Sentences with phrase «special effects man»
The debut film from make - up and special effects man, Geoff Redknap who here is aiming for both a grounded tale of a man struggling in a small town, as well as a gory, inside out spectacle (a la Cronenberg's Brundlefly).
http://screenanarchy.com/ Not exact matches
The action sequences, the incredible special effects, the drama, the IRON MAN.
Things like smooth skin, long silky hair, and a hip - waist ratio of 0.7 - 0.8 tend to have special effect on men.
The special Jewish dating services such as instant messenger, chat, extended search and profiles offer greater effects of meetings than traditional method of your real life of making acquaintances with Jewish single men and women.
And I also wondered, with all due homage to the series, if he'll be able, in ten years, to sit still for a movie without special effects and magic, a movie in which a man and a woman face each other across a table and merely talk.
Critic Consensus: Despite awesome special effects, Hollow Man falls short of other films directed by Paul Verhoeven.
Critics Consensus: Despite awesome special effects, Hollow Man falls short of other films directed by Paul Verhoeven.
Across its whole sweep — which in retrospect now does seem genuinely epic — the Harry Potter series offers one ravishing special effect no digital compositor or makeup artist can match: the opportunity to see the three leads, Radcliffe, Watson, and Grint, age from adorably buck - toothed 11 - year - olds into young men and women toward whom the audience now feels an oddly avuncular pride.
The special effects are well done, however considering that this is a film by Paul Verhoevem, it lacks in delivering what you'd expect from the man that brought classic films such as Robocop, Total Recall and Starship Troopers to the screen.
Once again, Iron Man 2 presents a fairly silly story in a more - or-less convincing way, excellent special effects and a handful of action sequences that range from lackluster to pretty good.
Released in theatres on August 24,1966, «Fantastic Voyage» was not only a film of authentic wonder but a science fiction masterpiece with amazing special effects... the team enters the body of a man where they see first hand the oceans of life within the human body that contains the «corpuscles», «the heart», «the lungs» and other features of the human body through which the crew move through are exquisitely designed in great detail with artistic quality.
Reimagining the Spaghetti Western: The Horse and Stunts of Django Unchained goes for 13 minutes, 46 seconds and provides comments from writer / director Quentin Tarantino, stunt coordinator Jeff Dashnaw, producers Pilar Savone and Stacey Sher, stunt men Nick Dashaw and Freddie Hice, boss wrangler Rusty Hendrickson, special effects supervisor John McLeod, quick draw expert Thell Reed, and actors Jamie Foxx and Christoph Waltz.
The Bye Bye Man had a relatively modest budget, and it shows in the special effects, which tend to be more funny than scary.
Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
Spider Man For Honor Watch Dogs 2 Days Gone Farpoint (PSVR) Horizon: Zero Dawn Call of Duty: Infinite Warfare Mass Effect Andromeda Final Fantasy XV Dishonored 2 Skyrim Special Edition
Yesterday, we learned George Clooney «s The Monuments Men was exiting the Oscar race and moving to 2014 in order to have more time to work on the special effects.
With a lengthy career on special effects, makeup, and creature crews, Magee worked on major blockbuster films like Sam Raimi's Spider - Man, Jurassic Park III, and Alien vs. Predator.
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
The special effects feel unfinished at worst and at best are just really cheaply made, as if using the same level of rendering and detail as was available when Sam Raimi's first Spider - man came out.
The special effects feel unfinished at worst and at best are just really cheaply made, as if using the same level of rendering and detail as was available when Ram Raimi's first Spider - man came out.
Attack of the Killer Donuts is directed by an American filmmaker named Scott Wheeler, who is also an experienced special / digital effects supervisor, camera operator, producer, and second unit director, plus director of a few other bad horror films previously including Martian Land, Transmorphers: Fall of Man, Sink Hole, and Avalanche Sharks.
This film is not about makeup or special effects, or Hyde turning into the Wolf Man.
He added, «The movie works so well for several reasons, and they don't all have to do with the spectacular special effects... [«Star Wars»] relies on the strength of pure narrative, in the most basic storytelling form known to man, the Journey.»
A special effects expert, Quentin Beck used his talents to create elaborate illusions to commit crimes and to fight Spider - Man.
Mysterio's true identity has varied ever since the villain was first introduced back in 1964 but Quentin Beck, a Hollywood special effects artist and stuntman, is the most well - known Spider - Man character to take on the super-villain identity.
Sure he wears a purple cape and a fishbowl on his head, but Mysterio's special effects - based powers make for a really trippy introduction to Disney Infinity: Marvel Super Heroes's Spider - Man playset.
Iron Man's secret weapon dwells underneath the high - tech robot suit and the whiz - bang special effects: We can win the war on terror, the movie suggests, with the force of Robert Downey Jr.'s personality alone.
As a former special effects artist, Beck has a knack for designing illusions so convincing that even heroes like Spider - Man are utterly fooled.
Harryhausen's special effects was pretty much a one - man show back then and one wonders what he thinks of the fact that endless hordes of computer programmers are now employed to replicate his own efforts.
The world of «Men in Black» has always been full of all crazy creatures and special makeup effects artist Rick Baker fills «Men in Black 3» with his wild creations that look fantastic.
The scene that inspired producer Joel Silver to claim that the Wachowskis had raised the bar for special effects so high that «now there is no bar,» the sight of Neo fighting a phalanx of Agent Smiths looks exactly like a man fighting a computer program.
Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).
What does it mean when Roland Emmerich, a man who is known for creating some of the biggest and most expensive special effects movies ever made, has decided to shoot his next movie on the cheap?
I liked Iron Man enough to be a little nervous about the sequel, especially after seeing the film's star, Robert Downey Jr., marooned in Sherlock Holmes, which reached for that same mix of cool special effects, kinetic camerawork, clever dialogue, and mildly kinky characters and missed by a mile.
While the sci - fi frequently thrills (there are impressive special effects, including a clanking tribute to The Wicker Man), and there are some fun cameos, the thoughtful humour within The World's End is what makes this pub crawl well worth making.
And since miniaturization is the whole schtick of Ant - Man, we get to gee Marvel's famous and often seamless special effects, this time dealing with the world of bugs the size of elephants, carpet fibers like great stalks of corn and an army of various ants that help Lang defeat as many bad guys as possible.
Mr. Raimi's career thus far has included two extremely popular special effects - driven franchises: Spider - Man (2002 - 07) and The Evil Dead (1981 - 92).
Extravagant special effects are taken for granted in superhero movies, but Ant - Man has enough imagination to make them seem both fun and necessary, whether it's during a scene where the shrunken Lang finds himself dodging Lucite heels on a dance floor or in a psychedelic, space - folding sequence set in the Microverse, the dimension of the sub-atomically small.
For example, Men In Black divided its energies fairly evenly between comedy and effects - heavy action sequences, while an educated guess would put Evolution at about 90 percent special effects, with the remainder sprinkled toward other concerns.
This might have been the only group attending Comic - Con who were more excited about the music for the new «Ant - Man» movie than the special effects.
(Grade: A --RRB-: This entertaining, extraordinarily thought - provoking Northwest documentary uses special effects, animation and a fictional proverb starring Oscar - winner Marlee Matlin to explain how the science of quantum physics might be creating a whole new paradigm for man's future in the cosmos.
We don't know whether in the original 17th century version the Bard used a real trained bear, or a man in a bear's costume, or something that worked as a special effect at London's Globe theater, but ol' Will would be amazed if he could have seen what happens to Leonardo DiCaprio in «The Revenant.»
Also seen on set were Mark Ruffalo, who wore a special effects suit, Robert Downey Jr., and Paul Rudd in his Ant - Man costume.
The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.
Harryhausen began his professional career working on the original «Mighty Joe Young» (1949), which earned him an Oscar as part of the special effects team and allowed him to work with his hero Willis O'Brien, the man behind «King Kong,» the movie that inspired Harryhausen as a child.
But with the advancement in special effects capabilities, and a visionary director, the man in gold alloy suit (sorry — no iron) was able to have a huge impact on this summer's stellar box office.
The Scorecard Review Movie Awards: Best of the Decade (Almost) CLICK HERE to vote Best Visuals — special effects 2002 — Lord of the Rings: Two Towers 2002 — Star Wars: Episode II — Attack of the Clones 2003 — Lord of the Rings: Return of the King 2003 — Matrix Reloaded 2004 — Spider - Man 2 2004 — House of -LSB-...]
SPECIAL VISUAL EFFECTS ANT - MAN: Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke EX MACHINA: Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst MAD MAX: FURY ROAD: Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams THE MARTIAN: Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner STAR WARS: THE FORCE AWAKENS: Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan
During this event, an Ordinary White American Divorced Family Man (played by John Cusack) fights to save his family whilst navigating a series «talking» scenes (mostly people crying into telephones) which link one stupendous, special effects - riddled, scientifically - implausible, action sequence after another.
Rife with some unique special effects, and some we've seen before — most notably in Robert Downey Jr.'s «Iron Man» films — «Black Panther» features Chadwick Boseman as the title hero.