There are also more subtle - yet - effective touches, like the way you can barely hear mariachi music wafting from the rear
speakers during sequences when Miguel visits the plaza.
Not exact matches
Rear channels get a nice workout
during the abovementioned roller coaster
sequence, but in a film lacking anything resembling pyrotechnics, the soundtrack mostly splits its time between reproducing Fenton's noxious compositions and trying to accommodate the whining of both Aniston and Alan Alda (as Nina's pop) in one
speaker - busting scene after another.
As such, my 5.1
speaker system received a nice workout, especially
during sequences involving the chaotic streets of New York.
The
speakers get plenty loud, and the issue isn't always that noticeable —
during a fight
sequence in Captain America: Civil War, the effect almost came off as immersive — but films» quieter
sequences and, really, most YouTube clips I've watched have been kind of annoying to listen to.