Sentences with phrase «special effects coordinator»

Camera (color, Super 16), Ed Lachman; editor, Affonso Goncalves; music, Carter Burwell; music supervisor, Randall Poster; production designer, Judy Becker; art director, Jesse Rosenthal; set decorator, Heather Loeffler; costume designer, Sandy Powell; sound, Geoff Maxwell; sound designer, Leslie Shatz; special effects coordinator, Kenneth Coulman Jr.; visual effects producer, Chris Haney; visual effects, Goldcrest, the Mill; assistant director, Jesse Nye; casting, Laura Rosenthal.

Camera (color, widescreen), Natasha Braier; editor, Matthe Newman; music, Cliff Martinez; production designer, Elliott Hostetter; costume designer, Erin Benach; sound (Dolby / Datasat / SDDS), Robert Eber; sound designer, Eddie Simonsen; visual effects supervisors, Shant Jordan, Peter Hjorth; special effects coordinator, Wayne Burnes; assistant director, Rod Smith; casting, Nicole Daniels, Courtney Sheinin.

Camera (color, HD), Yaron Orbach; editor, Andrew Marcus; music, Gregg Alexander; music supervisor, Andrea Von Foerster; music consultant, Joel Sill; production designer, Chad Keith; set decorator, Kris Moran; costume designer, Arjun Bhasin; sound, Tod Maitland; supervising sound editor / re-recording mixer, Lew Goldstein; special effects coordinator, Drew Jiritano; visual effects supervisor, Yuval Levy; visual effects producer, Joyce Boll; visual effects, Gravity; stunt coordinator, Brian Smyj; assistant director, Mariela Cornitini; casting, Jeanne McCarthy.

Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.

Camera (color, widescreen), Matthew J. Lloyd, Larkin Seiple; editors, Megan Brooks, Andrew Hasse; music, Phil Mossman; music supervisor, Mark Wike; production designer, Michael Powsner; costume designer, Ruby Katilius; sound, Ty Klocke; supervising sound editor, Paul Hsu; re-recording mixer, Michael Barry; stunt coordinator, Manny Siverio; visual effects supervisor, Alex Hardy; special effects coordinator, Jim Milligan.

These feature information from Spielberg, Cruise, Wilson, Muren, Johnston, Wagner, Koepp, Fanning, Chatwin, director of photography Janusz Kaminski, producer Kathleen Kennedy, visual effects supervisor Pablo Helman, production designer Rick Carter, concept designer Doug Chiang, property master Doug Harlocker, stunt coordinator Vic Armstrong, special effects coordinator Daniel Sudick, digital production supervisor Curt Miyashiro, military technical advisor Major Joseph Todd Breasseale, model / miniature supervisor Steve Gawley, actor Tim Robbins, set decorator Ann Kuljian, compositing supervisor Marshall Krasser.

Camera (color), Arnaud Potier; editor, Joe Klotz; music, Nora Kroll - Rosenbaum, Brian McOmber; production designer, Kathrin Eder; set decorator, Lisa Son; costume designer, Emily Batson; sound, Amanda Beggs; supervising sound editor, Tom Paul; re-recording mixer, Paul; visual effects, Neal Jonas; special effects coordinator, Rudy Perez; stunt coordinator, Gaelle Cohen; assistant director, Stephanie Galvan; casting, Richard Hicks.

Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.

The corresponding natural audio goes with the first one, while the second provides an audio commentary from special effects supervisor Kevin Haug and special effects coordinator Cliff Wenger.

«The Making of The White Countess» (13:26) adds comments by production designer Andrew Sanders, costume designed John Bright, choreographer Karole Armitage, and special effects coordinator David Fletcher.

It features Spielberg, Ford, Allen, screenwriter David Koepp, producers Kathleen Kennedy and Frank Marshall, director of photography Janusz Kaminski, stunt coordinator Gary Powell, production designer Guy Hendrix Dyas, special effects coordinator Dan Sudick, animal handler Jules Sylvester, 1st AD Adam Somner, costume designers Mary Zophres and Bernie Pollack, and actors Ray Winstone, Cate Blanchett, and Shia LaBeouf.

We find notes from Leterrier, Norton, Feige, Stoneham, McMurray, Roth, Williams, Petruccelli, Paterson, Roberts, stunt commando John MacDonald, FTSI operator Alex MacDonald, second unit special effects key Gary Kleinsteuber, high pressure key Daniel Gibson, special effects coordinator Arthur Langevin, Soho VFX visual effects supervisor Allan Magled, Rhythm and Hues animation supervisors Matt Shumway and Chad Shattuck, and Rhythm and Hues lead animator Amanda Dague.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debra Zane.

We hear from Leterrier, Roth, producers Kevin Feige, Gale Ann Hurd and Avi Arad, executive producer Jim Van Wyck, production designer Kirk M. Petruccelli, visual effects supervisor Kurt Williams, Canadian Forces Base Trenton public affairs officer Captain Nicole Meszaros, special effects coordinator Laird McMurray, stunt coordinator John Stoneham, Jr., second unit 1st AD Andrew Robinson, second unit 2nd AD Joel Hay, and actors Edward Norton, Liv Tyler, and William Hurt.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

Crew: Camera (Technicolor, Panavision), Frank Tidy; editors, Robert A. Ferretti, Dennis Virkler, Don Brochu, Dov Hoenig; music, Gary Chang; production design, Bill Kenney; art direction, Bill Hiney, set design, Al Manzer; set decoration, Rick Gentz; costume design, Richard Bruno; special effects coordinator, Thomas L. Fisher; stunt coordinator, Conrad E. Palmisano; assistant director, Tom Mack; casting, Pamela Basker.

Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume designer, Marylou Lim; sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual effects supervisor, Woei Hsi Lee; visual effects, Atomic Fiction; special effects coordinator, Mark Gullesserian; stunt coordinators, David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.

It fills 20 minutes, 58 seconds with info from Mangold, producer Cathy Konrad, production designer Andrew Menzies, set decorator Jay R. Hart, writer Michael Brandt, director of photography Phedon Papamichel, key armorer Thell Reed, 2nd unit director / stunt coordinator Freddie Hice, special effects coordinator Ron Bolanowski, costume designer Arianne Phillips, and actors Christian Bale, Russell Crowe, Logan Lerman, Luce Rains, Kevin Durand, Gretchen Mol, Peter Fonda, Dallas Roberts and Ben Foster.

These fill a total of one hour, 56 minutes and 32 seconds as it provides comments from Wick, Fisher, production designer Alec Hammond, 2nd AD / VFX supervisor James Madigan, author Veronica Roth, set decorator Kathy Lucas, screenwriters Brian Duffield and Akiva Goldsman, supervising art director Alan Hook, producer Pouya Shahbazian, stunt coordinator Darrin Prescott, transportation coordinator Denny Caira, 2nd unit stunt coordinator Wade Allen, executive producers Barry Waldman and Todd Lieberman, fight coordinator Jeremy Marinas, special effects coordinator Bruno Van Zeebroeck, armourer Gregg H. Bilson Jr., property master Sean Mannion, composer Joseph Trapanese, and actors Shailene Woodley, Theo James, Octavia Spencer, Kate Winslet, Miles Teller, Ray Stevenson, Jai Courtney, Ansel Elgort, Jonny Weston, Maggie Q, Keiynan Lonsdale, Zoe Kravitz, Naomi Watts, Daniel Dae Kim, Emjay Anthony, Suki Waterhouse, and Ashley Judd.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

Not exact matches

Across these, we get comments from director De Bont, stunt coordinator Simon Crane, actors Angelina Jolie, Christopher Barrie, Noah Taylor, Ciaran Hinds and Gerard Butler, story writer James V. Hart, personal trainer Ed Chow, stuntwoman Nicola Berwick, horse trainer Gerard Napliox, action vehicle coordinator Graham Kelly, armorer Richard Hooper, special effects director Chris Corbould, line producer Phillip Lee, visual effects supervisors Steven Begg and Ben Shepard, production designer Kirk M. Petrucelli, and composer Alan Silvestri.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Reimagining the Spaghetti Western: The Horse and Stunts of Django Unchained goes for 13 minutes, 46 seconds and provides comments from writer / director Quentin Tarantino, stunt coordinator Jeff Dashnaw, producers Pilar Savone and Stacey Sher, stunt men Nick Dashaw and Freddie Hice, boss wrangler Rusty Hendrickson, special effects supervisor John McLeod, quick draw expert Thell Reed, and actors Jamie Foxx and Christoph Waltz.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

We have a special effects team up there with Darren [Marcoux] his team is amazing and, Dan Shea who's our stunt coordinator up there,» he said.

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

We had that kind of chemistry when we were working with camera and special effects and stunt coordinator, and the action.

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant David Keighley, visual effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

Mike Vezina, special effects director on X-Men: The Last Stand, and Branko Racki, stunt coordinator on The Day After Tomorrow, each record a brief, scene - specific commentary.

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

Across these, we hear from Tony Gilroy, Dan Gilroy, Bradley, Thompson, producers Frank Marshall, Ben Smith, Jeffrey M. Weiner and Patrick Crowley, fight coordinator Jonathan Eusebio, Philippines line producer Lope V. Juban, Jr., stunt coordinator Chris O'Hara, animal trainer Mike Alexander, wolf animatronic supervisor Alan Scott, stunt double Jean - Pierre Goy, special effects supervisor Garry Elmendorf, and actors Jeremy Renner, Edward Norton, Dennis Boutsikaris, Rachel Weisz, Shane Jacobson, Oscar Isaac, and Louis Ozawa Changchien.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.

P. Stoeckinger, Greg Hedgepath; re-recording mixers, Jon Taylor, Frank A. Montano; visual effects supervisor, Bernhard Kimbacher; visual effects producer, Geoff Anderson; visual effects, Image Engine Design, Lola VFX; special effects supervisor, Eric Rylander; associate producers, Robert Redd, Darrell Jackson; stunt coordinator, Lin Oeding; assistant director, Lisa Satriano; casting, Cindy Tolan, Victoria Thomas.

They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

The «Visual Effects» section is incredibly in - depth as Kevin Haug, visual effects supervisor and Leslie McMinn, visual effects coordinator, discuss how the elaborate shots and special effects were done by examining 19 specific sequences.