Sentences with phrase «special effects designer»

Legendary special effects designer Rick Baker designed the aliens for the project.

Mendez and company decide to make their fake film as real as possible, and they enlist a high - profile special effects designer, John Chambers (John Goodman) and a big - wig producer, Lester Siegel (Alan Arkin) to help with the project.

A long - awaited sequel to the internationally acclaimed full - throttle splatter sci - fi action horror Meatball Machine directed by Yoshihiko Nishimura, an acclaimed makeup artist and special effects designer («Godzilla Resurgence»).

Michael is also a professional «haunter», having begun his career in 1989 as a special effects designer for Haunted Verdun Manor (a haunted attraction outside of Dallas), eventually moving on to SCREAMS and finally landing at The Haunt House where he has been an effects designer, PR consultant and actor from 2007 - 2013.

I think in one part they actually mention horror movie icon / special effects designer Tom Savini among its many references.

- New Life, New Civilizations - See how special effects designers met the challenge to create an unprecedented 50 new alien species for the film to celebrate Star Trek's 50th Anniversary.

Not exact matches

The world may always have been a stage, but now set designers and special effects technicians get top billing.

Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual effects supervisor: Geoffrey Baumann Special effects supervisor: Dan Sudick Casting: Sarah Finn

Across these, we get comments from director De Bont, stunt coordinator Simon Crane, actors Angelina Jolie, Christopher Barrie, Noah Taylor, Ciaran Hinds and Gerard Butler, story writer James V. Hart, personal trainer Ed Chow, stuntwoman Nicola Berwick, horse trainer Gerard Napliox, action vehicle coordinator Graham Kelly, armorer Richard Hooper, special effects director Chris Corbould, line producer Phillip Lee, visual effects supervisors Steven Begg and Ben Shepard, production designer Kirk M. Petrucelli, and composer Alan Silvestri.

In this third (and final) outing of the hugely popular Spy Kids series, writer / director / editor / cinematographer / production designer / composer / co-producer Rodriguez concentrates so heavily on the special effects that everything else — dialogue, acting, character and story development — comes off like an afterthought.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Production designer Hannah Beachler, costume designer Ruth Carter, special effects makeup designer Joel Harlow, and hair department head Camille Friend deserve recognition for their contributions here.

These fill a total of one hour, 56 minutes and 32 seconds as it provides comments from Wick, Fisher, production designer Alec Hammond, 2nd AD / VFX supervisor James Madigan, author Veronica Roth, set decorator Kathy Lucas, screenwriters Brian Duffield and Akiva Goldsman, supervising art director Alan Hook, producer Pouya Shahbazian, stunt coordinator Darrin Prescott, transportation coordinator Denny Caira, 2nd unit stunt coordinator Wade Allen, executive producers Barry Waldman and Todd Lieberman, fight coordinator Jeremy Marinas, special effects coordinator Bruno Van Zeebroeck, armourer Gregg H. Bilson Jr., property master Sean Mannion, composer Joseph Trapanese, and actors Shailene Woodley, Theo James, Octavia Spencer, Kate Winslet, Miles Teller, Ray Stevenson, Jai Courtney, Ansel Elgort, Jonny Weston, Maggie Q, Keiynan Lonsdale, Zoe Kravitz, Naomi Watts, Daniel Dae Kim, Emjay Anthony, Suki Waterhouse, and Ashley Judd.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Rob Minkoff («The Lion King,» «Stuart Little») directs, with special effects and make - up design by six - time Academy Award winner Rick Baker («How the Grinch Stole Christmas») and sets by Oscar - winning production designer John Myhre («Elizabeth,» «Chicago»).

It fills 20 minutes, 58 seconds with info from Mangold, producer Cathy Konrad, production designer Andrew Menzies, set decorator Jay R. Hart, writer Michael Brandt, director of photography Phedon Papamichel, key armorer Thell Reed, 2nd unit director / stunt coordinator Freddie Hice, special effects coordinator Ron Bolanowski, costume designer Arianne Phillips, and actors Christian Bale, Russell Crowe, Logan Lerman, Luce Rains, Kevin Durand, Gretchen Mol, Peter Fonda, Dallas Roberts and Ben Foster.

Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever; special effects makeup, Geneva Nash Morgan; visual effects supervisor, Jonas Drehn, Matt Bramante; visual effects executive producer, Gresham Lochner; visual effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.

Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant David Keighley, visual effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.

Jerry Goldsmith's music for «Outland,» production designer Philip Harrison's sets, and John Stears's special effects look very much in the same dark, moody vein as «Alien.»

Craftsmen: Michael Barrett (cinematographer), Christopher Blauvelt (cinematographer), Chung - hoon Chong (cinematographer), Corrine Clark (casting), Pau Costa (visual effects), Dean DeBlois (animation biggie), David Hutchison (stunts), Grant Imahara (visual effects), Steve Jablonsky (composer), Karin Justman (stunts), Henry Kingi Jr (stunts), Harvey Lowry (special effects makeup), Trevor Morris (composer), Atli Örvarsson (composer), Adrian Rigby (makeup), Lawrence Sher (cinematographer), MoinGenndy Tartakovsky (animation biggie), Freddy Waff (production designer), Tricia Wood (casting), and Haris Zambarloukos (cinematographer).

Production values are at the highest levels, so we can also expect nominations for cinematographer Hoyte van Hoytema, who figured out how to take large - size cameras into challenging small places, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, VFX supervisor Andrew Jackson, and special effects supervisor Scott Fisher, not to mention composer Hans Zimmer, who is often taken for granted but is at the top of his game here.

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

He rose to director from art director and production designer and special effects and that's what a brings to this: a design for a movie in place of a story.

Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume designer, Marylou Lim; sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual effects supervisor, Woei Hsi Lee; visual effects, Atomic Fiction; special effects coordinator, Mark Gullesserian; stunt coordinators, David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.

Camera (color, widescreen), Stuart Dryburgh; editor, Chris Plummer; music, Alex Heffes; production designer, Grant Major; art director, Jill Cormack; set decorator, Daniel Birt; costume designer, Ngila Dickson; sound (Dolby Digital / Datasat), Fred Enholmer; sound designer, Tim Prebble; re-recording mixers, Lora Hirschberg, Gilbert Lake; special effects supervisor, Ken Durey; visual effects producer, Ineke Majoor; visual effects, Iloura; stunt coordinator, Allan Poppleton; associate producers, Satoru Suzuki, Yasushi Akutagawa; assistant director, Toby Pease; second unit camera, Donald Duncan; casting, Yoko Narahashi, June Jenkins.

I talked to cinematographer Barry Ackroyd, editors Chris Innis and Bob Murawski, sound designer Paul Ottosson and special effects supervisor Richard Stutsman about their contributions to this humble spectacular.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

All of the details are right in «Inception»: the dramatic music by Hans Zimmer, the sexy designer duds worn by the cast, and the special effects that never overwhelm the story, merely complement it.

Special makeup effects designer Bob Keen and his team had a talent for making excellent effects for very little, especially when it came to this Clive Barker classic.

There are also top contributions from production designer Jack Fisk, editor Stephen Mirrione and some extraordinary special effects for that instant - classic bear attack scene that simply has to be seen to be believed.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

What's even more impressive is that it was special makeup effects designer Rob Bottin that convinced Carpenter to make the creature more visible to the audience when the director wanted to keep it concealed.

- Three audio commentaries (Filmmakers and cast: Sam Raimi, Laura Ziskin, Grant Curtis, and Kirsten Dunst; Visual effects designer and crew: John Dykstra and special effects crew; and Actors: Tobey Maguire and J.K. Simmons)

Working with production designer John Barry and special effects supervisor John Dykstra, writer - director George Lucas makes escapist entertainment respectable again, and more — he turns it into art.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

We hear from Leterrier, Roth, producers Kevin Feige, Gale Ann Hurd and Avi Arad, executive producer Jim Van Wyck, production designer Kirk M. Petruccelli, visual effects supervisor Kurt Williams, Canadian Forces Base Trenton public affairs officer Captain Nicole Meszaros, special effects coordinator Laird McMurray, stunt coordinator John Stoneham, Jr., second unit 1st AD Andrew Robinson, second unit 2nd AD Joel Hay, and actors Edward Norton, Liv Tyler, and William Hurt.

With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.

Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debra Zane.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

* Creating the «Nam runs 12 minutes, three seconds and features Stone, Dye, producer Arnold Kopelson, editor Claire Simpson, production designer Bruno Rubeo, special effects supervisor Yves De Bono, and actor Charlie Sheen.

Revealing on - set footage, concept art, blueprints, and storyboards accompany comments by the lion's share of the cast and crew: in addition to Stamp, Heller, Melfi, Stevenson, and Walker, we get writer Eoghan Mahony and directors Allen Coulter, Tim Van Patten, and Roger Young; actors Kevin McKidd, James Purefoy, Lyndsey Marshal, Simon Woods, Kerry Condon, Tobias Menzies, and Allen Leech; production designer Anthony Pratt; costume designer April Ferry; military trainer Billy Budd; unit production manager Fabiomassimo Dell «Orco; co-executive producer Jim Dyer; visual effects supervisor James Madigan; Special effects supervisor Daniel Acon; and key hair stylist Stefano Ceccarelli.

It features Spielberg, Ford, Allen, screenwriter David Koepp, producers Kathleen Kennedy and Frank Marshall, director of photography Janusz Kaminski, stunt coordinator Gary Powell, production designer Guy Hendrix Dyas, special effects coordinator Dan Sudick, animal handler Jules Sylvester, 1st AD Adam Somner, costume designers Mary Zophres and Bernie Pollack, and actors Ray Winstone, Cate Blanchett, and Shia LaBeouf.