I don't normally go in for big laden
special effects films of this kind but it's hard to resist when they're this much fun.
It's a curious choice for someone whose been associated with
special effects films the majority of his career.
Although the director is Douglas Trumbull, a special effects expert who has only directed two features as of date (the other being Brainstorm) the film isn't
a special effects film as such and is surprisingly good, albeit slightly melancholy.
Here, in arguably the best screening room in the world for
special effect films, we watched the film along with the new bonus features exclusive to the Blu - ray release.
I am reminded of those people who insisted that Neil Armstrong did not actually walk on the moon in 1969, but it was all smoke and mirrors done with
special effects filming, Hollywood style.
Not exact matches
They're one of a team of vendors, a number of
special effects companies, working together under a visual
effects supervisor on the
film.
In fact, The Information said that the clip was created by
film studio
special effects rather than being the result of internally developed optical breakthroughs.
The Son of God thingy has all sorts of modern
special effects in the promo, suprising they didn't
film in 3D, jesus rising from the tomb right into the theatre.
As he began his
film career, the director grew obsessed with telling the Noah story from that perspective — and employing the power of modern
special effects to portray Earth's first apocalypse.
In fact, the details are so vivid, that if a
film director tried to portray Genesis 2 in a movie, it would require massive visual and
special effects.
Noah seems to work as a
film because of a plot that is paced to move along, convincing
special effects, and quality performances from name brand actors like Russell Crowe and Anthony Hopkins.
The ThermoSkin ® vacuum packaging system uses a
special film that fits the contours of the product like a second skin, therefore creating an attractive 3D
effect that will enhance the product's appearance at retail.
You can even download the Props in a Box Movie Maker App so you can
film a movie of your kids performances with the ability to do different titles, music and
special effects.
A
film which deserves multiple viewings, one of the aspects which stands out is the mad combination of seriously expensive and impressive
special effects with a message so radical it's a surprise Hollywood allowed the
film to be produced in the first place.
«I want to share this award with all the artists that live downstairs» Alfonso Cuarón accepts the best director BAFTA award for the
film Gravity by thanking the team that created the
film's groundbreaking
special effects
If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use
special effects to add a spacecraft to a
filmed scene.
THE FIRST
film to make full use of the computerised
special effects generated on Quantel's Domino system will open in Britain on 6 January.
Filmed for $ 5 million in just 33 days, Moon is not an eye - popping,
special -
effects bonanza.
He achieves
special effects using
film emulsions and light filters.
MAC Rick Baker Halloween Makeup Collection 2013 Rick Baker created a new exciting MAC cosmetics Holiday makeup collection for Halloween 2013 the legendary Hollywood
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I have worked in
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The
special effects are decent, but not remarkable, and the seeds are very clearly planted for an entire Wolverine franchise of
films to come.
The
film apparently tries to make up for these shortcomings with a spectacle of
special effects, such as Voldemort's spell bombardment on a magically shielded Hogwarts and the assault of «death eaters,» giants, and spiders on the school.
Mostly it's a
film to watch and go agog at the timeless
special effects and fight scenes, and even for a chuckle once in a while.
Here Whedon and Goddard look like they're abandoning their convictions for what their
film should be, and pandering to modern blockbuster viewers and their incessant craving for elaborate action sequences and expensive
special effects.
Although Levy does a great job integrating the
special effects into the story in an unobtrusive and even seamless way, he remains unable to lend a
film a discernible personality beyond what exists in the script, and at best «Real Steel» feels like a convincing argument that he's eminently capable of handling generic mainstream blockbusters.
Forster finds a nice way of visualizing this last quirk by showing Harold surrounded by shifting diagrams and mathematical equations, but in one of the
film's many missteps, these visual
effects show up only sporadically throughout the rest of the story, as if the filmmakers couldn't decide to either fully utilize them or get rid of them after paying the
special effects studio a lot of money to create something so nifty - looking.
For someone with my background, the
film is effectively paced with a good balance of exposition, character development, and
special effects - enhanced action.
I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the
special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the
film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.
In the documentary, director Robert Zemeckis explains that the movie is really «three elaborate
films in one»» a period live - action movie, an animated movie, and a
special -
effects extravaganza required to blend the two.
Given that this
film is over 50 years old, I can forgive many aspects of it (such as dialogue,
special effects, visual
effects, etc) that would cause many people to regard this as a complete turkey in the vein of Edward D. Wood, Jr..
The
film is cast well, but is mired by somewhat dull writing and cheesy
special effects at some parts during the movie.
Critic Consensus: Despite awesome
special effects, Hollow Man falls short of other
films directed by Paul Verhoeven.
Based on a novel by Raymond F. Jones, This Island Earth is one of those rare 1950s speculative
films that holds up as well today as it did when first released, despite the comparative quaintness of the
special effects and high - tech paraphernalia.
Still, if one can shrug off the story flaws, the
film's undeniable gloss and
special effects proficiency are what help keep it bobbing and weaving, allowing it to intermittently connect.
Not only are the
special effects immaculate (and often quite beautiful), but they exist in a way that feels completely real within the world of the
film.
Critics Consensus: Despite awesome
special effects, Hollow Man falls short of other
films directed by Paul Verhoeven.
This along with the poorly managed
special effects and CG work really cause an artificial distraction throughout most of the
film's second and third acts.
Shakespeare's «The Tempest» is transformed in this landmark science - fiction
film with groundbreaking
special effects.
The
special effects are well done, however considering that this is a
film by Paul Verhoevem, it lacks in delivering what you'd expect from the man that brought classic
films such as Robocop, Total Recall and Starship Troopers to the screen.
Robert Eggers gives us an incredible writing and directing debut with virtually no jump scares and proves that the best horror
films rely on psychology over loud noises and too many
special effects.
The
film's dream sequences are ingenious, and they feature some remarkable nightmare images and
special effects.
There is also a nicely eerie
special effect whenever the demon possesses someone in order to pose the
film's titular question: their eyes darken and their mouth twitches ghoulishly upwards at the corners, like the face on the cover of an Aphex Twin album — or «a messed - up Snapchat filter,» as the group's coolest head Olivia (Lucy Hale) accurately describes it.
Garland, well supported by the imaginative production design Mark Digby and the work of five
special effects companies, has directed a worthy
film of adventure, horror and existential reflection.
Released in theatres on August 24,1966, «Fantastic Voyage» was not only a
film of authentic wonder but a science fiction masterpiece with amazing
special effects... the team enters the body of a man where they see first hand the oceans of life within the human body that contains the «corpuscles», «the heart», «the lungs» and other features of the human body through which the crew move through are exquisitely designed in great detail with artistic quality.
Special effects are in abundance, but none of them are very well - produced, much like the
film on the whole.
Cara Delevigne's performance isn't great by itself; she is visually striking, but doesn't have the deep - rooted charisma needed to wade through the
special effects which grow as the
film rolls on.
Another extra gathers conceptual artwork for the
film's
special effects, while Douglas Trumbull and Christiane Kubrick explain how they were accomplished.
The distinction between actors and
special effects shrinks ever further in the video game - turned - horror
film «Silent Hill: Revelation 3D,» which reduces its human players to plastic action figures in tired genre settings.