Discovered by Donald Johanson at Hadar in Ethiopia in 1974 and nicknamed «Lucy» this fossil was the most complete skeleton and oldest member of what was then known of the human lineage but numerous scientists disputed she was truly bipedal, stating
this species practiced a form of locomotion intermediate between the quadrupedal tree climbing of chimpanzees and human terrestrial bipedality.
Not exact matches
What the artists of the Modernist Left shared above all was the desire to advance the
practice of non-figurative art and to promote that art as a
species of realism; that is, a higher
form of realism that encompassed the democratic and progressive potential of abstract art to provide an image, as the art historian Martin James put it, of an implicit order of a future society.
Primarily focusing on the Hollywood Juniper, an East Asian
species of trees that Gaillard has returned to throughout his
practice, these plants directly engage and struggle with the imposing architectural
forms they are situated alongside, providing a deeper narrative about cross-cultural cohabitation.
The main protagonist of Cornell's Juan Gris series is a bird — the great white - crested cockatoo — specifically, an image taken from a 19th - century print of the
species that Cornell repeatedly used along with Photostats or silhouettes of the bird's
form to explore the fascinating shadows that Gris produced in his own
practice.
It occurs in a multitude of
forms (mixed farms or specialized livestock keepers;
species, herd size, free roaming or confined, husbandry
practices), scales and degree of market orientation (subsistence, mixed subsistence / commercial, small commercial, large commercial) and locations (back yards, roof tops, peri-urban areas, urban public vacant spaces) each with its own problems and opportunities.