You would think for a film series that has grossed over a billion dollars that they could have found a decent
special effects house by now.
We visit the San Francisco
special effects house to talk with the main visual effects players for the film.
Not exact matches
Opening in the haze of destruction, the remainders of the royal
house of Asgard, and a really strong green earthling are of no
effect against a force of invaders in search of a
special object.
John Bruno,
special effects supervisor on Terminator 2 tries to reinvent the haunted
house sub-genre in his directorial debut, much as Ridley Scott did in Alien.
The
house's sets and
special effects are, of course, far more lavish this time around, and only one computerized
effect a cold spot of the
house) drew attention to itself as a digitized fake.
I guess the only thing that saved it was the brilliant
special effects and the incredible
house.
Michael is also a professional «haunter», having begun his career in 1989 as a
special effects designer for Haunted Verdun Manor (a haunted attraction outside of Dallas), eventually moving on to SCREAMS and finally landing at The Haunt
House where he has been an
effects designer, PR consultant and actor from 2007 - 2013.
Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up artist Pam Peitzman, art director Steven G. Legler and
special effects artist John Eggett; new «On Location at the Kimberly Crest
House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never - before - seen stills.
Abounding with crazy plot twists and psychedelic
special effects,
House is a must - see for fans of cult horror.
Call it a haunted
house / high school romp / demon killer / surreal fairy tale: a stylized candy - colored bomb of a ghost story more jaw - droppingly unreal than scary, an experimental piece of pop - art genre filmmaking with a cartoonish flair to its art direction,
special effects and graphic expressionism.
Finally, as Roland Emmerich's Presidential siege thriller «White
House Down» grows more outlandishly wacky with every new plot detail, it's obvious he'll need a strong cast to carry the
special -
effects - laden narrative to success.
Rian Johnson could easily have turned this into a
special effects blur but has chosen to root his future in reality;
houses are the same save a few technological advances and the cars are predominantly the same crap people drive now but with solar panels.
Gil Keenan's Poltergeist remake has had an uphill battle since it was first announced, mostly because Tobe Hooper's 1982 classic of the same name is as close to perfect as a haunted
house movie can get — there's virtually nothing, aside from some
special effects, that would benefit from a remake.
The Scorecard Review Movie Awards: Best of the Decade (Almost) CLICK HERE to vote Best Visuals —
special effects 2002 — Lord of the Rings: Two Towers 2002 — Star Wars: Episode II — Attack of the Clones 2003 — Lord of the Rings: Return of the King 2003 — Matrix Reloaded 2004 — Spider - Man 2 2004 —
House of -LSB-...]
There's certainly no shortage of appealing elements
housed within Dead Heat, as the movie boasts a selection of impressively inventive
special effects and a typically charismatic performance by Williams.
Don't miss the state - of - the - art
special effects as Hill
House unleashes its supernatural wrath in this latest thriller from the director of Speed and Twister.
Monster
House plays out like a children's book that was never fleshed out, injecting
special effects sequences to fill out the running time to feature length.
A very creepy haunted
house movie with some mediocre acting, cheap
special effects and some rather confusing, if silly, plot twists at the end.
It
houses the largest
special -
effects water tank in North America.
The museum
houses some of his personal
effects and often hosts
special events.
De Cárdenas then joined the New York offices of
special effects production
house Imaginary Forces as a creative director.
Close spoke candidly about the
effect disability had on his life and work in the book Chronicles of Courage: Very
Special Artists written by Jean Kennedy Smith and George Plimpton and published by Random
House.
We routinely represent producers, including major studios, mini-majors, and independents, distributors, broadcasters, internet service providers, video game developers and publishers, financial institutions, other commercial lenders and equity investors, software publishers,
special effects and post-production
houses, as well as multimedia and animation studios.
It
houses the largest
special -
effects water tank in North America.