Sentences with phrase «special effects supervisor of»

Not exact matches

They're one of a team of vendors, a number of special effects companies, working together under a visual effects supervisor on the film.

Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual effects supervisor: Geoffrey Baumann Special effects supervisor: Dan Sudick Casting: Sarah Finn

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

Reimagining the Spaghetti Western: The Horse and Stunts of Django Unchained goes for 13 minutes, 46 seconds and provides comments from writer / director Quentin Tarantino, stunt coordinator Jeff Dashnaw, producers Pilar Savone and Stacey Sher, stunt men Nick Dashaw and Freddie Hice, boss wrangler Rusty Hendrickson, special effects supervisor John McLeod, quick draw expert Thell Reed, and actors Jamie Foxx and Christoph Waltz.

These fill a total of one hour, 56 minutes and 32 seconds as it provides comments from Wick, Fisher, production designer Alec Hammond, 2nd AD / VFX supervisor James Madigan, author Veronica Roth, set decorator Kathy Lucas, screenwriters Brian Duffield and Akiva Goldsman, supervising art director Alan Hook, producer Pouya Shahbazian, stunt coordinator Darrin Prescott, transportation coordinator Denny Caira, 2nd unit stunt coordinator Wade Allen, executive producers Barry Waldman and Todd Lieberman, fight coordinator Jeremy Marinas, special effects coordinator Bruno Van Zeebroeck, armourer Gregg H. Bilson Jr., property master Sean Mannion, composer Joseph Trapanese, and actors Shailene Woodley, Theo James, Octavia Spencer, Kate Winslet, Miles Teller, Ray Stevenson, Jai Courtney, Ansel Elgort, Jonny Weston, Maggie Q, Keiynan Lonsdale, Zoe Kravitz, Naomi Watts, Daniel Dae Kim, Emjay Anthony, Suki Waterhouse, and Ashley Judd.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

Special video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special eSpecial video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special especial effects.

Cliff Curtis, Kim Dickens, Frank Dillane, Alycia Debnam - Carey, Elizabeth Rodriquez, Lorenzo James Henrie, Ruben Blades and Mercedes Mason join executive producer and showrunner Dave Erickson, executive producer Robert Kirkman, executive producer Gale Anne Hurd, executive producer Dave Alpert, and special effects makeup supervisor and executive producer Greg Nicotero to discuss the anticipated series premiere of Fear the Walking Dead coming this summer.

In it, four of the film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas, director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk about how they created the cult classic's signature effect.

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant David Keighley, visual effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.

To create the lived - in, realistic feel of Rogue One, Edwards chose Greig Fraser (Zero Dark Thirty, Foxcatcher) to be his director of photography and Neil Corbould (Black Hawk Down, Gladiator, Saving Private Ryan) to be his special effects supervisor.

Former special - effects supervisor Gracey directs The Greatest Showman like an extended music video, combining American Idol — style songs with brass arrangements and choreography that imitate Michael Jackson videos, all mashed into the nonsense extravagance of Baz Luhrmann's Moulin Rouge.

Production values are at the highest levels, so we can also expect nominations for cinematographer Hoyte van Hoytema, who figured out how to take large - size cameras into challenging small places, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, VFX supervisor Andrew Jackson, and special effects supervisor Scott Fisher, not to mention composer Hans Zimmer, who is often taken for granted but is at the top of his game here.

Attack of the Killer Donuts is directed by an American filmmaker named Scott Wheeler, who is also an experienced special / digital effects supervisor, camera operator, producer, and second unit director, plus director of a few other bad horror films previously including Martian Land, Transmorphers: Fall of Man, Sink Hole, and Avalanche Sharks.

Read a recent roundtable with Industrial Light & Magic (ILM) visual effects supervisor Bill George, who oversaw the creation of the special effects in this year's Touchstone Pictures sci - fi action film «I Am Number Four.»

There is «Dragon Tracker Part 4», which is an an - depth look at Skrill, Baby Thunderdrums and Speed Stinger dragons, along with a special sneak peek of Snaptrapper from «How to Train Your Dragon 2» «Evolution of Skrill» is a featurette with the visual effects supervisor David Jones explaining the history behind the dragon.

Of course, the 120 - plus critics, broadcasters, and writers who make up the London Film Critics» Circle likely have no overlap with Oscar voters, but it's still a nice boost for both «Amour,» which also landed best actress honors for Emanuelle Riva, and «Life of Pi,» which also recieved a special award for Technical Achievement of the Year for visual effects supervisor Bill WestenhofeOf course, the 120 - plus critics, broadcasters, and writers who make up the London Film Critics» Circle likely have no overlap with Oscar voters, but it's still a nice boost for both «Amour,» which also landed best actress honors for Emanuelle Riva, and «Life of Pi,» which also recieved a special award for Technical Achievement of the Year for visual effects supervisor Bill Westenhofeof Pi,» which also recieved a special award for Technical Achievement of the Year for visual effects supervisor Bill Westenhofeof the Year for visual effects supervisor Bill Westenhofer.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

The name of the restaurant is Nic & Norman's, and Reedus shared a photo of the restaurant's logo, which has a paintbrush to represent Nicotero, who's also the special make - up effects supervisor on TWD, while the arrow is a nod to Reedus» character on the show.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

In a new HD interview, special effects supervisor Colin Chilvers spends 16 minutes weighing in on the production, describing Stanley Donen's approach to the material and his relationship with John Barry, the difficulties of working with the robot and executing miniature FX on a tight budget («In those days, there was no such thing as a big - budget science - fiction movie,» he says), and even the age differential between Douglas and Fawcett.

Terry Ackland - Snow, art director: «We did a rough design sketch of what was required, and then it got handed over to the special effects supervisor, John Evans, who made all the gadgets.

Revealing on - set footage, concept art, blueprints, and storyboards accompany comments by the lion's share of the cast and crew: in addition to Stamp, Heller, Melfi, Stevenson, and Walker, we get writer Eoghan Mahony and directors Allen Coulter, Tim Van Patten, and Roger Young; actors Kevin McKidd, James Purefoy, Lyndsey Marshal, Simon Woods, Kerry Condon, Tobias Menzies, and Allen Leech; production designer Anthony Pratt; costume designer April Ferry; military trainer Billy Budd; unit production manager Fabiomassimo Dell «Orco; co-executive producer Jim Dyer; visual effects supervisor James Madigan; Special effects supervisor Daniel Acon; and key hair stylist Stefano Ceccarelli.

Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.

They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

These feature information from Spielberg, Cruise, Wilson, Muren, Johnston, Wagner, Koepp, Fanning, Chatwin, director of photography Janusz Kaminski, producer Kathleen Kennedy, visual effects supervisor Pablo Helman, production designer Rick Carter, concept designer Doug Chiang, property master Doug Harlocker, stunt coordinator Vic Armstrong, special effects coordinator Daniel Sudick, digital production supervisor Curt Miyashiro, military technical advisor Major Joseph Todd Breasseale, model / miniature supervisor Steve Gawley, actor Tim Robbins, set decorator Ann Kuljian, compositing supervisor Marshall Krasser.

In the film Bridges appears as a digitally rendered version of his younger self; captured by VFX company Digital Domain and leading special effects supervisor Eric Barba, who previously took Brad Pitt through the seasons in The Curious Case of Benjamin Button.

Yet, their impressive combination — and the effective efforts of Headey, Wood and Domhnall Gleeson (Shadow Dancer) in support — come second to cinematographer Anthony Dod Mantle (127 Hours) and special effect supervisor Max Poolman's (District 9) striking 3D visuals.

The production features a number of other Romero collaborators, notably special make - up effects creator Greg Nicotero, co-founder of the Oscar - winning special effects group KNB EFX Group and co-executive producer, supervisor and occasional director on The Walking Dead.

Indeed, Derrickson, DP Ben Davis, production designer Charles Wood, and special effects supervisor Stéphane Cerretti (whose credits include The Prestige and Guardians of the Galaxy) have not merely pushed the boat out but turned the boat inside out and twisted it into a Moebius - strip replica of itself.

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

KF: Physically what was happening was the special effects supervisor was getting the shit beat out of him, verbally of course, by a lot of people — including Terry — who were very angry with him.

The special features include a commentary featuring creator Todd MacFarlane, director Mark Dieppe, producer Clint Goldman and visual effects supervisor Steve «Spaz» Williams; an interview with Todd McFarlane, a behind - the - scenes Making of Spawn feauterette, a Spawn sketch gallery with over 200 original concept illustrations, scene - to - storyboard comparisons; original Todd McFarlane sketches; Filter & the Crystal music video and the original theatrical trailer.

We are delighted to welcome cast member Nicholas Vince (Chatterer cenobite) and special effects supervisor Geoff Portass to discuss the production and legacy of Hellraiser in a Q&A after the film.