Sentences with phrase «special effects guy»

I wish I could tell you what the latter are, but that would spoil the surprise; suffice it to say that there's a reason why Douglas Trumbull is primarily known as a special effects guy rather than a director.

When I was a little kid, I thought I wanted to be a special effects guy and work at Industrial Light and Magic, so for Christmas I asked for special effects books, but that didn't really pan out.

Not exact matches

The tiny, colorful guys running around on a bright green field, the psychedelic special effects and the bursts of noise drew her in like a moth to a 42 - inch high - definition flame.

Zemeckis, a special - effects guy from way back, had his team create new technology just to make a mediocre movie.

Janiak: My special effects makeup artist was this guy named Christopher Nelson and he's been working in this business forever.

Hell, I'm as up as the next guy for a dumb summer epic with special effects that fire up audiences to unzip and say, «Blow me.»

However, a group of traitorous minions (soldiers, etc, not the guys from the Despicable Me films) betray their leader and, after some impressive special effects, he is sealed inside a giant pyramid for all eternity.

Camera (color, widescreen, HD), Stuart Dryburgh; editors, Joe Walker, Stephen Rivkin, Jeremiah O'Driscoll, Mako Kamitsuna; music, Harry Gregson - Williams, Atticus Ross, Leo Ross; music supervisor, Gabe Hilfer; production designer, Guy Hendrix Dyas; supervising art director, Thomas C. Reta; art directors, Luke Freeborn, Arran Mann; set decorator, Victor J. Zolfo; costume designer, Colleen Atwood; sound (Dolby Digital / SDDS / Datasat), Lee Orloff; sound designers, Tony Lamberti, Victor Ray Ennis; supervising sound editor, Ennis; re-recording mixers, Doug Hemphill, Andy Nelson, Lamberti; special effects coordinator, Bruno Van Zeebroeck; visual effects producers, Amber Kirsch, Petra Holtorf - Stratton; visual effects, Upp, Scanline VFX, Digital Domain, Pixel Pirates; stunt coordinator, Doug Coleman; assistant director, Lisa C. Satriano; associate producers, Bryan H. Carroll, Maggie Chieffo; casting, Bonnie Timmerman.

I was never the guy hanging around the special - effects crew, talking about blowing stuff up.

And since miniaturization is the whole schtick of Ant - Man, we get to gee Marvel's famous and often seamless special effects, this time dealing with the world of bugs the size of elephants, carpet fibers like great stalks of corn and an army of various ants that help Lang defeat as many bad guys as possible.

Credit Wesley with a good setting (used to better effect in Stan Winston's Pumpkinhead, though), and credit special - effects guy Norman Cabrera and his team, who create cool monsters the film doesn't know what to do with.

Directed by Paul McGuigan, the trailer reveals a mix of action, special effects, and comedy, a technique that can succeed (Guy Ritchie's Sherlock Holmes) or turn out awful (Stephen Sommers» Van Helsing).

Evolution plays like a sequel to itself, revealing its desperation in both its seen - it - before gags (don't miss the dumb fat guys) and its dependence on budget - bursting special effects.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

Under the competent hands of America's most consistently mediocre director (Ron Howard, subbing in for the LEGO guys), Solo is a perfectly fine bit of blockbuster action filmmaking, with a capable cast and some neat special effects upholding a wholly conventional screenplay with nary a hint of the idiosyncrasy that has marked every other Star Wars film, for good or for ill.

It features Spielberg, Ford, Allen, screenwriter David Koepp, producers Kathleen Kennedy and Frank Marshall, director of photography Janusz Kaminski, stunt coordinator Gary Powell, production designer Guy Hendrix Dyas, special effects coordinator Dan Sudick, animal handler Jules Sylvester, 1st AD Adam Somner, costume designers Mary Zophres and Bernie Pollack, and actors Ray Winstone, Cate Blanchett, and Shia LaBeouf.

Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.

Sometime soon after we happen to meet the guys from Special Effect at Eurogamer Expo.

They were very low - tech, like some crazy special - effects guy had made them.