Sentences with phrase «special effects makeup artist»

Bridget, a digital manager for a magazine, and Jonathan, a self - employed special effects makeup artist, started off with a wish list that included a detached home in their desired neighbourhood — trendy Parkdale, just west of Toronto's downtown core.

«Making it Stick: The Makeup Effects of Stuck on You» (9 minutes) fares somewhat better as special effects makeup artist Tony Gardner explains how Damon & Kinnear were connected on - screen.

Janiak: My special effects makeup artist was this guy named Christopher Nelson and he's been working in this business forever.

The Real L Word, Season 1: Whitney talks about being a professional special effects makeup artist, her family life and what it's like being on reality television.

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MAC Rick Baker Halloween Makeup Collection 2013 Rick Baker created a new exciting MAC cosmetics Holiday makeup collection for Halloween 2013 the legendary Hollywood special effects makeup artist, who's worked on films like Planet of the Apes, Tropic Thunder and...

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Not exact matches

The artist uses her background in special effects makeup and science to craft one - of - a-kind mermaid tails.

I'm very into makeup, especially special effects makeup and would like to become a makeup artist.

As a single artist (and no, I'm not homeless) of many mediums, I'm currently taking up freelance work in theater and video production, primarily working in set dressing and special - effects makeup.

The outstanding script by screenwriter Andrew Kevin Walker is skillfully conceived, makeup artist Rob Bottin» special effects are effectively scary, Fincher's direction is maddeningly tense and taut, and the noirish and darkly graphic cinematography by Darius Khondji forces the viewer to see the crime scene in the horrible way it looks.

Across its whole sweep — which in retrospect now does seem genuinely epic — the Harry Potter series offers one ravishing special effect no digital compositor or makeup artist can match: the opportunity to see the three leads, Radcliffe, Watson, and Grint, age from adorably buck - toothed 11 - year - olds into young men and women toward whom the audience now feels an oddly avuncular pride.

The wafer - thin plot is little more than an excuse to showcase the astonishing achievements of special - effects makeup artists.

The «wild» first draft of Videodrome was the script that got the production its major talent — actors James Woods and Deborah Harry, special makeup effects artist Rick Baker and his EFX Inc. crew, and many other essential players — but production began with a toned down (and unfinished) second draft.

In it, four of the film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas, director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk about how they created the cult classic's signature effect.

Here's an interesting portrait of Howard Berger, a special makeup effects artist who's worked on films like The Chronicles of Narnia and Inglorious Basterds, and the work he does to transform actors into, well, monsters.

The world of «Men in Black» has always been full of all crazy creatures and special makeup effects artist Rick Baker fills «Men in Black 3» with his wild creations that look fantastic.

A long - awaited sequel to the internationally acclaimed full - throttle splatter sci - fi action horror Meatball Machine directed by Yoshihiko Nishimura, an acclaimed makeup artist and special effects designer («Godzilla Resurgence»).

They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.

Blu - ray extras include audio commentary by Mora; separate audio commentary by composer Steve Parsons and editor Charles Bornstein; interviews with Danning, Brown and special makeup effects artists Steve Johnson and Scott Wheeler; and a photo gallery.

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

The event reunited the film's cast and crew — including stars Kathy Najimy, Thora Birch, Vinessa Shaw, Omri Katz, and Doug Jones, producer David Kirschner, composer John Debney, designer William Sandell, effects / makeup designer Tony Gardner, and additional effects artist and crew, for a special reception, prop display, two sold - out screenings, and two intimate panels with the cast and crew!