me from his people»; and do not let the eunuch say, «I am just a dry tree.»

As a result they will be able to «actually sit, each one under his vine and under his fig tree, and there will be no one making them tremble; for the very mouth of Jehovah of armies has spoken it.»

nation shall not lift up sword against nation, neither shall they learn war any more; but they shall sit every man under his vine and under his fig tree, and none shall make them afraid; for the mouth of the Lord of hosts has spoken.

Notice that in the story of Genesis, to help Adam and Eve flourish, God speaks a rule to them, saying: «You may eat freely of every tree of the garden; but of the tree of the knowledge of good and evil you shall not eat, for in the day that you eat of it you shall die» (Gen 2:17).

He shall judge between many peoples, and shall arbitrate between strong nations far away; they shall beat their swords into plowshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more; but they shall all sit under their own vines and under their own fig trees, and no one shall make them afraid; for the mouth of the LORD of hosts has spoken.

Jeff: This is what causes division as we go about doing even good things, out of the tree of the knowledge of good and evil to set up another sect out of our carnal nature; above is the outcome; Jesus came to cause division among men that tries to become their own god and sets up camp, even for them that call themselves Christian, for them that have went from Him and His Words, even that are not of His Spirit: Jesus said; the Words that I speak are Spirit and Life, That means the Words of man can only bring forth death: Therefore; if we do not have His Spirit in us, then we too can only speak forth death: This is what it is to be a believer, we truly believe our Lord: I can see what the Catholic church and her daughters are doing to form a religious Babylonian city: Even as God caused a division in Babylon in the past because the peoples became great, so to is it now with all of the man made sects of religion: But when we are filled with the Spirit of God then we can not help but to live for God: It is written; those who are led by His spirit are His children: Thank - you Jeff: Those who are of His Spirit will know these truths, those who are not of His Spirit truly believe a believer is as they and can not know what we speak, because they live in unbelief: Thank - you again Jeff; In Jesus Name Alexandria: P.S..

He shall judge between many peoples, and shall decide for strong nations afar off; and they shall beat their swords into plowshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more; but they shall sit every man under his vine and under his fig tree, and none shall make them afraid; for the mouth of the Lord of hosts has spoken.

They shall sit every man under his vine and under his fig tree, and none shall make them afraid; for the mouth of Yahweh of hosts has spoken.

Regardless of whether or not the tree was a carved idol, or a tree decorated, the Word of the L - rd spoken by Jeremiah states, «Thus saith the LORD, Learn not the way of the heathen, and be not dismayed at the signs of heaven; for the heathen are dismayed at them» (Jer 10:2 KJV).

In his later years he liked to speak of the true thinker as a wanderer in the forest, seeking out hidden or forgotten paths, uncertain of his course but looking for that clearing among the trees where truth might show itself.

They spoke of pull - ups on banana trees for strength and oxcart trips to teach the poor.

Being there twenty one years brings only stagnation, he fails to see the wood for the trees so to speak.

Its logo is that of a tree in gray scale speaks a lot of what Kate Quinn Organics stands for.

Residents of Kibera climbed on to roof tops and hung off trees to catch sight of Odinga, who was speaking for the first time since his rival President Uhuru Kenyatta was declared the victor Friday in a poll he claims was massively rigged.

Speaking to the president of the foundation, Mr. Adomako Fred Williams he said that the foundation is made up of young Ghanaians who believe that bringing together the little energies of all the people in various areas where schools in bad conditions not conducive for learning can help compliment the efforts of Central government in our quest to win the war against «schools under trees» as a nation.Ghanapoliticsonline.com

In his view the best model of Pama - Nyungan family relations is the parallel tines of a rake, not a tree, and the many similarities in these languages can mainly be accounted for by diffusion — in which language A gets word X from language B because the speakers interact or many people speak both languages.

Scientific American spoke with Rosenzweig, head of the climate impacts group at the NASA Goddard Institute for Space Studies, while she prepared her Tarrytown home — threatened by trees listing in the wake of Sandy — for yet another northeaster storm.

Applying a method for tracing a gene's family tree to the folk tale, Atkinson found that German - speaking Swiss tell the Italian version, not the German one.

The apartments which Mr Dombey reserved for his own inhabiting, were attainable from the hall, and consisted of a sitting - room; a library, christian louboutin sale which was in fact a dressing - room, http://www.coachoutlety2013.com so that the smell of hot - pressed paper, vellum, morocco, and Russia leather, contended in it with the smell of divers pairs of boots; and a kind of conservatory or little glass breakfast - room beyond, commanding a prospect of the trees before mentioned, and, generally speaking, of a coach factory few prowling cats.

As I was browsing through facebook I saw this post, it caught my eye because as we speak I am working on a similar project for a Christmas decoration using a tree branch.

Maybe I was just in a crummy mood and I couldn't see the forest for the trees, so to speak.

But when a tree in his yard loses a leaf for every word he speaks, he is convinced that when the tree is bare, he will die.

The basic premise is a pretty high concept idea, but instead of exploring the figurative relationship between Murphy's character and the leaves on the tree that fall with every word he speaks, Robbins and screenwriter Steve Koren (who's also responsible for last year's incredibly awful «Jack and Jill») take the broader route by making the bond much more literal.

Includes a worksheet, PPT and self - assessment using the AfL «blob tree» (fantastic for learners who don't always speak up to ask for help!)

The narrators are a member of a doomsday cult who releases poison gas in a subway in Tokyo, and details his retreat to Okinawa and a small nearby island, Kume - jima; a jazz aficionado who works as a sales clerk in a Tokyo music store; a lawyer in a financial institution in Hong Kong who has been moving large sums of money from a certain account; a woman who owns a Tea Shack on China's Holy Mountain and speaks to a tree; a non-corporeal sentient entity which is searching for who or what it is; a gallery attendant in Petersburg who is involved in an art theft scam; a ghostwriter / drummer living in London who saves a woman from being run over by a taxi; an Irish nuclear physicist who quits her job when she finds her research is being used for military purposes; and a late night radio talkback DJ who finds himself fielding calls from an intriguing caller referring to himself as the zookeeper.

Generally speaking, cat trees will have open perches and possibly built - in scratching posts; cat condos will usually have enclosed hiding and sleeping spaces; cat gyms will often have multiple perches for leaping to and from, as well as tunnels, enclosed resting areas, and built - in toys.

- the scene at the beginning of a ceremony caused Shimamura a bit of trouble - the lines of the ritual did not properly reflect Zelda's personality, her motivations, her powerlessness, and awkwardness - Shimamura talked about it with Naoki Mori (who was in charge of Cinematic Design, including screenplay, and cutscenes)- the whole thing was rewritten several times, until they arrived at the final result - there's quite a lot of scenes she really likes in the game - her favorite line is the «Yes» Princess Zelda gives as an answer to the Deku Tree in a particular scene - in that scene, Zelda thinks about what she should do, but she can not see it at all - she refuses to give up, and wants to give hope to Link - Shimamura tried to convey all of those feelings through the single «Yes» she spoke - recording felt completely different than for animation, the dubbing of (foreign) movies, or other games - there was no fixed routine of how to approach it, as all different things were being tried out - lines were redone even after other lines were implemented in the game, as the team found better ways to say things - Shimamura finally managed to beat the game the other day, but she wants to keep practicing her shield surfing - Shimamura explains that she really gave it her whole when voicing Princess Zelda, to give her emotions - she hopes that players will remember their memories of Princess Zelda

«Speaking of «max level» for characters, let's say that much of the advanced gameplay involves the ability of re-customizing the Skill Tree for you characters.

«Not so long ago I spoke in this room to the students, and... I said to those students, «if you paint a tree, for God's sake try and make it look like a tree, and if you paint a sky, try and make it look like a sky.»

His recent exhibitions includeHoly Island, Chandelier Projects, London (2014); The Walnut Tree, Chinashop, Oxford (2013), Figuratively Speaking (curated by Marcelle Joseph), Heike Moras Art, London (2015); The Threadneedle Prize 2014: Figurative Art Today (Curated by Sacha Craddock), Mall Galleries, London (2014); Rx for Viewing (with Jesse Wine), Ana Cristea Gallery, New York (2014); East London Painting Prize, Strand House, London (2014).

This exhibition may attempt to graft the German Expressionists onto a French family tree, but many of the works, with their more specific personal and national concerns, still speak for themselves.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia,for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia,for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia,For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

On the occasion of the opening of his current exhibition «flowers, nudes, and birch trees: New Paintings 2015,» at Lehmann Maupin in New York, I sat down to speak with him about tradition, nature, and why art is «pornography and comfort food for the spiritually inept.»

Much of the criticism could have been neatly sidestepped by transparently releasing the tree - ring chronology when first requested, instead of sitting on it for two years while (admirably) continuing its development, but «in the dark» so to speak.

[Response: We can't speak for Fritz Schweingruber (who cored the Khadyta River trees) or Jan Esper (re.