Production designer Hannah Beachler, costume designer Ruth Carter,
special effects makeup designer Joel Harlow, and hair department head Camille Friend deserve recognition for their contributions here.
Not exact matches
Camera (color, HD), Monika Lenczewska; editor, Suzanne Spangler; music, Flying Lotus; music supervisor, Tiffany Anders; production
designer, Cecil Gentry; set decorators, Jane Madden, Chris Scheid; costume
designer, Chasia; sound, Woody Stubblefield; supervising sound editor, Trip Brock; re-recording mixer, Kelly Vandever;
special effects makeup, Geneva Nash Morgan; visual
effects supervisor, Jonas Drehn, Matt Bramante; visual
effects executive producer, Gresham Lochner; visual
effects, BaconX, Locktix; line producer, Gingi Rochelle; associate producers, Doug Patterson, Fielder Jewett; assistant director, Jamar Hawkins; second unit camera, James David Wall; casting, Kim Coleman.
Craftsmen: Michael Barrett (cinematographer), Christopher Blauvelt (cinematographer), Chung - hoon Chong (cinematographer), Corrine Clark (casting), Pau Costa (visual
effects), Dean DeBlois (animation biggie), David Hutchison (stunts), Grant Imahara (visual
effects), Steve Jablonsky (composer), Karin Justman (stunts), Henry Kingi Jr (stunts), Harvey Lowry (
special effects makeup), Trevor Morris (composer), Atli Örvarsson (composer), Adrian Rigby (
makeup), Lawrence Sher (cinematographer), MoinGenndy Tartakovsky (animation biggie), Freddy Waff (production
designer), Tricia Wood (casting), and Haris Zambarloukos (cinematographer).
Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production
designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume
designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound
designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual
effects supervisor, James Hattin; visual
effects producer, Nate Smalley; visual
effects, Legion;
special makeup effects, Fractured FX;
special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.
Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production
designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume
designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound
designers, Teague, Mills, Boyes, Gary Rydstrom;
special effects supervisor, John Frazier;
special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual
effects supervisors, Tim Alexander, Gary Brozenich; visual
effects producer, Shari Hanson; visual
effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual
effects supervisor, Matt Middleton;
special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.
Special makeup effects designer Bob Keen and his team had a talent for making excellent
effects for very little, especially when it came to this Clive Barker classic.
What's even more impressive is that it was
special makeup effects designer Rob Bottin that convinced Carpenter to make the creature more visible to the audience when the director wanted to keep it concealed.
The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production
designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume
designer Michael Wilkinson, Terminator
makeup and animatronic
effects man John Rosengrant of Stan Winston Studios, visual
effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual
effects supervisor Charles Gibson,
special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual
effects supervisor Ben Snow, and CG supervisor Pat Conran.
From the movie's production circle, we hear from producer Ron Bozman, screenwriter Ted Tally, former Orion Pictures VP Mike Medavoy, production
designer Kristi Zea, composer Howard Shore, set dresser Ken Turek, set decorator Karen O'Hara, art director Tim Galvin,
special makeup effects Carl Fullerton and Neil Martz, costume
designer Colleen Atwood, editor Craig McKay, production sound mixer Christopher Newman, moth wrangler Ray Mendez, re-recording mixer Tom Fleischman, sound
designer Skip Lievsay, and actors Anthony Hopkins, Roger Corman, Diane Baker, Brooke Smith, Anthony Heald, and Ted Levine.
A long - awaited sequel to the internationally acclaimed full - throttle splatter sci - fi action horror Meatball Machine directed by Yoshihiko Nishimura, an acclaimed
makeup artist and
special effects designer («Godzilla Resurgence»).
They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature
effects Mark Rappaport, DC Comics group editor Bob Schreck, production
designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and
special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.
EDITOR: Ray Lovejoy; CINEMATOGRAPHER: Geoffrey Unsworth, John Alcott; PRODUCTION
DESIGNER: Tony Masters, Harry Lange, Ernest Archer; ART DESIGN: John Hoesli;
SPECIAL EFFECTS: Stanley Kubrick, Wally Veevers, Douglas Trumbull, Con Pederson, Tom Howard, Colin J. Cantwell, Bryan Loftus, Frederick Martin, Bruce Logan, David Osborne, John Jack Malick:
MAKEUP: Stuart Freeborn; COSTUMES: Hardy Amies
Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production
designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume
designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual
effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning
special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.
The event reunited the film's cast and crew — including stars Kathy Najimy, Thora Birch, Vinessa Shaw, Omri Katz, and Doug Jones, producer David Kirschner, composer John Debney,
designer William Sandell,
effects /
makeup designer Tony Gardner, and additional
effects artist and crew, for a
special reception, prop display, two sold - out screenings, and two intimate panels with the cast and crew!
This one of a kind item was made and sent to me by Paul Jones the
special makeup & creature
effects designer on the movie.
Many of these are exceedingly rare, and one - the Seal of Metatron from Silent Hill: Revelation - is one of a kind and was custom made by the
special makeup & creature
effects designer on the movie, Paul Jones.